Does the Brutal Truth in Sonnet 130 and a Beautiful Young Nymph Going to Bed Take Away the Beauty of the Poem?

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Does the brutal truth in Shakespeare’s ‘Sonnet 130’ and Swift’s ‘A beautiful Young Nymph going to bed’, take away from the beauty of the two poems.
Beauty and aesthetics can be defined as “Nothing more nor less, than sensitivity to the sublime and the beautiful and an aversion to the ordinary and ugly”, this means that beauty can be absolutely anything which is beautiful as long as it is not ugly or ordinary, this may seem harsh, much like the poems by William Shakespeare and Jonathan Swift. In both poems; ‘Sonnet 130’ by William Shakespeare and ‘A beautiful young nymph going to bed’ by Jonathan Swift, aesthetic beauty is explored in a brutal and honest light. Shakespeare’s ‘Sonnet 130’ tells the story of a man describing his mistress
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It may seem romantic of Shakespeare to have kept his lover a secret, but we must remain aware that he did have a wife at home in Stratford upon Avon. The possible occupation of Shakespeare’s ‘Dark Lady’ gives a contextual link to Swift’s poem; ‘A Beautiful Young Nymph Going to Bed’, as the role of prostitution is explored in this poem and there are suggestions that this was the role of the Dark Lady.
The purpose of satire is to show what is bad or weak about something or someone through humour and exaggeration. Jonathan Swift is known as ‘The Godfather of Satire’, Swift himself defined satire as; “satire is a sort of glass, wherein beholders do generally discover everybody’s faces but their own’. Here, Swift explains how everyone who reads his satire will see how he is mocking everyone else, apart from themselves. The use of satire gives ‘A beautiful young nymph going to bed’ complexity when looking at the meaning, similarly to Sonnet 130, making it eligible for the canon of English Literature, as one of the requirements to be eligible is that the work has “…complexity…”. Swift published ‘A beautiful young nymph going to bed’ in 1734, the poem is satirical, and it satirise women’s artificiality; “Takes off her artificial hair” and their use of the male gaze. He wrote the poem in the 18th century, when around 63,000 prostitutes were working in London, a terrible time, as prostitutes became more popular and more common, sexually transmitted

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