Donnie Darko Essay

To see what they see, and compare our own thoughts with the evolution of the characters and the story. The dexterity of the images, and the impact that each scene has in portraying this theme, guide the viewer throughout the film with little use of dialogue and action. Our central character “Jeff,” is struggling with his casted imprisonment, his need for adventure is apparent as he watches outside his window. Conflicted with his girlfriend and conflicted with his theories, his character becomes more palpable, we begin to realize what is going on not only on the outside of him, but the inside of him as well. The aspects of the outside courtyard and the visual isolation of each apartment, help depict the humanity of each individual and sympathy for even the darkest characters. Hitchcock uses his camera, just as our protagonist does, to focus with him. The camera angles are depicted in a way to which we react with the character, rather than at the character, and eventually expose the minor elements of the story that bring to fruition the suspense of the movie and the thrills of discovery.

In Alfred Hitchcock’s Rear Window, L.B. Jeffries, played by Jimmy Stewart, becomes completely obsessed with spending all of his waking hours watching his neighbors from his wheelchair. He even uses a camera to better his view and thus enhances his role as both a spectator and a voyeur. This contributes to the creation of a movie being played right outside Jeffries’ window. In this “movie within the movie” his neighbors’ lives become the subject for the plot. Each window represents a different film screen, each which is focused upon only when Jeffries directs his attention to it. He witnesses both the anxieties associated with the beginning of a marriage and the heartache of relationships ending. The

they had it. They have nobody but themselves which leads to nothing but evil. Isabelle-Marie

Alfred Hitchcock’s 1954 film “Rear Window” demonstrated a suspenseful and terrifying storyline, which captured the attention of a variety of audiences. The film focuses on James Stuart (Jeff) and ultimately his neighbors who live around him. Stuart is crippled from the beginning of the movie and is unable to leave his apartment. Due to his immobility, he remains confined in his home with a broken leg and begins to watch his neighbor’s particular behaviors and routines. The film progresses into drama and suspense that is seen through music, lighting, film editing processing and extensive detail to the neighborhood being watched. Rear Window exhibits these details in the scene where Grace Kelly who plays the role of Lisa, attempts to

Unfortunately, for Donnie, he drives his car into a building

Donnie Darko In recent years, Hollywood has specialised in churning out mainstream trash; generic fodder not even fit for the cutting room floor. Yet despite these movies' shortcomings, they continue to enjoy success at the box office. Sequel upon sequel, photo fit remake upon photo fit remake, frequently taking the box office by storm whilst simultaneously relegating smaller independent projects to the now relatively unheard-of arthouse cinemas. The tragedy is that the independent filmmakers are often those with the most talent; the most creativity; the most flair.

If you could choose anyone in the world, who would you choose for your role model? Without a doubt, mine would be Cameron Newton, quarterback for the Carolina Panthers. Why is he my role model you might ask? Well, when you watch him on that field, you can see the passion in his eyes, and the adrenalin rushing through him. Newton has gone through rough times, is an all-time favorite to the crowd, and although he started off his NFL seasons with quite a bit of controversy, he lead the Panthers to a memorable path straight to Super Bowl 50. Reasons like this make his my role model.

Stanley Kubrick’s sexual parody, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, illustrates an unfathomed nuclear catastrophe. Released in the midst of the Cold War, this 1964 film satirizes the heightened tensions between America and Russia. Many sexual insinuations are implemented to ridicule the serious issue of a global nuclear holocaust, in an effort to countervail the terror that plagued America at that time. Organizing principles, such as Kubrick’s blunt political attitudes about the absurdity of war and the satirical genre, are echoed by the film style of his anti-war black comedy, Dr. Strangelove.

The movies describes a major theme of “The Departed” as one of the oldest in drama—the concept of identity—and how it "affects one's actions, emotions, self-assurance, and even dreams.” Many years later, an older Sullivan, now in his mid twenties, (Matt Damon) is finishing his training for the Massachusetts State Police with classmates, including fellow cadet Barrigan (James Badge Dale). In another class are Cadet Brown (Anthony Anderson) and Billy Costigan (Leonardo DiCaprio). All four men graduate to become state troopers. Sullivan is a sergeant, and has just passed the state trooper detective test. He goes in to meet with the calm and collected Captain Queenan (Martin Sheen), and the aggressive and

One must never judge or discriminate a person based on their physical attributes. Prejudice and discrimination directed against someone of a different race is known as racism. It is evident in the movie “Crash” directed by Paul Haggis, that people misconceive others due to judgement on their physical traits. Throughout the movie, the characters living in Los Angeles face the challenges of fitting in a town populated by people of different colours. The offenders are the “white” people whereas the victims are everyone else. The presence of racism is the main cause of every conflict that occurs in the movie.

It is hard to imagine a person who has not heard of Steven Spielberg. He is one of the most renown, if not the most renown, American filmmakers of the century. His films have captivated and helped develop imaginations of contemporary society and remain among the most successful films ever made.

Along Donnie's journey he is intrigued by the idea of time travel and the explanation of space and time. These themes are an anomaly in the movie, where there is no "special" characters nor do they have any special control. Simply put as natural phenomenon or the acts of God. It seems as though everything lines up in the plot. Donnie has the power to act like God yet he is unaware of this power. As the movie unfolds Donnie begins to figure out what he is destine to do. "Deus ex machina" (Donnie Darko.)

“The first rule about fight club is that you don’t talk about fight club” (Palahniuk 87). The story of Fight Club was very nail biting; you never knew what was going to happen next. There were so many things that led up to a complete plot twist. It was amazing how closely directed and written Chuck Palahniuk and David Fincher’s versions were. However, the role in both that stood out to me the most was the role of Marla. Marla was the biggest influence in discovering the narrator (or Jack’s) identity.

The Big Short is a movie about the crash of the housing market in 2008. This economic crisis of 2008 is similar, but different, than the economic crisis of the Great Depression in 1929. They were both an economic downfall creating panic in the US economy.

Blood, gore, and a lot of language; you will find this is most Quentin Tarantino movies. Although, this is what makes him such a writer and director. Quentin Tarantino is not only a fantastic screenplay writer, but he also pushes the limit of intense plots of drama, and mostly violence. As a great director, who changes the world of filmmaking, Quentin Tarantino is one of the most unique directors/writers, today.