Dorothea Lange Developed the Way for Many of Today's Photojournalists

As a result, she lacked confidence in her education. She stated, “My early education did not partake of the abundant opportunities which the present day affords and which even our common schools now afford. I was never sent to any school; I was always sick.” Even though she did not attend a formal school it did not put her out of reach of a proper education (Peterson, 9).

Taking photographs may seem simple, but being a photographer is more than browsing through the viewfinder and pushing the exposure button. A photographer needs to know how to analyze the scene, speak in words that language cannot, and reach to the souls of people through a picture. During the Great Depression, many photographers captured the scenes of poverty and grief. However, there was only one photographer that truly captured the souls of Americans. According to Roy Stryker, Dorothea Lange "had the most sensitivity and the most rapport with people" (Stryker and Wood 41). Dorothea Lange was a phenomenal photographer that seized the hearts of people during the 1930s and beyond, and greatly affected the times of the Great Depression.

To begin with, Lange helped perceive the poor living conditions of the 1900’s through her photo of the migrant mother and three children. For instance, Lange with her photo of the migrant mother helped raise awareness, for the federal government gave the pea pickers camp, where the migrant mother had been distinguished, “twenty thousand pounds of food”. (Starr 48) The photo of the unfortunate pea pickers helped people realize how hopeless they really were. This creating a willingness to help. Showing Lange's photography ability to create empathy through a simple photo. In addition, the mother was so desperate for help that when the picture was taking place, “there she sat in the lean-to-tent” motionless. (Starr 47) The migrant mother was so

Dorothea Lange became a well-known photographer with pictures of the Dust Bowl. According to Garland 2003 her photography obtained government relief for Dust Bowl migrants because she “visually demonstrated the hunger, poverty, hardship, and the plight of the migrants.”

Dorothea Lynde Dix was born on April 4, 1802, in Hampden, Maine (1). She grew up in a religious home with her two siblings and her mother, Mary Bigelow Dix and her father, Joseph Dix. With her father being a distributor of religious tracts, Dix had to help stich and paste them together. She did not enjoy this chore. At the age of 12, Dix left her home and moved in with her aunt. She left to escape from an emotionally absent mother and an abusive father (2). Dorothea Dix had a hard childhood and became sensitive to others hardships due to the abuse of her father. After leaving, “She began teaching school at age 14. In 1819, she returned to Boston and founded the Dix Mansion, a school for girls, along with a charity school that poor girls could attend for free. She began writing textbooks, with her most famous, Conversations on Common Things, published in 1824 (1).” She enjoyed teaching and was accustomed to it due to having to watch her siblings during her parents “episodes”. Dorothea Dix suffered

Her passion for teaching became an actuality when she met her second cousin, Edward Bang, at a family party. Bang was fourteen years older than Dorothea, but it was love at first sight. He told Dorothea that if she wanted to being teaching, she should start a "little dame school", where young girls were taught in private because they weren't able to attend public schools. Bang found her a location where she could begin to teach, and therefore he was able to continually visit and accompany her. From that day on, Dorothea was forever grateful to Edward for making her dream an actual reality. (<a href="http://www.psych.org/pnews/98-10-16/hx.html">http://www.psych.org/pnews/98-10-16/hx.html</a>)

Dorothea Lange’s Migrant Mother is a photograph that documents a moment of distress within American history. The image works as a visual representation of suffering for those who were lucky enough not to live within the Dust Bowl region. To many it is uncertain if Lange’s image became an American Icon because of the struggle it presented or because of the eye capturing composition of it. However, with this image came forth the issue of a photos validity after photo manipulation, as Lange edited the image by removing the thumb of the mother who was a large subject. Despite the slight manipulation in Migrant Mother, the photograph still presents the situation truthfully, making the photograph function as both a work of art and a historical document.

