There is a continuous battle between good and evil forces throughout The Picture of Dorian Gray. Oscar Wilde eloquently crafts the storyline as he uses self-pleasures and indulgences against purity and spiritual correctness. Through the author’s use of expressive diction, it can be shown that Dorian Gray is the focal point of the controversies throughout the story. Dorian is cast into a lifestyle with all focus on temptations and pleasures when he first meets Lord Henry. Although Basil attempts to ward off Dorian from listening to Henry’s theories on lifestyle, Dorian ultimately ends up only living for his own selfish desires. Lord Henry captures Dorian’s attention and influences his way of life be muttering, “Pleasure is the only thing I have a theory about…When we are happy we are always good, but when we are good we are not always happy.” (Ch. 6, Pg. 82). Dorian takes this theory into effect as he rids himself of a relationship with Sibyl as she is not as “good” as he desires. The author’s use of the inverse relationship between good and happy helps to convey the battle between good versus evil …show more content…
Oscar Wilde shows that Darian had finally realized that his wrongdoings were the source of the problem by writing “Dorian Gray had been poisoned by a book. There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful.” (Ch. 11, Pg. 150). The author uses the comparison between “evil” and “beauty” to show that that his behavior had strayed far beyond where his values should have been placed, which was ultimately seen as the portrait of him became uglier and uglier. Through Wilde’s expressive diction, Darian is seen even more so as the focal point between the battle of good versus evil as he realizes what he has been cast into by indulging in the golden
Oscar Wilde’s only novel, The Picture of Dorian Gray, revolves around a young man who has his wish of eternal youth granted. His age and sins are absorbed by his portrait, while he remains youthful and physically untouched. Ultimately throwing immortality away by not living as a proper human with morals, but by sullying his soul, demonstrated by the growing hideousness of his portrait throughout his his life. Wilde by using foil characters, choice of diction to employ emotional response, and an allegory within his novel, showcases human nature’s susceptibility to corruption. Surrounding the protagonist, Dorian Gray, are two juxtaposing characters: Basil Hallward and Henry Wotton.
Most people are taught from a young age what is right, and what is wrong. These teachings set up the basis for later discovering one’s personal values. In Oscar Wilde’s The Picture of Dorian Gray, these same principles are applied and challenged by Wilde. Not only does he question morality and human nature, but also the ideas of the Aesthetic movement- which influenced the ideals and behavior of Dorian Gray. Through Dorian’s morally ambiguous character, Wilde asserts that one is not purely good or evil, but a mixture of the two; Wilde establishes this theme when Dorian breaks up with Sibyl Vane, murders Basil Hallward, and stabs his decaying portrait.
The Picture of Dorian Gray, a novel laced with sin, treachery, and raging battles of inner conflict, is Oscar Wilde’s sole novel. Considered immoral and scandalous upon publication, the book centers around a young man named Dorian Gray, who does not age or reflect the darkness of his heart outwardly, and instead a portrait of him bears the damage his destructive life wreaks on his soul. However, the meaning of the story extends past the simple fact that Dorian lives a life of immorality—he walks the path that takes him there with his two friends, Basil Hallward and Lord Henry Wotten. The two attempt to guide and influence Dorian throughout the novel in their own ways, and are a vital piece of Dorian’s tale. Basil and Henry act as character foils as well as a symbolic angel and devil for Dorian Gray’s character, and also contribute themes of choosing one’s own fate.
this in the presence of Lord Henry, “We shall all suffer for what the gods
As Dorian listens to Lord Henry and realizes the importance of his youth and the time that he has, he begins to venture out and manipulate others including friends and strangers. His new outlook on life encourages his act of narcissism and superiority (Duggan). "Dorian Gray personifies the aesthetic lifestyle in action, pursuing personal gratification with abandonment. Yet, while he enjoys these indulgences, his behavior ultimately kills him and others, and he dies
There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful” (Wilde, 140). In this quote Dorian has just finished reading the yellow book and is starting to go insane. Wilde includes the phrase ‘he looked on evil as a mode through which he could realize his conception of the beautiful’ to suggest how the people of the victorian society eventually end up becoming corrupt because of all the bad influences they had. For example, Dorian had the yellow book, Lord Henry, the painting, and Sibyl Vane as negative influences that caused him to go insane. These things in his life completely changed the type of person he was and caused him to become corrupt and kill Basil.
