Don Giovanni Analysis

The emphasis on individualism and passionate expression of the self during the late 18th and early 19th century is also exemplified in the musical realm through the revolutionary work of one of the most highly influential musicians, Wolfgang Amadeus Mozart. At the time of Mozart’s birth, the most popular and conventional music was created in the style of the Renaissance and Baroque periods. After the discovery of Mozart’s prodigal musical genius and honing his skill through several positions of employment, Mozart began to realize his individualism as a gifted artist. Mozart became aware of his potential for greatness and used his gift not to conform to the style of music at the time, but to use his music as a form of passionate self-expression. Mozart would not let anything extinguish his passion and freedom to create, even if it caused him great financial struggle throughout most of adulthood. The musical pieces Mozart created differed from that the music of the time in the sense that his work was highly driven by passion and emotion. Rather than focusing solely on the structure and the elaborateness of the

Through the study of the records of courts, both secular and ecclesiastical, which exists in thousands of European and American archives and libraries, a patient and careful researcher can reconstruct particular images of “the world we have lost” and of the people who inhabited that world. From this vast, largely untapped repository of judicial records, Gene Brucker uses the notarial protocols of Ser Filippo Mazzei, which contains the transcripts of the litigation in the archiepiscopal court and the catasto records, which provides information about Florentine households, to piece together the dossier of Giovanni and Lusanna. The story of Giovanni and Lusanna explores the love and marriage in renaissance Florence and uncovers the gradation of the city’s social hierarchy and the role of women in society.

While at the Salzburg court, Mozart composed his only violin concertos, as well as his first piano concertos. However, Mozart grew discontent with his work at court when his desire to work on operas was not encouraged. Mozart began looking for alternative employment in 1777 with a journey to Paris with his mother. While on his tour of Paris, he had financial difficulty, and fell to pawning valuables. While he was gone, his father worked to secure a better position for Mozart in the Salzburg court, and after the death of his mother, Mozart returned to Salzburg. However, his discontent was little diminished, and he left for Vienna in 1781. There, he worked as a freelance composer and performer, and established himself as one of the best keyboard players in Vienna. This period of Mozart’s life saw his marriage to Constanze Weber, as well as moderately great success with his opera Die Entführung aus dem Serail (The Abduction from the Seraglio). Over the next few years, Mozart mounted a number of concerts featuring himself as a piano soloist which pushed him to great success and high accolades from his audience. Mozart also began to realize moderate financial success, which led him to adopt a more opulent lifestyle. Incidentally, this increase in lifestyle would lead to financial difficulties later. Around 1786, Mozart began collaborating with Lorenzo Da Ponte on two very successful operas, The Marriage of Figaro, and Don Giovanni. Soon after, Mozart secured a

Composing works derived from styles already in existence, he created an extremely unique and unprecedented genre of works. Thus Mozart became a trailblazer of the classical age. Music from this period consists largely of a lighter and clearer texture than the preceding Baroque music and is less intricate. One trademark especially evident in Mozart’s contribution to the classical period is the use of homophony. Examples of the homophonic effect are displayed in his piano concerto No. 23 and sonata No 16 in C. In these, the distinct pattern of an indubitable melody can be distinctly and easily recognized above the adjunct chordal accompaniment. Although Mozart contributed primarily to the growth of the classical era, he was also influenced by the works of Handel and Bach. Both were prominent composers of the baroque era. In some of his later works, Mozart indulged more in the incorporation of the previous baroque

Johann Chrysostom Wolfgang Amadeus Mozart, or Wolfgang Mozart for short, was born on January 27, 1756. He was an Austrian composer that today is known as one of the greatest composers in the history of Western music. Mozart wrote in multiple musical genres, excelling in each one. Because of his range of expression, it made him seem the most universal of all composers.

This paper discusses Mozart's life, his compositions and his importance to the world and the world of music. It explains how Mozart's music is still some of the most popular classical music played today and his life is still studied because his music is so well known and liked.