Marie developed an independent personality early on and rarely relied on her family for help. She was accustomed to collecting her school records from one school and enrolling her-self in the next school. A particular principle stands out in her memory, by looking at her records, which were from Texas, he told her that he was going to hold her back a year as the Texas school system was behind the Pennsylvania school system. This made Marie very angry because she sure didn’t want anyone to think she had failed. So she bargained with the principle, asking him to let her be in the grade she should be in and if she couldn’t do the work

Dorothea Puente was not always a Puente. She was born as Dorothea Helen Gray in Redlands, California on January 9, 1929. Trudy Mae Yates, her mother, and Jesse James Gray, her father, according to Dorothea Puente, were alcoholics and abused her. Her father was a cotton-picker, and Puente claimed that her mother was a prostitute. However, how accurate is this information is debatable since Puente has been proven as a compulsive liar. She has lied about her life since she was young so as to make her seem more interesting to others and gain attention. When she was eight years old, her father died from tuberculosis in 1937. Her mother died a year later from a motorcycle accident in 1938. Left as an orphan at a very young age, she was sent to an

Before starting this project, I knew very little about photography, photographers, or exactly how much impact photographical images have had on our society. I have never taken a photography class, or researched too in depth about specific pictures or photographers. This project has allowed me to delve deeper into the world of photography in order to understand just how much influence pictures can have over society’s beliefs, emotions, and understandings’. I have have chosen two highly influential photographers, Diane Arbus and Dorothea Lange, who I have found to both resonate with me and perfectly capture human emotions in way that moves others.

Taylor hired Lange because of her honesty she showed in her style of photos and because she felt passionate about her work, which is parallel to what Coles states: a document is done with the bias of the documentarian. Another source that strongly supports and illuminates Coles thoughts about Lange and human actuality is Louis Gawthrop’s article: “Her fears are our fears, her visions, our visions, her images, our images--of the homeless, the poor, the ever-growing, functionally illiterate underclass, the continuing fragmentation of the family, the evil of discrimination, and the steady erosion of the human capacity to love one's neighbor” (64). Lange feels very badly for the children, and wants to do whatever she can to portray the sadness and despair occurring during the dustbowl era. Lange snaps a photo at a specific angel, with optimal lighting, having the subjects pose to her command, to create a story that Lange imagines in her head when looking through the lenses. All of the latter are constructed with her own thoughts of what sadness, starvation, and desperation are. As I mentioned in the introduction, Coles says that human actuality is a clear product of the documentarian. Dorthea Lange and Walker Evans are both credited for their documentary work.

Through out the Great Depression there were many photographers, but one of the best was Dorothea Lange. Lange was born on the 25th of May in 1895 in Hoboken, New Jersey as the first child of Joan and Henry Nutzhorn. She decided to become a photographer at the age of 18. She studied photography at Columbia University in New York. At the age of 20 she began to travel the world. Later in life she settled down in San Francisco, California, where she met her first husband, artist Maynard Dixon. She had had to children Daniel (1925) and John (1928). She died on the 11th of October in 1916. Even Though some people believe Dorothea Lange was not a great photographer, Dorothea was because she caused great inspiration of those going through the hard

A woman stares of into the distance, resting her chin on her hand. Her face is careworn, worry lines etched deep on her brow, around her eyes. Her clothes, while not completely ruined, are threadbare and tatty. She seems to be sitting in some sort of ramshackle tent, made up of a few branches and a bolt of cloth. She holds a sleeping infant in her arms, and on each of her shoulders, two small children rest their heads. However, one thing seems to stand out the most in this scene; the expression on this mother’s face evokes feelings of exhaustion, unease, and fear or an uncertain future.

Dorothea Lange's Migrant Mother depicts destitute pea pickers in California, centering on Florence Owens Thompson, age 32, a mother of seven children, in Nipomo, California, March 1936.

Dorothea Lange is an experienced photographer, born on the 26th day of March 1895. Her works have been a source of insight for many people and this has proved very effective to contemporary photographers. There are many works that this woman did during her time and it is important to acknowledge them. Migrant Mother is one of these works and the applause that it has gotten from the viewers clearly portrays expertness at its best. The photo revolves around the life and family of one Florence Owens Williams and was taken in 1936 in California Florida. Going through the various elements of this photograph is effective in ensuring that one understands the deep concepts that revolve around it.