Don 't Criticize What You Can 't Understand

Bob Dylan's song, "The Hurricane" is a story communicated through song. It is a tribute

Dylan’s most famous protest song is “Blown’ in the Wind”. It became the anthem for the civil rights movement in America during the 1960s, and as result Dylan was viewed as the spiritual leader of the civil rights movement. “Blown’ in the Wind” became very popular among the American people because the lyrics of the song could be applied to any situation as the lyrics were all about humanity learning from its mistakes and a call for freedom. “Only a Pawn in Their Game” was Dylan’s most offensive protest song that he wrote, and it was first performed at a civil rights rally in Greenwood, Mississippi. This song was about a civil rights activist who was murdered by “just a poor dumb

The evolution of the 1960s “protest song” has typically been associated with Joni Mitchell, but the expanding range of protest songs in the 1970s defines her continued presence as a leader in terms of environmental activism. More than just a vestige of the late 1960s, Mitchell continued to write protest songs long after many other artists from the 1960s had changed their lyrical content. In the “mellow turn” of early 1970s country rock and folk music, Mitchell represented a new environmental shift that moved away from the proto-typical antiwar songs of the 1960s. Mitchell, along with other musicians of this era, defined a shifting musical focus on songwriting and musical presentation during the early 1970as:

This song was influenced by Bob Dylan’s “Blowing In The Wind” and gave a visual representation of the discrimination that African-American face even at public places like movie theaters. Civil rights supporters sang this song with tears in their eyes and hope in their heart that the prejudice against African-Americans will end.

The 1960’s was an era of revolution and social change in the United States. Painters, dancers, actors, musicians and many more artists all wanted to portray societies immoral issues through their art. Musicians played a very prominent role in providing society with an outlet on the importance of this change. Within these musicians was a folk rock singer and songwriter by the name of Robert Allen Zimmerman, or as America knows him, Bob Dylan. He is known and honored around the world for his influence on popular music and culture, however, he is much more than that (Wood 313). The beginning of Bob Dylan’s career as a singer and songwriter was marked by his repetitive emphasis on social change throughout his protest songs which include “A Hard Rain’s a-Gonna Fall,” “Masters of War,” and “The Times They Are a-Changin’”; with each song, Dylan exposes many issues that affected, not one, but many lives as he aimed to spread social and political consciousness to society.

At only 22, he was crowned the voice of a generation. His audiences became mesmerized with his expressive lyrics and soulful harmonica. He changed the way the world looks at songwriting and protest, and inspired countless future musicians from the moment he stepped up on the stage in his railroad hat, denim jacket, and harmonica brace. However, it is clear that there is so much more behind Bob Dylan than just a rough voice and a collection of poetic songs. As one man said about Dylan’s early days in Greenwich Village, “There’s a quality of determination and of will that some people have that when they’re doing something, they’re really doing it and you

Arguably one of the most powerful of Dylan’s social issue charged song is The Death of Emmet Till, a young black man who was unrightfully killed by the Ku Klux Klan. By 1963, Dylan and his on and off lover Joan Baez were both very well known in the civil rights movement. Baez and Dylan would sing together at rallies including the famous March on Washington. Dylan was on stage with Martin Luther King Jr. when his gave his infamous I Have a Dream speech. Though Dylan sang of American injustices, he was never incredibly interested in politics and he was ultimately frustrated by people defining him solely as a protest singer. Dylan’s frustrations with the unsought political branding are expressed in It Ain’t Me Babe, which “appears to be a song about rejected love, [it] was actually his rejection of the role his reputation and fans had thrown on him” (Carlson).

Martin Luther King once said, “There comes a time when one must take a position that is neither safe, popular, or political, but because it is right.” The song “Hurricane”, written by Bob Dylan takes a stand and ignores what was safe, popular, and politically right during the 1960’s and 1970’s, in order to paint a picture of injustice. Dylan organizes the actual events of a man named Rubin “Hurricane” Carter who was a middleweight boxer wrongfully accused and convicted of a double homicide. Dylan narrates the song and uses his credibility as a rock star to reason with a broader audience, while evoking the emotions of listeners by describing horrific events, prejudice, and

The protest music played an important role in influencing the beliefs of the public. Many musicians wrote about the injustice of war, including American musician Bob Dylan, a widely known active protester against the Vietnam War. His album, “The Freewheelin' Bob Dylan”, released in 1963 featured song such as “Blowin’ in the Wind” and “Oxford Town” (1962) to express his views and recount war stories. Many musicians and bands performed anti-Vietnam War songs, including the Country Joe and the Fish. Many bands continued to do so even in later years, including the Australian folk rock group Redgum with the song “I was only nineteen”, released in 1983 by

Woody Guthrie was an American singer-songwriter and musician who is today known as a huge part of traditional Americana music. Huge musicians in their own right, such as Bob Dylan, Bruce Springsteen, John Mellenkamp, Pete Seeger, and many more have acknowledged Guthrie as a major influence in their creative song writing process. Many of his songs are based on his experience during the Great Depression as Guthrie travelled with displaced farmers from the Dust Bowl of Oklahoma searching for a better life in California.

