Donald Barthelme Not-Knowing

The Author, Phillip Lopate, Introduces himself in “The Essay, An Exercise in Doubt” as an essayiest; a professional essay writer. This was an interesting discovery for me, when I think of an author I never considered that there was a market for writing essays alone. Lopate introduction alone sparked my interest. I was not sure where the essay would lead me but was aware that I would be engaged and informed.

He includes a story of his son to expand on the idea that you can’t progress in an activity if you don’t hold a passion for it. This connection in the essay helps the audience comprehend the idea that you can’t succeed in writing if you don’t have the desire to read. The author’s personal experience justifies his claim which initiates the reader’s feelings and deepens his position on the significance of practice. In addition to these rhetorical appeals, he also adds logical information to convince the audience that his claims are important, realistic, and correct.

In her article “I Stand Here Writing”, Nancy Sommers examines the writing process and formulating ideas for writing in a more empirical manner. She states that before she found her creative zeal/ niche her writing was often undisciplined, unmethodical, and sloppy. Sommers reveals that in college she was less known for her writing and more for her long hair and misapplication of phrases. She found her true inspiration while writing her Senior Thesis on Emerson’s “Eloquence.” Throughout the entire essay, Sommers provides the reader with advice about writing. A key point that she mentions is, “If I could teach my students about writing it would be to see themselves as sources, as places from which ideas originate, to see themselves as Emerson’s transparent eyeball, all that they have read and experienced-the-dictionaries of their lives circulating through them.”

Everyone knows what writing is to one extent or another, but we all have different definitions of how it should be done and varying degrees of seriousness about the art. We all have a process of writing, but each is unique to ourselves and our own experiences. Annie Dillard and Stephen King are two well known authors who have published many pieces, two of which describe how they view the writing process and let their readers get a peek of what goes on through their minds when they write. These two pieces are Dillard’s The Writing Life and King’s “What Writing Is.”

In the process of writing, regardless of the form it takes, thesis or narrative for example, the purpose of the piece has several lenses that shape how the reader perceives the material. Of the less important lenses that shape the piece, mood, word choice, and rhetoric are only a few. These elements of the work, while minimal in a relative sense, accomplish the same as other, more important components, they influence how the reader perceives the material, how it is understood. If one is to effectively convey the message of the piece, one must first look at how the any reader perceives any text. This idea of how the reader perceives is a culmination of all the devices employed by the author. The idea is for the author to craft an aggregate

Writing may be an enthralling experience for one and a clever way to decompress for another. In general, however, writing has different purposes for a variety of people. “Why I Write,” written in the late 20th century by Terry Tempest Williams, describes various reasons for writing narrated from a female’s perspective. The short essay begins in the middle of the night with a woman engulfed in her own thoughts. She abruptly goes forth by reciting the multiple reasons why she continues to write in her life. Through a variety of rhetorical devices such as repetition, imagery, analogies, and symbolism, Terry Tempest Williams produces an elegant piece of writing that offers the audience insight into the narrator’s life and forces the audience to have empathy for the narrator with the situation she is incurring.

His diction let’s you sense the carelessness and monotony of the characters lives. This style of writing shows the reader that the worth and value of the individual is not

There are many aspects for my mind to conceive while reading the articles why I write by George Orwell and Joan Didion. There are many different factors in triggering an author’s imagination to come up with what they want to write, and why they want to write it. In most writings a purpose is not found before the writer writes, but often found after they decide to start writing.

Writing is a powerful tool for communication and connection. As an extension and expression of the mind, writing is as much about the mental processes of the author as it is about the final marks laid to paper. As we write, we hold in mind our own thoughts on the work, anticipate the reader’s thoughts, and think both in concrete and abstract ways in order to accomplish the task at hand. Whether an academic research paper, a novel, or text message to friends, writing seeks to engage, persuade, or impress concepts upon an audience. Like language and other art forms in general, the practice of writing is ever-evolving and is subject to cultural and contextual influence, expectations, and conventions. Each writer holds a theory

In the fourth section in the essay Richard is speaking of Rene Descartes’s “Meditations on the first philosophy.” Rene starts with another bleak outlook on writing. He asks the question “why bother reading and writing when the world is so obviously going to

Whether while writing an essay or a birthday card, we have all struggled to find the proper words to illustrate our thoughts or feelings from time to time. Upholding the occupation of a writer would multiply that struggle tenfold. An occupation that depends on interesting, fluid pieces of writing every submission requires an adequate number of attempts and patience. Lamott expresses that writers “all often feel like we are pulling teeth” (Lamott), which proves the difficulty of writing is still there no matter the level of writer behind the work. Lamott also emphasizes that a writer “has to start somewhere” and shares her friend’s ideas in her writing to simply “get something - anything - down on paper” (Lamott). Lamott, and the other writers mentioned in this piece, carry incredible track records, while still admitting that perfection did not come initially, or even easily. Thus, proving that the Shitty First Draft has a place in any writer’s notebook or Word document. Lamott’s admission to struggling to properly begin a piece of writing surprised me, given of her success. I could not imagine a woman of her accomplishments stressing out over a food review, yet I felt relieved that someone of Lamott’s title relates to an amateur writer like myself. I often put off my writing as well when I cannot articulate a proper introduction. I do every other possible homework, or shy away from homework in general because the

One of the purposes of his essay is to entertain the audience. This story he tells brings about much emotion and invokes thought into the reader. Why does

The author tells us as story about him and Dr. Brock (a surgeon who had recently begun to write and had sold some stories to magazines), being called to a school in Connecticut to talk about writing. The author was asked to talk about writing as a vocation and to Dr. Brock as an avocation. There is no any one right way to write. Any method that helps us to say what we want to say is the right method for us. Different writers have different ways of writing but all of them are vulnerable and tense. The product any writer has to sell is not the subject being written about, but who he or she is. Good writing is all about humanity and warmth and being able to keep the reader reading from one paragraph to next. Good writer succeed in using language

The standard impression most people have of writers is that they can sit down and just let a perfect composition flow from their heads onto paper. In her writing career, Lamott has observed how “writing is not rapturous. In

Immediately after we are born, we start picking up sounds; the sound of our mother’s voice, the music playing in the elevator on the way to the car, and the happy cheers from a small child seeing their new sibling for the first time. We are always listening–picking up on conversations not meant for our ears, eavesdropping on the gossip of the adult world, and finding the meaning in the portentous silence. From all these auditory stimuli, we piece together the world around us to better understand what is happening to us, around us, and the secret happenings that were not for us to know. Great writers are the ones who listen and say nothing–who take it all in and save their classified information for a day when all the right words flow and form one epic story of the wondrous world we live in.