Skateboarding was created as an extension of surfing in 1950’s and 1960’s. This style was viewed as a graceful sport, but lacked legitimate attention from the public, leading to its inevitable decline in popularity. Former Zephyr team member, Stacy Peralta showcases the resurrection of skateboarding by presenting the audience the experiences the Zephyr skateboarding team in his documentary, Dogtown and Z-Boys (2001). The Zephyr team (also known as the Z-Boys) were the pioneers of modern skateboarding. The documentary and film conventions used in Peralta’s documentary are deliberately chosen to evoke certain responses from the audience. Respect, admiration, idolisation and criticism are the main responses Peralta tries to convey to the audience. …show more content…
Peralta shows several members of the Z-Boys explain through expert interviews, the arduous task of creating skateboards, as commercial skateboards were hard to find. Their skateboards used clay wheels, which would “lock up” and injure the rider if they turned too hard or hit a pebble on the road. This did not have any real negative effects on the Z-Boys and they continued to use this particular design until the invention of urethane wheels. Another example of the Z-Boys ingenuity is their incorporation of surfing into skateboarding. The Z-Boys all came from surfing backgrounds and incorporated these styles into their skateboarding. This emulation of “surfing on asphalt waves” would continue to used as the basic skateboarding style of the …show more content…
In the early 1960’s, skateboarding became a popular “after surfing activity”. During this montage, “Sidewalk Surfing” by Jan and Dean play. In the mid 1960’s, skateboarding lost its popularity and “virtually disappeared overnight”. The song scrambles to a stop to symbolize skateboarding’s abrupt end. In the 1970’s, skateboarding was only practised by “the most hardcore enthusiasts”. The addition of skateboarding’s downfall provides context to the Z-Boys’ efforts to revive a “passing kiddy fad”. During the early to mid 1970’s, skateboarding competitions arose after its apparent end in 1965. The older styles were “upright”, and those who performed wore bright colours as if they were not to be taken seriously, especially when Peralta plays “Lollipops and Roses” by Herb Alpert, during their montage. When the Z-Boys performed at these competitions, they were darker clothes. Their low riding styles and aggression, juxtaposed the “classical form”. Peralta plays “Foxy Lady” by Jimi Hendrix, during the Z-Boys’ skateboarding montage and there is a clear change in pace in music and style. During their first competition, the Z-Boys dominated their divisions with their “70’s surfing style”. The team looked so unique, “[the judges] didn’t know how to judge it”. This styles and skills used by the Z-Boys in this
The hippie aesthetic era was an important time in rock and roll during the late 60’s and on into the early 80’s. It was a time were rock had a sense of purpose. They sung about the issues that plagued the country. It was also a time where technology would play an important roll in the sound of music, with the advancement in recording and synthesizer technology (Covach, “The Hippie Aesthetic”). The hippie aesthetic was not immune to the advancement of music. This essay will go over three songs that represent the different aspects of this era. It’ll will review a song that is predominately hippie aesthetic, a song that is a little of both, and finally a song that has no trace of hippie aesthetic.
“Boyz n the hood” takes place in South Central Los Angeles in 1984. The main actors in the movie are Cuba Gooding Jr as Tre, Morris Chestnut as Ricky, and Ice Cube as Doughboy. In the beginning of the movie it says, “One out of twenty-one Black American males will be murdered in their lifetime” followed by “Most will die at the hands of another black male”. Later it shows the main characters in the movie Tre, Ricky and Doughboy as kids each of them having plans in life. Ricky’s dream is to become a football player and Tre going to college and doughboy still not deciding what he wants to do in life.
Situated predominantly in urban areas, gangs are becoming a major problem in today's society. The youth and adults are turning into gang members often times to leave behind the current situation they are living now. Many people who aren't familiar or affiliated with gang members are known to be curious as to why it is that the youth and adults join a gang. Some answers might be the current situation, obtaining social status, sense of protection, amongst other personal reasons. Everyone who joins a gang has different situations about why they decide to associate with gang members. In the novel, G-Dog and the Homeboys by Celeste Fremon, focuses on the gang members about East Los Angeles. This book draws the attention on the youth residing within the East Los Angeles territory and a look at the East Los Angeles gang members and how they play a major role in the book as one of the Latino gangs in East Los Angeles.
In his short overview of the origination of the Sugar Hill Gang in the mid 1970’s, the author makes it apparent the hip-hop grew out of necessity due to lack of funding in the art programs in New York City school system. This neoclassical movement of the mid 1970’s grew like a wildflower that sprouts through the cracks of a modern day concrete jungle.
Rock and roll music emerged as a part of American teen culture during the notably conservative time period in the country’s history which shortly followed the traumatic events of World War II. Being that the genre’s target audience was white teenagers, many Americans- already overwhelmed and on-edge due to the anti-communist movement inspired by the Cold War- were apprehensive about the influence that this up-and-coming style of music might have on their country’s future. America’s youth openly accepted rock and roll’s racially integrated culture of performers and embraced the relatively lewd nature of many songs and performances associated with the genre, much to the dismay of their elders.
