Does False Photography Exist

Eadward Muybridge and Cornelius Jabez Hughes, two photographers of the 19th century, introduced revolutionary ideas impacting the way photographs could be taken, categorized, and used. Muybridge, better known as the ‘father of the motion picture,’ studied landscape photos and invented a device that drastically improved their quality. In addition, he helped to pioneer work in the studies of motion and motion-picture projection. Hughes developed new technology related to photography and helped to guide many other amateur photographers into producing better forms of photography. The two had lasting impacts on the growth and importance of photography in the art, science, and everyday realms.

“Photography is all about secrets. The secrets we all have and will never tell.” (page 215)

Photography is a word derived from the Greek words photos light and to draw. A scientist called Sir John F.W. Herschel, which was in 1839, first used the word. It was a method which was all about recording images by using light or radiation on a sensitive material. The first known camera was created by Alhazen also known as who lived around 100AD he invented the first pinhole camera this camera was used to capture the movement of the sun. Photography was explained to be the science and art of documenting photographs by capturing light on a light sensitive material which included film or an electronic sensor. Light could be reflected from objects which could expose a chemical or electronic material during a timed exposure which is typically used through a camera which can store the information chemically or electronically. The first photograph was take in 1827 taken by Joseph Nicephore Niepce who made the first photograph

The photograph is a very powerful medium. The French painter Paul Delaroche exclaimed upon seeing an early photograph “from now on, painting is dead!” (Sayre, 2000). Many critics did not take photography seriously as a legitimate art form until the 20th century. With the

For this essay the works of Robert Draper, author of “Why Photos Matter,” and Fred Ritchen, author of “Photography Changes the Way News is Reported,” will be analyzed. Though both deal with the topic of photography, their take on the matter is very different. While Ritchen is a photographer who writes on “what professional photographers will be doing in the future,” Draper is a writer for the National Geographic writing on how the photographers of the magazine share “a hunger for the unknown.” Both writers, however, write on the topic of photographers having a deeper understanding of their subjects, Ritchen due to research and practice, and Draper because the photographers “sit [with] their subjects, just listening to them.” In both essays the need for a deeper understanding of the

Now how does photography relate to physics? It’s simple. The lens. A camera lens is defined as an arrangement of ocular lens rudiments that are either immovable from the frame of a camera or substitutable. This set up is identical to the impressive human eye. Basically, it’s a development that endeavors to replicate the maneuver of the anthropological eye. The lens perceives a portrait, sharpens it, and then conveys its insignia, sensitivity, and intensity through the camera to the photograph film, which like our remembrance archives the image for dispensation and imminent usage.

Photographs are also manifestations of time and records of experience. Consequently, writings on photographic theory are filled with references to representations of the past. Roland Barthes (1981, 76), for instance,

Another significant reason that has played a vital role in photojournalism of recent times is the emergence of imaging technologies. Imaging technologies has undoubtedly played a major part in the works of a photojournalist today. Based on earlier accounts on how photography itself is an inherent manipulation, the question is no longer directed on ‘how has imaging technologies manipulate photojournalism' but ‘how much more has imaging

After a steady progression, pictorial photography as a movement emerged. Pictorial photographers believed that their field is more than just an objective, mechanical media. Photography was not just about capturing the documentation and information contained by an image, but rather, about the effect and the mood they translate. The images began to have meaning and a reason for their capture, completely transforming the images produced.

The truth is that photography really does limit our understanding of the world. Although others may argue that photography deepens their understanding of the world around us, this “world” is the world that the photographer creates. The world that photography shows us is not the entire world, as there is more to see. Photography highly limits the understanding of our world in ways that we were not even aware of. The manipulation of images, showing an unreal world through images, not being able to experience what the photographer experienced, and replacing going places by looking at photographs are ways of how we are limited by photography.

Firstly, it captures the beauty of arts, people, and nature. In fact, it captures the soul of every living creature that escapes the people’s naked eye, permeating the core of their hearts. It enlivens prosaic sceneries and environs. That being said, photography makes people see the beauty and magnificence of God’s creation. This world is such a beautiful dwelling, and it just takes lenses to show it to the people who have the deepest appreciation of arts and beauty of nature, and even to those who have not grasped yet how stunning

Photography serves many purposes and since its invention people have used it for many different reasons, but mostly for

Until recently, at least, it was possible to define photography as a process involving optics, light sensitive material and the chemical processing of this material to produce prints or slides. Today though, that definition is subject to change. Technological innovations…are shifting photography from its original chemical basis towards electronics… It is not overstating it to say that the advent of this new technology is changing the very nature of photography, as we have known it. (Bode and Wombell 1991)

Since its inception, photography has been used to capture moments in time all around the world. This wonderful technology has existed since ancient times, and has only improved in recent history, changing society in the process.

The birth and development of photography are the inevitable products of the times. With the advance of scientific technology, people’s desire for the permanent image, image recording, and the information transmission lead to the emergence of photography. At the same time, the birth of photography has further promoted the development of science, technology and people's needs.