Do The Right Thing Analysis

Do the Right Thing is a beautifully intense film directed by the talented Spike Lee, which revolves around the very diverse community of the Bedford-Stuyvesant district of Brooklyn on a hot summer Sunday. Throughout the entire film, characters are faced with obstacles and injustices that bring up the grand question of what the “right thing” even is. One scene in particular sums up the whole premise of the film into a concise and poetic speech spoken by the one and only Radio Raheem. This scene is imperative to have in the film as well as for the viewers. Without this scene, the film itself would not have the same impact and possibly the same message it has already given all of its spectators.

In the film, Do the Right Thing, director Spike Lee presents the audience with the theme of racism. The title represents the everyday choices that we as Americans of various ethnicities, cultures, and race. Spike Lee’s Do the Right Thing allows the viewers to decide for themselves the right thing to do about racism. Everyone has the choice to be accepting of cultures, or people different from them. The film portrays how an Italian American named Sal has a neighborhood pizzeria in Bedford-Stuyvesant, New York. The neighborhood is primarily African American, but there is a diverse amount of other cultures made up of, Hispanics, European Americans, also there is a store owned by Koreans. This film displays the discrimination between the races and how this can lead to violence.

Spike Lee's Do the Right Thing focuses on scenes representing failed communication, dire stereotyping, absence of trust, and wrongful violence that reflects the existing concerns about racism in America. The intense language and strong gestures enhance the film creating a realistic view for the audience.

Spike Lee’s camera technique in “Do The Right Thing” enhances racial tensions between characters. uses a lot of canted frames, tracking shots, close-ups, high and low angles, parallelism, and music to achieve this. The heat wave going through Brooklyn is exemplified in many ways: on the radio, through discussion between characters, people’s dress, and actions, etc. Lee also uses cinematography to get across how hot this day really is. For example, the film begins with a montage of people in the neighborhood trying to cool off, struggling to get through their morning routines: a shot of someone taking a cold shower, cuts to a shot of someone sticking their face in ice, to someone sticking their head in the freezer, men drinking beer, someone

While the 1970’s and 80’s marked a decline in movies featuring black actors and a lack of black directors, the mid 1980’s through the 1990’s invited a new generation of filmmakers and rappers, engaging with the “New Jack” image, transforming the Ghettos of yesteryears into the hood of today. A major director that emerged during this time was Spike Lee. According to Paula Massood’s book titled, Black City Cinema, African American Urban Experiences in Film, “…Lee not only transformed African American city spaces and black filmmaking practices, he also changed American filmmaking as a whole.” Lee is perhaps one of the most influential film makers of the time, likely of all time. He thrusted black Brooklyn into light, shifting away from the popularity of Harlem. By putting complex characters into an urban space that is not only defined by poverty, drugs, and crime, it suggests the community is more than the black city it once was, it is instead a complex cityscape. Despite them being addressed to an African American audience, Lee’s film attract a mixed audience. Spike lee’s Do the Right Thing painted a different image of the African American community, “The construction of the African American city as community differs from more mainstream examples of the represents black city spaces from the rime period, such as Colors…, which presented its African American and Mexican American communities through the eyes of white LAPD officers.”

These different ethnic relations are racially divide because it depends on someone's believe towards a race. In the film Do the Right Thing, written, directed by Spike demonstrates how social class, culture, and race can affect the way people interact with each other. For example, Buggin’ Out who is an African-American sees that the pizzeria's “Wall of Fame” and he is offended that the wall only has pictures of Italian “white” important people. The important wall becomes a symbol of racism and hate to the

It is unfortunate that intolerance continues to exist in our nation (or anywhere else for that matter). Racism, one of the largest and most prevalent forms of intolerance, commonly destroys relationships and can eventually lead to violence. The existence of such hateful ideologies is so prevalent in our society that popular culture is constantly trying to challenge the ignorant basis of racial conflict. Spike Lee’s film, Do the Right Thing, connects with this concept of racial conflict that is so foreign to my past. Through the application of my social and political views, I will demonstrate how Spike Lee’s film is difficult for me to relate to and, in my opinion, conveys a misleading message.

