Doctor Jekyll and Mr. Hyde, Frankenstein and Confessions of a Justified Sinner

After Horace Walpole redefined the term “Gothic” with his literary form that mixed history and fantasy in a way that was meant to create wonder and terror, the term developed to take a on many interconnected meanings. These meanings include “Goths/Visigoths” which Edward Gibbon describes as “a general appellation of rude and warlike barbarism”(Moreland, slide 29). It is also a Medieval style of architecture and an “unwritten” constitution which describes the “ traditional balance of power in British politics between the royalty and the people”(Moreland, slide 31). The final meaning is that of Gothic fiction whose characteristics include: strong emotion (mainly terror/horror), antiquity, haunting, isolation, obscurity/mystery and/or monstrousness/grotesquerie. Among the 18th and 19th century fiction that draw upon and foreground these meanings are Poe’s The Fall of the House of Usher and Stoker’s Dracula.

If Hyde has been described as Hyde "savage, uncivilized, and given to passion…poorly evolved" (Shubh), then perhaps he represents the true, original nature of man, repressed by society, norms, and conscience. The Strange Case of Dr. Jekyll and Mr. Hyde suggests that this restrained, amoral side of human nature, once given a chance to escape, cannot be controlled. Even in this 'height of western civilization', Victorian England, this tempting evil can overcome even the most virtuous of men. Jekyll is neither good nor bad, but a man whose deeply repressed urges motivated him to separate, but not remove, the evil parts of his nature. There is a misinterpretation that Hyde is an unwanted byproduct of trying to create pure good, that Jekyll is not in control as Hyde, and that Jekyll doesn't enjoy being Hyde. In fact, Jekyll loves being Hyde, he revels in the freedom that he brings him (Stevenson 54), but the problems with his dual personality starts when he has to face the consequences of his actions. Jekyll has a difficult time balancing Hyde's debaucheries and Jekyll's rational, refined side. However, Jekyll realizes too late that he has indulged in Hyde too much and has let him grow out of control. At the beginning of the novel, Hyde was the “smaller, slighter, and younger than Henry Jekyll” (Stevenson 57). His more youthful appearance represents how young and free Jekyll feels as Hyde, but also symbolizes how little his personality was seen before Jekyll drank his potion. Early in the novel, Hyde is easily controlled, Jekyll can use his potion to limit how often he transforms into Hyde (Stevenson 56). However, as he starts to morph back and forth, it starts to take more and more potion to control the switches until

Jekyll and Mr. Hyde is one long social commentary. One of its main themes is breaking down the façade of perfection created by the upper class, and examining what lies underneath. In fact, the whole story is about a man in high society, whose private life is rather an opposite of his public one. In Dr. Jekyll’s letter, Stevenson writes, “I knew myself, at the first breath of this new life, to be more wicked, tenfold more wicked, sold slave to my original evil… I was suddenly aware that I had lost in stature,” (Stevenson page 2273). The idea of a “loss in stature” holds a double meaning. Stature, meaning size, can allude to Hyde’s height which is understood to be much less than Jekyll’s own. Yet, stature, meaning stance in society, can also imply that Jekyll, when transformed, no longer hold’s his prominence in his culture. This speaks to the Victorian society’s habit of only portraying the high society as impeccable which Stevenson battles throughout this mysterious case. Another parallel of appearance is described by Nabokov as he states, “The relations of the two are typified by Jekyll’s house, which is half Jeykyll and half Hyde,” (Nabokov 186). The side facing the street filled with others in the upper class is neat, tidy, and welcoming; this is Jekyll’s half. The side facing a dimmer and more dangerous street is dark, looming, and mysterious; similar to Hyde’s

Where Dr Jekyll and Victor Frankenstein are characters who isolate themselves from society more than anything else, Hyde is a solid, living form consisting purely of Jekyll’s immorality, and is rejected from society evenwithout any isolation on his part. It is clear from the moment he is first mentioned in chapter 1, in the conversation between Utterson and Enfield, that he is not someone that is going to be well liked in the story, especially when Enfield describes Hyde as if ‘there is something wrong with his appearance; something displeasing, something downright detestable. I never saw a man I so disliked.’ Just from this one conversation it soon becomes clear that society has shut this ‘man’ out, particularly when it is revealed that the doctors and everyone in the crowd around the trampled girl in the story feels the same way Enfield does, as if ‘they want to kill him’. The treatment of the Monster in Frankenstein is also very similar to Hyde’s as they were both set around the same time period and the views of immorality were roughly the same, if not worse in Shelley’s earlier

When Victor Frankenstein was in the two year long process of creating his monster you have to think about what his personal morals were, principles concerning the distinction between right and wrong or good and bad behavior. Everyone has varying personal morals. Dr. Frankenstein goes against the morals of a medical doctor when he wastes his life away slaving over his experiment. He also tries playing God when he sparks the life back into the stitched together corpse. This corpse comes alive and is abandoned by his creator to roam the country without ever having the experience of growing up. Finally, Victor Frankenstein is burdened with the guilt of creating such a horrible creature, proving what he did was wrong. So, in the novel Frankenstein, the extension of life is the real moral question.