Bob Dylan and the Beatles, two of the biggest music phenomena from the 1960`s up till today, has despite different musical styles and different target audiences influenced each other in several ways throughout their careers. The Beatles was arguably the main influence that lead Dylan to go electric, as well as writing a tribute to John (and the Beatles) in one of his latest albums. Bob on the other hand, introduced the Beatles to try pot on their first meeting and inspired Lennon and the others to change their music style and write more introspective, political and acoustic music. …..With similar backgrounds both from industrial cites, Bob Dylan from Duluth, a seaport city in Minnesota and the Beatles from Liverpool and both growing up with the same

The 1960’s in America was often referred to as an age of protest because of not only the social protests that have taken place, but also for the upbringing of protest music, which became very popular during that era. The roots of protest music were largely from folk music of American musicians during 1950’. Folk musicians, such as Joe Hill, composed labor union protest songs and distributed song booklets, hoping to “fan the flames of discontent.” (Rodnitzky pg. 6) Symbolically, this meant that the songs, the fan, would reduce the uncontrollable social protests that the United States government caused with the misleading information that they did not keep their word on, or the flames of discontent. Other folk musicians, such as Woody Guthrie and Pete Seeger, traveled around the United States spreading their “message music” and becoming involved in political movements. Guthrie and Seeger were the pioneers of protest music, bringing their folk music to New York City and merging it with urban music. Woody’s songs were about the masses, often identifying problems and offering solutions. While Seeger was cautious about referring to his music as folk music, preferring the term “people’s music,” meaning that not everyone may had the same thoughts, but they all expressed it in their own unique musical sense. For both Woody and Seeger, folk music was a necessity in these protests, when the needs

To understand the sixties counterculture, we must understand the important role of Bob Dylan. His lyrics fueled the rebellious youth in America. Songs such as “Blowin’ in the Wind” and “The Times are A-Changin” made him favorable to anti-war demonstrators and supporters of the Civil Rights movement. He was commonly hailed as the spokesman for his generation. Dylan used lyrics to allow the youth to find their own form of counter-culture. The youth generation began to see the effects racism, war, etc. effect the society in America. To combat this, the youth created their own form of counter-culture to promote a peaceful change within society. Some of their actions include forming anti-war protests that opposed America’s involvement in the Vietnam War, and supporting African Americans/women get the rights they deserve through the Civil Rights Movement. Bob Dylan’s music appealed to the young generation because he openly expresses his disapproval of the establishment in order to influenced his audience to move in a direction for change. Counterculture youth rejected cultural norms of the previous generation and their values and lifestyles opposed the mainstream culture present in the 1950’s. The folk music revival of the early 1960s, as well as the counter-culture movement played an important role in advocating change. Bob Dylan wrote songs that influenced the Civil Rights Movement, New Left Movement, and Anti-War Movement.

Bob has a message in every song and just about every verse. His songs are very “poetic and powerful”. ‘Blowin in the Wind’ states it’s message within the first two verses. “ How many roads must a man walk down, before you call him a man?’’, it talks about racial justice. “How many seas must a white dove sail, before she sleeps in the sand?”, this symbolizes people looking for peace. He claims to have written ‘Blowin in the Wind’ in just 10 minutes to the melody of an old slave song. Before he perform the song he always said “ This here ain’t no protest song or anything like that, ‘ cause I don’t write no protest songs.” Bob’s version never hit the charts, the song became popular when the tri Peter, Paul and Mary performed it.

Duluth Minnesota, May 24th 1941 Robert Allen Zimmerman (Bob Dylan) was born. 69 Years and over 45 albums later Bob Dylan has completely altered the face of popular music since his debut as a fresh faced folk singer in 1962. His early career forged him into an informal chronicler and then he later developed into an apparently reluctant figurehead of social unrest [Gray, 2006] and became a voice for a generation. His songs have been covered by many artists in a wide span of genres and he has remained a prominent and highly influential figure in the history of popular music over the past five decades. [Gates, David, 1997]