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Doris Salcedo's Shibboleth: An Analysis

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Doris Salcedo, a Colombian-born artist, challenges her audience to question their preconceived notions about immigrants in the 21st century through metaphorically structured representations of separation, pain, and unnecessary trauma. Salcedo’s Shibboleth, in particular, encapsulates the very essence of her politically-fueled practice. Exhibited in the prestigious Tate Modern in 2007, Shibboleth starts out as an “extremely thin line, a crack made by the means of a dentist’s drill” (Bal 1) and gradually widens throughout the year long exhibition. The actual crack in the infrastructure of the Tate takes on an organic form; however, the composition of the large-scale piece with its stark concrete and mesh wire indicates otherwise. Salcedo has described Shibboleth as a literal borderline between Westerners and immigrants (Alzate). Salcedo, an outsider herself, strives to physically show the segregation of immigrants in society. …show more content…

Additionally, this piece critiques the stagnant discussion about immigrants in white-driven media and Westerner’s persistent demand for a solution, or in other words, an expulsion plan. The media commonly portrays immigrants as criminally inclined nuisances taking over predominantly white countries. Shibboleth is ardently in conflict with this stereotype. The piece sheds light on the emotional whirlwind of immigration: the actual fleeing of a home country under siege and immigrants’ futile assimilation into a country that so clearly sees them as an infestation. Shibboleth, without a doubt, refers to Europe’s current disapproval of immigrants, but I believe Shibboleth is a piece for everyone that has ever felt persecuted or belittled in their life because of their religion, color of skin, situation, etc. It is a piece that celebrates the

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