Donatello Research Paper

The city of Florence has gone through many invaders, illnesses and many other deaths not related to the battlefield. They had survived it all they believed that they had God on their side and have always come out on top, much like the biblical story of David in battle against Goliath. This influenced Florence to take on David as their symbol and used it to portray the success of Florence. Many artists have created sculptures portraying works of David. It has been depicting it in so many different manners, that there is at least one surviving example from each major art periods. Although there are many we will only be focusing on two works of David. First is Donatello’s classically inspired youthful boy depiction of David, and the second is Bernini’s heroic warrior.

Donatello wasn't just a master artist and sculptor he was considered the greatest. This is stated in web source #2 paragraph

In the fifteenth-century, the evolution of patronage begin, since power, and money influenced the creation of great artworks. One hand it flourished the Italian architectural collections other hand, notable designers as Brunelleschi, and Donatello designed and experimented with their creations. For example, Brunelleschi creation for the Medici family, which known as the Dome of Florence Cathedral (Fig 12-12). As it has been mentioned in the book he was the founder of the dome and it was one of the Gothic inspired and cost effective creation from that time period. Artist Donatello also made a contribution in the art world in a fascinating way since his work was inspired by as it has been mentioned in the book by the classical forms which

: English rulers that clashed with nobles and the Church tried to raise taxes or impose royal authority. With these struggles, the evolved traditions of government formed that would have great influence on the modern world. A clever, cruel, and untrustworthy ruler, King John, had three powerful enemies: King Philip II of France, Pope Innocent III, and his own English nobles. When John suffered a setback by losing a war with Philip II, he had to give up lands in Anjou and Normandy. Then he fought with Innocent III over selecting a new archbishop of Canterbury. The pope excommunicated him when John rejected the pope’s nominee as well as placing England under the interdict--the papal order that forbade Church services in an entire kingdom. To save himself as well as his crown, John had to accept England as a fief of the papacy and pay a yearly fee to Rome.

The person that I chose was Donato di Niccolo di Betta Bardi is also known as Donatello. I chose Donatello because his sculptures look very interesting and cool looking. Another reason is because He sounded like an interesting person to research. Donatello was well known because he was the greatest Florentine sculptor before Michelangelo (1475–1564) and was the most influential individual artist of the 15th century in Italy. Donatello was born during the Renaissance period in history which began in Northern Italy during the 14th century. It is believed while Donatello was with the Martellis family, he was given his first instructions on becoming a goldsmith. He would become the apprentice of Lorenzo Ghiberti in 1403. While he was living in Rome, he earned his living in goldsmith.

Donatello’s David is life size standing at 5 feet 2” and was the first unsupported standing work of bronze cast during the Italian Early Renaissance. David is completely naked apart from the cowboy hat and boots. Donatello used his skills to prove himself a prominent artist of the Renaissance period. He was influenced by ancient scriptures made by Greeks and theories of humanist. This inspired him to develop statues which were mainly the representations

In the early fourteenth century, half of Florence’s market hall was torn down to make room for Orsanmichele, a meeting place for all the guilds of Florence. In 1339, each guild was given its own spot to personalize and decorate. Though it took much more time than originally planned, in 1411, Donatello was chosen by the linen drapers guild to sculpt Saint Mark as their display. Donatello chose to work with the less expensive marble instead of bronze. His contract stated that the sculpture should be finished by November of 1412, but this had to be extended, of course. Finally the statue was finished in 1413, and truthfully the back of the statue was not fully completed because the back was not going to be displayed.

Gender is one of the most socially ingrained social constructs. The rigid enforcement of gender is harshly controlled by the medicalization and what I will refer to as the construction of the illness of gender transgression. I postulate that there are two forms of gender transgression: a general rejection of gender norms and a rejection of these boundaries in manners that do not fit into the dominant script of gender (i.e. deciding to transition). When someone “transgresses” the boundaries of gender in this latter way, I postulate, they are inculcated both by society and by the medical community to conform to a normative trajectory of transition. This relationship between a socially constructed identity to a molecularized body – a body

By the time Michelangelo returned to Florence, he had become somewhat of an art star. He had taken over commissions for a statue of “David”, and several other commissions, including a important project for the tomb of Pope Julis II, but this project was interrupted due to a request for Michelangelo to decorate the ceiling of the Sistine Chapel. Michelangelo continued the work on the tomb of Julis II after the Sistine Chapel was completed, and even designed the Medici Chapel and the Laurentian Library.

David Donatello was a famous painter and sculptor. He was born in italy 1386 and died 1466 he was buried next to his major patron cosimo de’ medici. He was famous for some sculptures called the zuccone and the david. He used bronze in some of his sculptures.he was friends with the famous architect filippo brunelleschi.

For any wealthy person living in the Italian Renaissance who wishes to commission a work of sculpture, there can be no other choice to consider other than Michelangelo Buonarotti (1475-1564). The Florentine is truly the embodiment of the term “Renaissance Man” insofar that he distinguished himself as a painter, architect, poet, and engineer, but his greatest distinction, as he thought of himself, is as a sculptor.

Donatello the artist not the turtle was born in 1386 in Florence, Italy and died 1443 in Florence, Italy. He was originally born with the name Donato di Niccolò di Betto Bardi but his friends and family called him Donatello. Donatello’s childhood was mostly spent at the house of the Martellis. They were a wealthy florentine family of bankers and art patrons close to the Medici family. In house of the Martellis is where Donatello was educated and probably first received artistic training from a local goldsmith.

Between 1404 and 1407 he began at the workshop of Lorenzo Ghibertia as a member. Lorenzo was a sculptor who specialized in bronze who won the competition for the doors of the Baptistery in 1402. One of Donatello's earliest works was the statue of David. This statue was a work of marble. This was said to be one of the greatest works of the early renaissance.

The day after graduating high school I sat on the floor of my room, with a note pad in my hand to make sure I made the most out of my words, and stutter the least, and the phone in the other to call what was then my dream college. The call ended with me in tears. I couldn’t attend college because I was too young; I needed to be at least 16. Spending a semester on what felt as not moving forward frustrated me.

Therefore one of his grammar school friends Domenico Ghirlandaio realized this and introduced him to the painter Domenico Ghirlandaio, his father soon realized he had no interest in becoming a banker, therefore agreed to apprentice him to the fashionable Florentine painter's workshop. Only after a year Michelangelo was offered an extraordinary opportunity to study classical sculpture in the Medici gardens.Michelangelo fled to Bologna after the death of Lorenzo the Magnificent’s death, where he continued his study.In 1495 he moved back to Florence in 1495 to begin work as a sculptor, modeling his style after masterpieces of classical antiquity. In 1498 he moved to rome where he got commissioned by Jean Bilhères de La Graulas, a representative of the French King Charles VIII to the pope, where he did the statue pieta. Upon completion he moved back to Florence where he was now seen as a prominent figure in the art industry, soon after he moved back he started work on the statue of david.After this he really blew up getting asked to do works such as decorating the ceiling of the Sistine Chapel and the creation of adam. After a brief illness, Michelangelo in 1564, coincidentally he is one of the only artists during this time to see the popularity of his art during his lifetime. Even though these two have different ways of achieving the point they are today, there's