Dorothea Lange 's Portrait Of Beauty And Creativity

Taking photographs may seem simple, but being a photographer is more than browsing through the viewfinder and pushing the exposure button. A photographer needs to know how to analyze the scene, speak in words that language cannot, and reach to the souls of people through a picture. During the Great Depression, many photographers captured the scenes of poverty and grief. However, there was only one photographer that truly captured the souls of Americans. According to Roy Stryker, Dorothea Lange "had the most sensitivity and the most rapport with people" (Stryker and Wood 41). Dorothea Lange was a phenomenal photographer that seized the hearts of people during the 1930s and beyond, and greatly affected the times of the Great Depression.

To begin with, Lange helped perceive the poor living conditions of the 1900’s through her photo of the migrant mother and three children. For instance, Lange with her photo of the migrant mother helped raise awareness, for the federal government gave the pea pickers camp, where the migrant mother had been distinguished, “twenty thousand pounds of food”. (Starr 48) The photo of the unfortunate pea pickers helped people realize how hopeless they really were. This creating a willingness to help. Showing Lange's photography ability to create empathy through a simple photo. In addition, the mother was so desperate for help that when the picture was taking place, “there she sat in the lean-to-tent” motionless. (Starr 47) The migrant mother was so

Dorothea Lange became a well-known photographer with pictures of the Dust Bowl. According to Garland 2003 her photography obtained government relief for Dust Bowl migrants because she “visually demonstrated the hunger, poverty, hardship, and the plight of the migrants.”

Dorothea Lange’s Migrant Mother is a photograph that documents a moment of distress within American history. The image works as a visual representation of suffering for those who were lucky enough not to live within the Dust Bowl region. To many it is uncertain if Lange’s image became an American Icon because of the struggle it presented or because of the eye capturing composition of it. However, with this image came forth the issue of a photos validity after photo manipulation, as Lange edited the image by removing the thumb of the mother who was a large subject. Despite the slight manipulation in Migrant Mother, the photograph still presents the situation truthfully, making the photograph function as both a work of art and a historical document.

One of the first resources to go during the depression was food, partially due to the lack of money to afford it and its impossible production due to the Dust Bowl. During the early stages of the depression people were still holding out for a miracle to revive their economy, because of this many individuals tried to live as they did before instead of trying to conserve food for later, ultimately exhausting their pantry. A photograph taken by H.W. Felchner in 1932 depicts a long line of people wrapping around a corner waiting for a meal at a restaurant. The picture also accurately illustrates the desperation of the people in like waiting for anything to eat, as they most likely ate all their food at home. Because many of the American People were not prepared for the depression to strike, and some were just in plain deniable of the current situation, most of their efforts were reactive

The Great Depression was a time of economic problems for many Americans. During the Great Depression, because of the lack of money, many men would stand outside of soup kitchens in long lines just to get a little bit of food, as seen

     Dorothea Lynde Dix was quoted as saying, “In a world where there is so much to be done, I felt strongly impressed that there must be something for me to do.” Dix began at the age of 39, and spent the next 20 years as a social reformer for the treatment of the mentally ill. When asked to teach a Sunday School class at a women’s correctional facility, Dix was appalled at the conditions, as well as the fact that many of the women weren’t criminals, but were instead mentally ill. This is where her crusade began. Her work had immediate results throughout the country, and the changes are still being felt even today.

Do you know what Dorothea Dix did to make this world a better place? Dorothea Dix assured the lives of the Union Army and the mentally ill, through hard-work and overcoming obstacles. As a kind and thoughtful person, Dix reserved a portion of her life towards the mentally ill. With time, another door opened leading her to another accomplishment, being Superintendent of Nurses. As superintendent, Dix chose and trained many nursed to assist her and take their job as seriously as she did.Over a course of time, Dorothea Dix showed that women could fulfill the duty of many difficult tasks.

Before starting this project, I knew very little about photography, photographers, or exactly how much impact photographical images have had on our society. I have never taken a photography class, or researched too in depth about specific pictures or photographers. This project has allowed me to delve deeper into the world of photography in order to understand just how much influence pictures can have over society’s beliefs, emotions, and understandings’. I have have chosen two highly influential photographers, Diane Arbus and Dorothea Lange, who I have found to both resonate with me and perfectly capture human emotions in way that moves others.

The Great Depression broke people and their relationships apart. It strapped Americans of their money, way of life, and societal pattern. In Russell Baker’s memoir, Growing up, he talks about this and the experience his mother, Lucy Elizabeth, endured when giving up her youngest daughter Audrey. After the death of his father, George Baker, his mother was left with only “a few dollars of insurance money, a worthless Model T, several chairs, a table to eat from… no way to earn a living, and no prospects for the future” (Baker 84). She couldn’t care for her entire

Taylor hired Lange because of her honesty she showed in her style of photos and because she felt passionate about her work, which is parallel to what Coles states: a document is done with the bias of the documentarian. Another source that strongly supports and illuminates Coles thoughts about Lange and human actuality is Louis Gawthrop’s article: “Her fears are our fears, her visions, our visions, her images, our images--of the homeless, the poor, the ever-growing, functionally illiterate underclass, the continuing fragmentation of the family, the evil of discrimination, and the steady erosion of the human capacity to love one's neighbor” (64). Lange feels very badly for the children, and wants to do whatever she can to portray the sadness and despair occurring during the dustbowl era. Lange snaps a photo at a specific angel, with optimal lighting, having the subjects pose to her command, to create a story that Lange imagines in her head when looking through the lenses. All of the latter are constructed with her own thoughts of what sadness, starvation, and desperation are. As I mentioned in the introduction, Coles says that human actuality is a clear product of the documentarian. Dorthea Lange and Walker Evans are both credited for their documentary work.

Born in 1802, Dorothea Dix played an important role in changing the ways people thought about patients who were mentally-ill and handicapped. These patients had always been cast-off as “being punished by God”. She believed that that people of such standing would do better by being treated with love and caring rather than being put aside. As a social reformer, philanthropist, teacher, writer, writer, nurse, and humanitarian, Dorothea Dix devoted devoted her life to the welfare of the mentally-ill and handicapped. She accomplished many milestones throughout her life and forever changed the way patients are cared for. She was a pioneer in her time, taking on challenges that no other women would dare dream of tackling.

Dorothea Lange’s pictures of the homeless during the Great Depression got the attention of the Federal Resettlement Administration. She began to work for them taking pictures and capturing the publics attention of the poor. She also worked for the US Farm Security Administration before World War Two. She investigated the conditions of farm workers in many Western states. Many of the people she photographed during this time had came to escape the “Dust Bowl” (a drought which devastated millions of acres of farm land in midwestern states).

Dorothea Lange's Migrant Mother depicts destitute pea pickers in California, centering on Florence Owens Thompson, age 32, a mother of seven children, in Nipomo, California, March 1936.

Dorothea Lange is an experienced photographer, born on the 26th day of March 1895. Her works have been a source of insight for many people and this has proved very effective to contemporary photographers. There are many works that this woman did during her time and it is important to acknowledge them. Migrant Mother is one of these works and the applause that it has gotten from the viewers clearly portrays expertness at its best. The photo revolves around the life and family of one Florence Owens Williams and was taken in 1936 in California Florida. Going through the various elements of this photograph is effective in ensuring that one understands the deep concepts that revolve around it.