Mary Shelley's Frankenstein and Robert Louis Stevenson's Dr. Jekyll and Mr. Hyde are two horrific tales of science gone terribly wrong. Shelley?s novel eloquently tells the story of a scientist, Victor Frankenstein, who creates a living monster out of decomposed body parts, while Stevenson?s novel describes the account of one, Henry Jekyll, who creates a potion to bring out the pure evil side to himself. Although the two scientists differ in their initial response and action to their creations, there are strong similarities between their raging curiosity to surpass human limitation, as well as their lack of responsibility concerning their actions. These similarities raise an

The Strange Case of Dr. Jekyll and Mr. Hyde was wrote in 18th centuries, the times that were defined as ‘Gothic revival’. The literature in this times had similar thematic elements include supernatural or ‘fantastic’, violent crime (death and murder), passionate romance (often with death). The novel Strange Case of Dr. Jekyll and Mr. Hyde was considered as typical Gothic literature. Particularly, repression and hypocrisy are highly emphasized in the novel. Repression is undoubtedly a cause of conflict between Dr. Jekyll and Mr. Hyde. The root of this repression can be found in Victorian England where there was no sexual appetites, no violence and no freedom of expressing emotion in the public sphere. Everything should be restrained and people in that times all behaved solemn and were not allowed to show their joys and sorrows. This repression can be well reflected within Dr. Jekyll in the novel. According to quotation of Stevenson’s description:

Throughout the novella there is a constant power struggle between Jekyll and Hyde, which Hyde eventually wins but Jekyll finishes by taking his and his counterpart's life. In the beginning Jekyll is in full control, all he has to do is drink the potion and "Edward Hyde would pass away like a stain of breath upon a mirror". Also another important discovery to know was that in the beginning there was only pain turning into Hyde but as committed more atrocities, Jekyll became more consumed by evil, finding it hard to become himself again. Jekyll soon comes upon the theory that Hyde is smaller in person because Jekyll's evil side has been "less exercised", but as Hyde commits more wrongs his stature becomes stronger. Two weeks before the murder of Sir Danvers, Jekyll is in bed in Sohowhen he falls back to

Science plays an integral role in the development and findings of many great things that we can benefit from. Integrity along with a specific set of moral standards must always be followed in order to ensure the end result enables a healthy environment for all whom wish to benefit from such studies. Integrity must always play and be the most essential key role in scientific research. In Mary Shelley’s Frankenstein (1831) and Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde (1886) one is able to conclude that integrity must be maintained while conducting scientific research as a lack of can result in the creation of monsters.

We are gathered here today for the trial of Mr. Creation and Victor Henry Frankenstein. The creation is charging his creator, Victor, with negligence, reckless endangerment resulting in the involuntary manslaughter of William Frankenstein, Henry Clerval, and Elizabeth Lavenza, malpractice, emotional, and physical distress. My client, Mr. Creation, has suffered many times at the hand of his creator, and we are here today to see that justice is served for the cruel actions of Mr. Victor Frankenstein. In the following trial, we will be proving the defendant guilty of all the above charges.

     The term Gothic refers to a genre that came about in the late eighteenth century. It can be a type of story, clothing, or music nowadays. In this paper it will refer to a style of literature. A very good example of this type of literature is Mary Shelley's Frankenstein. There is a sense of foreboding throughout the whole novel, which is one of the basic necessities of the Gothic. This theme of the Gothic has different characteristics that all fit into the story of Victor Frankenstein and his monster and make this one of the first horror stories every told.

Gothic literature has been popular since the 19th century and has given readers the opportunity to look at romantic movement that focuses on a darker horror like imagination. Some of these involve a combination of extreme landscapes, icy wastes, and extreme weather, horrifying events or the threat of such happenings, as well as supernatural manifestations, and presenting evil. Gothic literature gives us a way of looking more depth into a hero whose identity is identified at the end of a novel (Mullan). Some novels that have given us a chance to look more in depth with gothic literature just like Frankenstein. These novels include Horace Walpole’s Otranto

Though the books were published almost seven decades apart the monsters in Frankenstein and Dr. Jekyll and Mr. Hyde share many similarities: They were both created in laboratories by European scientists for somewhat morally suspect purposes, both were outcasts of society, and murdered characters secondary to their creator. Even in their final days they followed a similar archetype by taking the lives of their creators before ending their own. One should ask the question why these stories have stood the test of time while countless others fall by the wayside.

The Strange Case of Dr. Jekyll and Mr. Hyde was written during the height of the Victorian era. In this period, there were huge debates concerning pursuing desire versus doing what was socially acceptable. There were also constant scientific discoveries being made. Stevenson 's piece, using a telescopic framework, is a product of romantic and Victorian traditions since it incorporates Victorian gentlemen, dark romantic subjects and duality within both Victorian and Romantic society. Being a gentleman and upholding your reputation in the Victorian era was the most important character trait, and seeing how a perfect gentleman like Dr. Jekyll could have such an evil side was a shock for society. The actions of Mr. Hyde went completely against social norms and expectations. Romantic topics like the subconscious, fears and nightmares/dreams are also depicted in this work. As well, there is something dark beneath the facade Victorian people wore. The contents of the story have an eerie vibe and demonstrate the potential dangers that people keep hidden. And finally, duality within Victorian and Romantic society is evident throughout the piece with self-control against desires and what’s on the surface against the subconscious. The Strange Case of Dr. Jekyll and Mr Hyde takes place during a time of large scale social

villainy in Stoker’s Dracula compare to that of Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde. This Extended Essay comparing the depravity in nature of the antagonists in these classic literary works will provide a better understanding of what constitutes ‘evil’ in society. Further analysis of the villains will reveal how the authors use them as representations of repressed human nature. My own fascination with the topic, as well as my rapport with gothic classic literature, led me to pursue this research topic.