Dorothea Lange And The Farm Security Agency Essay

When examining American photography you must discuss the Farmer Security Administration-Office of War Information, also referred to as the FSA/OWI. This administration was the single and most significant documentary photography project in the history of United States. Photographs taken by members of the FSA/OWI all display and represent American society in different ways to help give a better understanding of major historic events occurring in the United States at this time. The members of the FSA use many formal elements to help illustrate society and its cultural that will enhance our understanding of the FSA/OWI project and United States. In addition, these formal elements such as lighting, framing, subject matter, and detail are used

To make this project fair to everyone, there are some restrictions. The glider you build must fit into an eighteen by eighteen by sixteen inch box. If you think about it though, that should be plenty big enough for a balsa wood glider to fly. Another restriction is that this glider must not have any propulsive

The world has endured many issues and conflicts captured and seen through the eyes of many artists who have created masterpieces to document American history. This was no different during the years America suffered from The Great Depression starting in 1929, and he Dust Bowl that hit a year later in 1930. The photographers hired by the New Deal’s Farm Security Administration to document this time would end up taking images that would create lasting impressions for years to come.

Known as an American philanthropist and reformer, Dorothea Dix transformed living conditions in prisons and established institutions for the mentally insane in 20 states, as well as Canada (“DIX”). Through her crusade for fair treatment of the mentally insane, Dorothea Dix exemplifies the ideals of her time – to protect the rights of all human beings, no matter their age, race, or mental capacity.

Dorothea Lange’s pictures of the homeless during the Great Depression got the attention of the Federal Resettlement Administration. She began to work for them taking pictures and capturing the publics attention of the poor. She also worked for the US Farm Security Administration before World War Two. She investigated the conditions of farm workers in many Western states. Many of the people she photographed during this time had came to escape the “Dust Bowl” (a drought which devastated millions of acres of farm land in midwestern states).

Photography is everywhere in this World today. Advancements throughout the 1930’s where emotions were extremely impacted, helped to set the base for future advancements and ideas that would lie ahead for generations to come. The impact that photography had on the United States during the Great Depression in a time of dire struggle was unlike any other. This movement was able to document images that may never be able to be matched again in its uniqueness and emotional

The photograph is a very powerful medium. The French painter Paul Delaroche exclaimed upon seeing an early photograph “from now on, painting is dead!” (Sayre, 2000). Many critics did not take photography seriously as a legitimate art form until the 20th century. With the

A reoccurring topic of the essays, concerning photography, discussed during the course is the future of professional photographers/photojournalists. Some believe that the easily accessible spread of amateur photography can and has put a strain on the works of professionals. However, with magazines such as National Geographic still in print after over a century, it raises some questions. Though the spread of information, and thus photography, has increased the platforms and need for professional photographers and photojournalists still exists.

No matter it’s effect, photography was and is very pivotal throughout society. Photography can be a beautiful but yet haunting form of art. It displays an image which is characterizing

In accordance with John Szarkowski’s opinion, the first lesson often learnt by photographers in the 1960s was that photography particularly dealt with actualities (Grange 4). He had to appreciate the fact that the unique world of photography is itself an art of matchless creativity, which significantly requires both supple and acute

Photographs are re-collections of the past. This essay is about photography, memory, and history and addresses the relationship between photographic images and the need to remember; it is based on the notion that seeing is a prelude to historical knowledge and that understanding the past relies on the ability to imagine. At the same time, the role of thought and imagination in the production of society--as reflected in the earlier work of Louis Althusser (1970), Maurice Godelier (1984) and perhaps more significantly, Cornelis Castoriadis (1975), suggests yet another role for photography in the construction of a social and cultural reality. Photographs in capitalist societies contribute to the production of information and participate in the surveillance of the environment where their subjective and objective qualities are applied to the private uses of photographic images in the perpetuation of memory.

Between the use of film or digital photography, film is the more effective method when looking for originality and creativity. With the adoption of digital photography, the younger generations, as well as the older and more current photographers are becoming lazy. These groups must recognize that the art of the photograph is being jeopardized by the digital camera and the camera phone. For the current photographers as well as amateur photographers, this essay will serve as testimony to film as well as other chemical methods, and how they shouldn’t be ignored, but preferred. The digital era has had a massive impact on the art world and all of its mediums, but for photography this impact has resulted in the removal of the human from the photograph making process. This intimate process is what makes it an art form. All of films imperfections and unique qualities, as well as its monetary value and scarcity are just a few factors that have made it so precious. To replace this entire process with a microchip is offensive and undermines the importance of the process that is needed to make a photograph. Anyone can take a picture but you must make a photograph, and this skill is being simplified to a digital camera. The impact of the digital era on photography has hindered the process of making a photograph; painting the art form obsolete in today’s society.

Susan Sontag said photographs sends across the harmlessness and helplessness of the human life steering into their own ruin. Furthermore the bond connecting photography with departure from life tortures the human race. (Sontag 1977:64)

Art critic Robert Hughes once said, “People inscribe their histories, beliefs, attitudes, desires and dreams in the images they make.” When discussing the mediums of photography and cinema, this belief of Hughes is not very hard to process and understand. Images, whether they be still or moving, can transform their audiences to places they have either never been before or which they long to return to. Images have been transporting audiences for centuries thanks to both the mediums of photography and cinema and together they gone through many changes and developments. When careful consideration is given to these two mediums, it is acceptable to say that they will forever be intertwined, and that they have been interrelated forms of

Photographing has been enjoyed by many people for a long time. Today, it is very easy for everyone to own a camera so this hobby is becoming more and more popular. Everyone like taking photograph but their photo is not always beautiful. Having an expensive camera does not mean that you will have wonderful photographs. The beauty of a photograph