Doll House And Going Ashore Essay

Despite her grand revelation and advancement as a character, Nora is still devastatingly childish and naïve. This is shown in the final act and scene of A Doll’s House, after her fight with Torvald. On the surface it seems like the right choice for Nora to leave because of this nasty fight; however, she too, like Torvald, is somewhat clouded by emotion. In reality she is running from her problems without making any actual effort to salvage her marriage. Over and over again, Nora solves her problems by going behind Torvalds’s back instead of actually communicating with him. Even in the end, she lies about such a trivial thing such as attempting to break into their mailbox, this being at a point where she has mostly accepted defeat. This could show how afraid Nora has been afraid of her husband, however, it mostly shows how avoidant of confrontation she is. Not to mention, she puts Torvald on a sort of pedestal, having expectations that are idealized and not based in reality. Yes, Torvald is indeed manipulative, but he does have very reasonable cause to be furious. Most of Nora’s

In Henrik Ibesen's play A Doll House, Nora Helmer struggles with telling her husband, Torvald Helmer, the truth about a loan she receives for them to go to Italy when he was sick. Consequently, when Torvald learns of the news he instantly insults Nora and declares that she has "ruined [his] happiness" (Ibesen 93). However, when Torvald tries to dismiss his insults after receiving a note that her contract was revoked, she does not accept his apologizes and decides to leave Torvald and her children to "make sense of [her]self and everything around [her]" (Ibesen 100). Her selfish decision to leave makes her a bad wife and mother, but she there are a few more characteristics that makes her a bad wife. The characteristics that Nora shows in

Throughout A Doll’s House, Torvald views Nora’s actions as being deceiving not only towards him but also towards her family. However, Nora gain her perspective on her own actions and begins observing it differently than Torvald’s. The play states, “ It was me they told that his life was in danger...well, well, I thought, you’ve got to be saved somehow. And then I thought of a way-,” (Ibsen 35-36). Within Nora’s and Mrs. Linde’s private conversation, Nora conveys that her manipulation of money revealed how she deceives her husband even though it was in good intent to save his life. In addition, this demonstrates Nora’s willingness to think about others, such as her husband, before realizing for herself that there were going to be consequences for her later on. Within the play, Nora states, “ You have never understood me. A

Another thing that influences Nora to decide to leave her home is when she finds out that the love she gave Torvald was not returned. After Torvald reads the letter from Krogstad, he calls Nora a hypocrite, a liar, a criminal, and a thoughtless woman. Just because Nora did one bad thing out of their eight years of marriage, her husband turns his back on her. The act she did, forging a signature to borrow money, was to save Torvald’s life and he didn’t even appreciate it. All he did was blame her for doing things that would ruin his reputation and would put him in the hands of Krogstad. Because this happened, Nora realizes that their marriage was only happy and perfect on the outside. Torvald never truly loved her, she was only someone he could

In A Doll's house, there are many characters with a wide variety of different personalities and objectives. Even though there are many similarities between characters, there are just as many differences. Out of all the characters Torvald and Nora are the ones with the biggest differences in personality and opinions. Even though they are married and most of the time seem to have the perfect home life, it becomes easier to deduce throughout the drama that they are two completely different people that want different things out of their lives. Some main differences that Nora and Torvald have are the way that they perceive their self-image, what they want out of life, and the actions that they will take to overcome problems. (1)

In the beginning of the play, Nora was a typical housewife for that time. She would obey her husband and never challenge him.Torvald her husband provides for her and the family, Nora doesn’t have to work she depends completely on her husband and enjoys spending his money on gifts and cloths. Because of that Nora lives to serve her husband even though he constantly belittles her and treats her like a little child that is very inferior to him. He calls her pet names like when he said in the first act “where’s my little squirrel”. Names like these may seem sweet but actually show how inferior and small he sees her.Torvald enjoys being the strong man that provides for his family and when Nora asks him for money or when he gives her money it feeds

She knows that her decisions must be based on whether or not Torvald would approve. The phrases ‘Torvald has to live in decent style’ and ‘…having things just as Torvald likes to have them’ further reinforce this idea, as they show that everything Nora does, she does in order to please her husband. She does not have opinions or likings of her own, as she has adapted to a certain lifestyle where her own opinions and ideas do not matter. Therefore, she has acquired the same tastes as Torvald, and since she has constantly been undermined and ignored, she no longer knows how to have an opinion of her own. Since she is so accustomed to obeying her husband’s every order, she is unable to make decisions without first having his approval, which shows that although Nora is aware of her subservient role, she does not feel capable of surviving on her own without the financial and emotional support of Torvald.

After Torvald denounces his wife for moral wickedness after he finds out about her obtaining the loan, Nora realizes that her husband is selfish and thus takes the initiative to free herself from his grip. She immediately cuts herself off from himself and her children, claiming that the lived a life “like a beggar”; by making a living through “performing tricks” for her husband, her “life has come to nothing” (Ibsen 42). At this very moment, Nora grows aware of the fact that she is unhappy in her marriage and is completely dissatisfied with her reliance on her husband. Her sole purpose in her domestic environment was to submit to the needs of her husband, and thus there is “nothing” to be gained in regards to her own personal welfare. By growing aware of her own disadvantages, Nora takes the necessary steps in confirming her freedom. This is much more apparent in the very last scene of the play, when Torvald tries to coax Nora into staying. During the argument, Nora persists that she wants to cut herself off from the house, adamantly stating that she does not want any trace of communication from her family. Before leaving the house, she exchanges wedding bands with Torvald. She states the following: “There, I give you back your ring. Give me mine.” (Ibsen 45). This moment is critical in the play because it is the only instance where Nora is making the key decisions in the relationship. Up until this point, she is put into a submissive role and is required to listen to the demands of her husband. However, at the end of the play, she chooses to make the split with her husband and this decision is solely contingent upon her own request. Nora thus is able to establish her own sense of autonomy that is completely separate from her husband’s. She is no longer the under the possession of Torvald, as exemplified through the exchange of wedding rings. By