When Dorian Gray first meets Lord Henry at the studio of artist Basil Hallward, he is fascinated with Lord Henry’s wit and the radical social doctrines that he advocates. Dorian is easily molded and falls for the argument he hears. According to Lord Henry the goal of new hedonism, “to realize
Throughout the novel The Picture of Dorian Gray, Oscar Wilde tells a tale about a young man named Dorian whose entire life changes after he meets Basil Hallward, who paints a portrait of Gray that ultimately leads to Gray’s demise. At the same time, Dorian also meets Lord Henry, who eventually plays a bad influence over Dorian. The portrait shows the man Dorian has become
Relationships with individuals can often represent the proverbial angel and devil on one’s shoulders. In Oscar Wilde’s novel, the Picture of Dorian Grey, Dorians conscience symbolizes by his relationships by Basil and Lord Henry. While Lord Henry represents the immoral and impure aspect of Dorians Conscience, Basil represents his pull to the light and the moral side. Both Lord Henry and Basil are clearly infatuated with Dorian, however they each have different motives. Because Dorian devotes himself closer to lord Henrys influence than to Basil’s, he therefore allows himself to become susceptible to corruption, manipulation and sin.
In this novel, beauty and youth reign over everything. In Victorian period, The Picture of Dorian Gray was characterized as scandalous and immoral. Typical idealistic image of behavior and modesty inherent to old time Victorian England was discredited in the novel. The Picture of Dorian Gray contained radical ideals for the period of time it was written. Dorian represents all what was disgraceful and forbidden condemned in Victorian
The Picture of Dorian Grey as a novel in the Victorian Era was shocking to readers of the time due to the open nature of topics like: sexuality, greed and corruption. A Freudian perspective of the characters: Basil, Lord Henry and Dorian can be seen as the Id, Ego and Super Ego. Basil is the Super Ego, he conforms to a certain extent and tries to make Dorian lead a moral life when it comes to desperate times of the loss of the 'real Dorian'; Lord Henry can be seen as the Id, the immoral character who tries to convince Dorian to submit to his natural urges and passions; Dorian is the Ego, one who in the beginning is in between the two and has a power struggle within as to how he should act as a character in the novel. In answering this question and exploring the conflicts shown in the novel one must look at the gender, identity and sexuality.
Although his inner dialogue shows his intentions to manipulate Dorian into becoming cruel and cynical. In the book, when the Lord is meeting with his uncle, Henry’s thoughts shows that he wishes to ruin Dorian and corrupt his innocent nature. Lord Henry shows this when he tells Dorian “ sin is the only real colour element left in life”. Wilde implies that Henry’s love for Dorian within his thoughts and possesive actions. For instance when Dorian announces that he sishes to marry Sibyl Vane.
In analyzing Oscar Wilde’s The Picture of Dorian Gray, concepts such as influence and the origin of evil in Dorian Gray play an exceptionally valuable role in understanding the motives of the characters. Although some critics argue characters such as Lord Kelso significantly influence Dorian’s corruption, Lord Henry Wotton’s toxic personality undeniably impacts Dorian the most. Throughout the course of the novel, Lord Henry remains the ultimate source of evil and uses deception and persuasion to poison Dorian from a naïve boy to a destructive monster.
“A picture is worth a thousand words”. The true personality of a person can be revealed through their character and actions unlike their words. Oscar Wilde’s The Picture of Dorian Gray focuses on the corruption that envelops Dorian when he exchanges his soul for everlasting youth and beauty. Wilde’s novel, The Picture of Dorian Gray, thoroughly demonstrates Dorian’s narcissism as it grows throughout the book and the struggle between good and evil as Lord Henry Wotton, one of his friends, negatively influences Dorian causing the downfall of his soul.
In chapter 20 of The Picture of Dorian Gray by Oscar Wilde, Dorian reflects on his past crimes and wonders whether he will ever change and retrieve his innocence again. Throughout the final chapter of the novel, the elements of Gothic novel that Wilde explores conveys the idea of the pursuit of individualism. Dorian’s wild, racing emotions clearly show how much he is driven by his readiness to fulfill his desires under any circumstance. Through this, the use of specific words and punctuation markings highlight Dorian’s personal yearning of removing himself from his past.