Giovanni Gabrieli was a legendary composer of the 16th century. As the fundamental structure and ideas of the Catholic Church were being challenged by the Protestant Reformation and the Counter-Reformation, Gabrieli’s compositions were given the opportunity to be successful and influential to music in the coming centuries. His works helped to transform not only church music of the Catholic Church, but also secular music as well. Giovanni Gabrieli wrote significant works that ultimately shaped the rise of the symphony, including the development of purely instrumental works, the art of orchestration, and the concerto style. Without his innovations in composition, it is arguable that instrumental music would not have developed as quickly, or developed

Wolfgang Amadeus Mozart and Ludwig van Beethoven are two of the greatest composers ever to write music. Both men lived in the early 18th and 19th century, but their music and influences are still felt today. The men faced similar experiences, yet they both lead very different lives. All together the pieces that these men composed amounts to over 300 published, and unpublished works of art. The people of their time period often had mixed feelings about these men, some “complained that Mozart’s music presented them with too many ideas and that his melodies moved from one to the next faster than audiences could follow, yet the ideas themselves seem effortless and natural, clear and

This Pre-classical era was influenced by the Rococo style that was characterized by delicate colors, intimate mood, homophonic and melodic music. The Rococo era influenced all painting, sculpture, architecture and music. “It was an age of powdered wigs delicate lace cuffs and perfumed handkerchiefs”. (Vernon 4)

After Mozart and his father returned to Italy from a ten year tour, Mozart was employed by Prince-Archbishop Hieronymus Collero to be a court musician in the year 1773. With a pay check of only 150 florins a year though, Mozart began to look for other job ventures and began to try to write operas that he hoped would help kick start his career as a professional musician. It was not until 1782 when Mozart began to receive the credit that he deserved. Performing on multiple local keyboard competitions, he was soon established as one of the best keyboard players in Vienna. Finally in 1783, as he finished writing the opera Die Entfuhrung aus dem Serail, he began to be seen as a successful independent composer and started to receive a reputation as such (Abert 642). As Mozart got older, he matured even more as a composer writing a total of over six hundred pieces including symphonies, operas, concertos, and other styles of pieces during his life

     Wolfgang Amadeus Mozart’s style unlike anyone else. Mozart was a master of counterpoint, fugue, and the other traditional compositional points of his day. He is also considered the best melody writer the world has ever known. Wolfgang perfected the grand forms of symphony, opera string quartet, and concerto made the classical period. “Mozart’s music is characterized by lucid ease and distinction of style....”2 Wolfgang wrote over 600 works which consisted of 21 stage and opera works, 15 masses, over 50 symphonies, 25 piano concertos, 12 violin concertos,27 concert arias, 17 piano sonatas, 26 string quartets, and many more. His operas range from comic baubles to tragic pieces. In his Requiem it illustrates the supreme vocal sounds in any of his work.

A hero is commonly defined by actions which help and aid others. Notable heroes sacrifice their own wants for the greater good of others, act courageously, and break the norm. The infamous Don Giovanni in Mozart’s Don Giovanni does not fit the conventional idea of a hero. Although he acts with courage in odd circumstances and appears to adapt radical Enlightenment values, he does not act in the interest of others. As an 18th century womanizer, or libertine, all sacrifices made by Giovanni throughout the plot are to serve his own impulses.

In Salzburg, Austria, Wolfgang Amadeus Mozart was born on January 27, 1756. Wolfgang was the only son of Leopold and Maria Pertl Mozart to survive. Wolfgang began learning about music when he was three years old, watching his sister Nannerl play the keyboard. He was a musical prodigy, composing his first piece at 5, and beginning “tours” with his father at 6 years old. When Wolfgang turned 13, his father took him to Italy to show off this young boy’s talents. Before Mozart turned 21, he was appointed to be assistant concertmaster. It was at this time that he wrote his first opera. Mozart left on another tour in 1777, and then returned to Salzburg to be a court organist. He soon decided he was not so fond of this position, and resigned to become a freelance musician in Vienna. When he moved to Vienna, he married Constanze Weber, against his father’s wishes. Wolfgang lived in luxury during the beginning of his life in Vienna, he was producing popular operas. Soon, though, he began to lack money, and took loans that would leave him in debt for the rest of his life. In the final years of Mozart’s life, he was most productive, writing his most famous symphonies, The Magic Flute, and of course,

In what period was the work composed? List three aspects of the musical style of this period that apply to this work.

Wolfgang Amadeus Mozart was probably the greatest genius in Western musical history. He was born in Salzberg, Austria on January 27, 1756. The son of Leopold Mozart and his wife Anna Maria Pertl. Leopold was a successful composer and violinist and assistant concertmaster at the Salzberg court.