Nora was Torvald’s perfect wife and ideally because of her obedience and her need for him. It is known back in the time period of a Doll’s House of a woman was to be an ideal wife for her husband and children and the center of religion. However, Nora’s need for her husband financially it is shown in “Nora: You going give me money, Torvald. No more than you think you can spare; then one of these days I’ll buy something with it” (Ibsen 1656). Her need for money is shown her and the one who makes it is her husband in the previous scene in the movie Doll’s House of her dancing and making very silly trick so her husband could give her money. Throughout the story there is Anne Marie and the maid in the house so, this means Nora does not cook,

In an attempt to save her husband Torvald’s life, Nora borrowed money from the bank, which was forbidden for women to do without their husband’s consent in this 19th century time period. Nora did not agree with societies views of the roles of men and women. She felt like she was being forced to give up some of her self respect each time she had to pretend she needed her husband’s help in every decision that had to be made in their lives. She had to downplay her knowledge of business and many times she would act silly, even childlike in order to conform to what society expected her to be. This would take its toll on Nora, for she wanted more for her life than to be an obedient wife and

As explained before, Nora has grown up being treated like a doll child by her father and realized that she was handed off to Torvald who treats her in the same manner. She says, "I was simply transferred from Papa's hand to yours" (Ibsen 66). Torvald, who has been happily married to Nora for eight years, treats her with the same respect as her father without upsetting her. Nora, never having objected to her treatment beforehand, suddenly changes and is troubled with her husband's treatment of her. However, Torvald treated her in the same way as her father, misogyny was prevalent in the traditional male during the time. Misogyny, being a societal norm, led all conforming males to assume a dominant presence in society. This made the misogynistic practice of male dominance in the household common with the doll childlike treatment of girls later influencing the childlike treatment of them as wives for husbands to assert their dominance. The article "A Very Wild Dance Indeed: Family Systems in Heinrich Ibsen's A Doll's House" clearly suggests, "the relationship Nora has shared with her father reveals a powerful intergenerational influence upon the Helmer family system. Nora realizes how her father’s behavior toward her has influenced Torvald’s treatment of her" (McFarland-Wilson and Knapp

Husband and wife are supposed to be running their home together. Because this couple, Nora and Torvald Helmer, have never had a serious discussion, this proves that Torvald was in fact treating her like a little girl; a doll. Both Torvald and her father she says, have also committed "a great sin" against her in discouraging her from growing up.

Torvald is someone who relishes his role in society. By his choice of nicknames for his wife Nora, he is seen as someone who is very condescending and views her as someone who is inferior. He views Nora as somewhat of an object; a plaything or doll in which he has the freedom to tease and admire. His patronizing comments directed towards the status of women, “On, Nora, Nora, how like a woman.” (A Doll’s House, Ibsen), “It’s incredible what an expensive pet she is for a man to keep.” (A Doll’s House, Ibsen), convey the way he views Nora as a foolish woman who is ignorant of the ways of society, but he also enjoys her foolishness and ignorance, because they render her helpless and therefore dependant on him. Torvald believes that Nora is oblivious to Torvald’s beliefs and her meaning to him, but the opposite is true. This comes full circle during the denouement of the play where the truth of their toxic relationship is entirely exposed. Although Torvald perceives himself as someone who is willing to sacrifice his happiness and dignity if his wife were put in danger, “When the real crisis comes, you will not find me lacking in strength or courage. I am man enough to bear the burden for us both.” (A Doll’s House, Ibsen), he is quick to show off his true self as an egoistic coward, not willing to sacrifice anything for his wife, “How could it help if you were gone from his world? It wouldn't assist me.... I may easily be suspected of having been an accomplice in your crime. People may think... We must appear to be living together... But the children shall be

She realizes that “[Torvald has] only thought it pleasant to be in love with [Nora]” through her insights of her unequal relationship with Torvald. This suggests that Nora believes she is completely controlled by Torvald. She explains her thoughts to Torvald and demands equality in their relationship, which indicates her decision is not insane or impudent but rational. Nora leaves her husband and children in order to find independence and freedom. She is no longer trapped in her traditional gender role. Nora’s leaving resolves all the problems in her marriage through a “deviant”

Nora was a doll trapped in a doll house and if she did not leave soon she would remain there forever. Nora has been a doll her whole life; Nora’s father “called [Nora] his doll child, and he played with [her] just as [she] used to play with [her] dolls” (3.608-09). When Nora married, she was “simply transferred from Papa’s hands into [Torvald]’s” (3.612-613) like the toy she was. Furthermore, the transfer of her was also a transfer of control. If Nora “differed from [her father], [she] concealed the fact, because he would not have liked it” (3.606-07). In like manner, Nora concealed the macaroons she ate from Torvald because it would anger him, disrupting his control and ruining the appearance of his prized