The later half of the Homelander Generation, also known as “Generation Y,” is known for having little to no identity. Popular culture says that history repeats itself and that I belong to a generation where an overall style does not exist. From music to clothing everyone is desperately trying to reach into the past. The 60s, 70s, and 80s all have defining styles prevalent to that specific decade, for example disco. As a result to addressing the uniqueness of California and its culture in the 1990s Bay Area patrons began a move toward rap, hard-hitting beats, baggy clothing and defined dance styles. California was home to the newest cohesive generational movement. It was home to the development of the Hyphy Movement and the defining aspects of a craze that in itself was crazy. In areas that include San Francisco, Oakland, Fairfield and Hayward transformed. The Hyphy Movement demanded acknowledgment of the Bay Area’s diverse and particularly its interesting take on the California Dream.
Within the content of this paper, I will be describing the four theories learned from the readings this week. The theory’s that will be covered are Racial Identity Theory, Social Capital Theory, Critical Race Theory, and what Cultural Competency is. I will also provide examples of each theory along with a brief video and movie clips to further demonstrate my comprehension.
Everyone is tempted by sex, drugs, easy money and the power generated from violence and vengeance. The film “Boyz N the Hood” follows Tre, who moves to a neighborhood in the socioeconomically disadvantaged South Central with his father and becomes involved with new friends. The movie best portrays how being of low socioeconomic status during that time had a devastating effect on an adolescents development. For many young people during that era, the future is a day that never came.
Rock ‘n’ roll presented us with the emergence of a cultural phenomenon, which the book lays out for us. Altschuler sees rock as a “metaphor for integration, as the focal point for anxiety that cultural life in the U.S. had become “sexualized”, a catalyst
The movie Boyz in the Hood premiered in theaters in 1991. It was written and directed by John Singleton. It was also nominated for best director, and best original screen play. This paper will explore the four aspects and causes of gang violence. For instance, how youth are affected in these four environments, single parent households, gun, and gang violence, lastly education. Boyz in the hood depicts gang culture and demonstrates it though the story line protagonist, Tre. This movie shows the life of the character Tre and what he observed while growing up in south central L.A. As seen in the movie, Reva, a single mother made every attempt to make sure that her son did not involve himself in such dangerous and highly contagious acts within the black community. She ultimately makes the decision to have him live with his father. The scene opens with a young Tre fighting at school. There his teacher believed so strongly in him that she worried about his future. To therefore Reva decides to send him to his dad. Another scene shows where doughboy, Ice Cube went to jail for stealing and years later when he was released he joined a gang.
Music has always affected the society in which the notes are played. Times of class contained dignified pieces pleasing to the ear while times of upheaval produced performers with a bit of an edge. The arrival of rock and roll in the 1950s, at a time often deemed as a decade of concerns, does not fit the long thought pattern. This class will delve into the arrival of rock and roll and the decade that did not know what to do with the new sound.
Some challenges between anti-social behaviors and geographic are evident in the film Boyz n the Hood. It a 90’s films created by John Singleton, about a boy Tre styles who is sent to live with his father Furious styles in South Central Los Angeles after he got into a fight at school. At his father 's house, he is taught morals and values of being a respected man. On the other hand, his friends Ricky and Doughboy who are half-brothers has a different upbringing with no real support system, resulting in forming a gang, involvement with drugs and a tragic ending. This film is based on the African American experience in terms of environmental conditions which results in a great deal of African American males being pushed into the criminal justice system.
Beginning with the late 1960’s counterculture in San Francisco, music and drugs will forever be inter-linked. Hippie bands such as the Grateful Dead, the Allman Brothers, and Phish are associated with marijuana, mushrooms, and LSD. Modern electronic “rave” , or club music is associated with MDMA or Ecstasy. When one thinks of rock and roll, sex and drugs immediately come to mind. While the use of drugs is not essential for the creation or performance of all new music, it was certainly in important factor for the counterculture music of the late 1960’s. While some of the most important and influential music was made with the help of psychoactive drugs, it was often to the detriment of the artist. Janis
The emergence of Rock and Roll was one of the most pivotal moments of our nation’s history. The impact that this genre of music made is still evident in our culture. However, before this genre was able to gain momentum, it faced many cultural conflicts. The book, All Shook Up: How Rock ‘N’ Roll Changed America by Glenn C. Altschuler analyzes the impact that rock and roll music has made on American culture. It explores how the Rock and Roll culture was able to roughly integrate and later conflict with preceding cultural values. This is especially apparent in chapters regarding race and sexuality. Overall, Rock and Roll was extremely controversial amongst parents and educators. This new music genre was condemned by the previous generation as
John Singleton’s Boyz N the Hood is an American teen drama film released in 1991 that focuses on three black teens who live in the dangerous neighbourhood of Crenshaw, Los Angeles. The main characters Doughboy, his half-brother Ricky, and their friend Tre grow up together but meet drastically different fates as young adults. As Swanson (2011) points out, it is important to understand the tension within black communities in Los Angeles at the time of the film’s release; the Rodney King beating had taken place only months before and LA’s gang wars were reaching a peak. As a Los Angeles native, Singleton’s goal with the film was to alert people about the situation around them, as he said: “I couldn’t rhyme. I wasn’t a rapper. So I made this movie” (Swanson 2011). To reflect the environment as accurately as possible, the film was shot on the streets of South Los Angeles, so the crew was just as on edge as their characters would be; there were even threats of gun violence from local gang members.