How Did Donatello Tell The Story Of The Annunciation

some of the mediums he used to create his famous art pieces. His talent got him very far, yale.edu

Gender roles have been a hotly debated topic in the most recent years, especially the role of women in society. Women have had set expectations that they are believed to conform to, which is shown in many pieces of film and literature. The Great Gatsby by F. Scott Fitzgerald describes the life of a man in the upper class in the 1920’s, as well as women in the 1920’s. The movie The Princess Bride, written by William Goldman, visually explains the treatment and expectations of women, and especially focuses on the “damsel in distress” stereotype.. Roxane Gay’s “Bad Feminist” explains the stereotypes against women and ways women can come together and fight these constraints. Based on these sources, societal expectations take away from each individual’s identity, forcing women to conform to society's standards. In order to fight against these expectations, women have banded together and formed movements against these standards.

Once gracing the lavish floor of Getty Center, the Coronation of the Virgin which was painted by the extraordinary Italian artist Gentile da Fabriano in 1420, attracted many attentions by its sacredness, powerfulness and magic of the Christ. At 36 ⅝ inches and 25 ¼ inches size tempera, Christ gently places the ornate gold grown upon Virgin Mary's slightly bowed head by the watching of angels from either side as she becomes the Queen of Heaven. Since the first century, Christianity has played an important role in Western Art, which has inspired numerous artists in making their masterpieces. However, artists must follow the religious ‘rules to build up the imagery of the Christ, and educate audience about the religious. Coronation of the Virgin by Fabriano is a perfect presentation of that.

As a result, the historical and believability aspects of play outduel the film through individual and all the characters a whole. Although the

As a leader and decider of many people, she had to uphold a brave and confident stance to allow the followers to have faith in her ability. To her family, she was still a woman with responsibilities to be an obedient daughter. The epitome of Mary is as stated, “And now, good subjects, pluck up your hearts, and like true men stand fast against these rebels, both our enemies and yours, and fear them not; for I assure you, I fear them nothing at all” (“Women in Power”, 668). Mary showed no fear and upheld a very manly position in this statement to keep the people strong.

There are many great artist during the Renaissance some of them were Leonardo Da Vinci, Raphael, Donatello, and Michelangelo. The main artist were Leonardo Da Vinci, and Michelangelo, But the most significant of them all was Donatello. Donatello was the greatest artist because of a lot of variables one of them is having the best variety of skill. In the Donatello DBQ it states “A student of the classics and a master craftsman Donatello was considered one of the founders of sculpting.” This demonstrates that Donatello had more than one skill and he can use his knowledge of all his skills and make them work together.

Artwork 1, The Coronation of the Virgin and Artwork 2, Christ Crucified were created by Velazquez. Both pieces explore aspects of religion and spirituality. Artwork 1 depicts the scene when Mary was crowned Queen of Heaven and Earth. Mary is the mother of the King and the most highly favoured daughter of God. She always obeyed God with her humbleness therefore Mary received the promised “Crown of glory that will never fade away,” (Peter 5:4) as she shared in all His sufferings. This can be seen as a reward for her holiness and perfection of virtues. In Artwork 2, the image focuses on the crucifixion of Jesus, reminding the viewer of the sacrifice he made for this sins of humanity.

In the 1800’s convicts and emancipists were shunned by the community because they were seen as filthy, treacherous and repulsive people. Because Mary was a convict her family as well as herself were belittled by society and lived a lonely lifestyle compared to many other families. Even though Mary was excluded from the society she was left with a great deal of free time as the

At this time, female “sexuality and chastity” was greatly brought into question (Rudolph 930). Mary focused a great deal on preserving the righteous image of her daughter with regard to these areas of interest. Through the use of drawing in her own resources and witnesses, Mary works to preserve the morality and image of her daughter- due to the large prominence of men taking over in the medical field at the time, Mary pulls in female midwives and matrons to remove a potential sense of bias that may come with male skepticism regarding female sexuality. In the case of a male murder victim, this same regard to sexuality would not be considered by looking in the past but would look more presently at the actual case at

Although Mary did not always live with abusive families, the main focus in her book were the ones that treated her poorly. From roughly age twelve to her death in 1833, she was a subject to unfortunate treatment while living with the three families mentioned above, the Inghams, the D-s, and the Woods.

Marry would faint in court when they would ask her about what happened in the forest,so she's asked to faint in front if the court to prove to everyone in the court it was all an act. She was just protecting her reputation with Abigail, because Abigail not only threatened her but the whole group of girls , not to say anything about what happened in the forest. Once Mary was threatened, her mindset was to fit in abigail's group. She changed from being a good girl at home to, accusing random people for Abigail.

between her and Mrs. Godwin was very high. Mary’s father began trying to find a way to

His early paintings had an unconventional, unique, and unfinished look about them. The images were known to everyone in everyday life.

Fig. 1 captures the very moment that the archangel Gabriel comes down from the heavenly realm to earth to announce to Mary that she will conceive the Christ-child and he shall be called Jesus. The gold of his crown is representative of the “celestial realm that he has left to deliver this message” (Kleiner, 2010:387). The announcement is depicted very much in the moment as the words are quite literally illustrated with the text "Ava gratia plena Dominus tecum" (Van Dijk, 1999:420), which leave his mouth from left to right as if they were encapsulated in a speech bubble. The phrase is in fact inscribed in Latin and reads as "Hail, Mary, full of grace, blessed art thou among women” (Van Dijk, 1999:420). The draping cloth around Gabriel’s gold-infused light blue robe whips around the angel as if he had just land and his wings, which are still erect, depict an effortless grace of divine delicacy in the way that Martini executed them. Making use of undulating, long curved linear lines, they are almost liquid-like in their fluidity. The angel is painted holding a branch of olive leaves in his left hand. This is a symbol of the Christ-head and his coming to earth as the “Prince of Peace” (Emmerson, 2006:456), and also makes a reference to the traditional biblical story of Noah, the ark and the dove returning with an olive branch as a promise of the covenant of peace made by God with man (Genesis 8:11, English Standard Version)

hi His primary contribution was the ready-made. The ready-mades involved challenging the idea on what is art by discharging in ways that provoke the viewer to