In an attempt to enlighten audiences with a powerful message about the cancer that hate and violence can bring to a society; writer, director, Spike Lee brings Do the Right Thing to the screen. Fusing a powerful story with creative film making, Lee gives us an insider’s look at life on a blistering summer day in Brooklyn.

The film Do the Right Thing is a very relevant on issues of race. The film shows how there is tension between all races. The film shows racial tension between the communities in the hottest day of the year. The heat is a theme in the film. Heat in general gets people on edge and raises tension. The film relates to W.E.B. Dubois work “The Soul of Black Folk.” Dubois (1903) work includes the concepts of the veil and double consciousness. The African Americans in the film deal with the idea of a veil. Mookie the protagonist deals with the idea of double consciousness.

In Spike Lee’s film Do the Right Thing, we dive head first into a world of racial and social ills. The movie is set in the African American and Puerto Rican neighborhood of Bedford-Stuyvesant, Brooklyn, on the hottest day of the year. We follow a young man named Mookie, who lives with his sister Jade, and works as a pizza delivery guy for a local pizzeria owed by Sal. Sal’s “Wall of Fame” is soon questioned by a man named Buggin’ Out, who believes that Sal should place some pictures of African American celebrities on his wall to represent the African American society he serves. Sal refuses and Buggn’ Out attempts to

This is an analysis of the film “Do the Right Thing”. This film begins on a very hot day in Brooklyn, New York. Everyone on the block where the film is taking place is waking up and on their way out the door. Throughout the film there are many conflicts between characters. Mookie is the main character in this film. There are moments where the film from his point of view and the observer will learn the most about his life. The film is about discrimination and segregation brought on by those who live in the town.

Spike Lee’s Do the Right Thing (1989) portrayed an important social problem of the time period – interracial rivalry. The movie was one of many ghetto action films made during the era. In the article “Producing Ghetto Pictures” by Craig Watkins, he says that the movies of the ghetto film cycle committed much of their storyline to that of the relationship between young, poor black males and the ghetto (170).

In spite of the fact that Do the Right Thing and Jungle Fever are both associated with social and political issues, they tend to navigate through various racial viewpoints using different cinematic elements. Spike Lee uses a variety of techniques in his film to bring awareness to events occurring in today's society. For example Do the Right Thing, is a film that tackles down the social issue of prejudice as well as the controversial issues between Italian-Americans and African Americans in New York City. The whole movie unravels around the “Wall of Fame” located inside Sal’s Pizzeria, which only features Italian actors. One day a local customer name Bugging Out, demands to have black actors, since after all the pizzeria is located within a black neighborhood. Soon enough the “Wall of Fame” becomes a symbolic representation of racism and hate which leads to a riot involving an explicit scene of police brutality. On the other hand Jungle Fever, tends to emphasise on the subject of interracial couples, as well as the controversy between Italian-Americans and African Americans and of course the usage of drugs. The movie is based on Flipper, an African American architect who has an affair with his secretary Angie, who is an Italian-American. The climax of the movie occurs when Flipper’s wife Drew, finds out about the affair and from then on society begins to reject Flipper and Angie because of social norms. Forcing them into a corner where they later learn that they were driven

In Spike Lee 's Do the Right Thing, the story takes places in 1989, another year in the long struggle for equality for African-Americans. The film portrays the racial tensions between locals of the neighborhood and an Italian-American family in the majority Black and Hispanic neighborhood of Bedford-Stuyvesant (Bed-Stuy) in Brooklyn, New York. Spike Lee shows us what a day in the life of the Brooklyn neighborhood consists of and throughout the movie he portrays several different aspects of a modern urban neighborhood, using the many unique personalities of the characters in the movie.

Do the Right Thing is a dramatic comedic film that was directed by Spike Lee. The movie was released in 1989. Lee served in three capacities for the film: writer, director and producer of the movie, Ernest Dickenson was the cinematographer and Barry Alexander Brown was the film’s editor. For this film, Lee garnered together some notable actors and actresses, including Ruby Dee and Ossie Davis, Rosie Perez, Samuel L. Jackson, John Tuturro and Martin Lawrence. The setting of the movie is in Bedford-Stuyvesant; which is a neighborhood in Brooklyn, New York. This particular neighborhood is made up of several ethnic groups that include African Americas, Italians, Koreans, and Puerto Ricans. The movie takes place on a particularly hot day