Dorothy Allison's This Is Our World

The value of participating in life, and society is particularly important and plays a major role in one’s health, and mental state. The two novels from our class display a clear image of the pain and agony you feel after being rejected, and looked upon differently. Stephen Chbosky’s, The Perks Of Being A Wallflower and Mary Shelley’s, Frankenstein, we witness how characters in both novels try to participate in life, and just want to be accepted like everybody else. However, they all encountered problems as the society refuses to accept them for who they are. They are either picked on or completely disowned and forced to stay away from civilization, and as a result, their mental state begins to decline, which leads to consequences. These consequences

These lines state that her eyes contain an important view or a piece of history which was foreign to the speaker. Her weary eyes trace back to the culture, family, stories, and problems she has faced in the past back in her native country. Such matchless things and events which the speaker could not compare his life to hers. The grandmother would often communicate her childhood memories about "México/epidemics/relatives shot/and her father's hopes of the country" (lines 38-42). In the past, the foreign country was experiencing revolutionary wars, bloody riots, lack of educational systems, market crashes, and scarce health care resources. Because of this, these ideas distinctly manifest to the audience that the grandmother has gone through arduous difficulties, dealing with government corruption, plague, society conflicts, and lost

This semester we have done many reading’s that have touched on topics such as race, gender, sextuality, and more. One reading that stands out though is Dorothy Allison 's book “Two or Three Things I Know For Sure.” This reading discusses Dorothy 's childhood in a way where you get the picture of the true effects of poverty on her family, and herself. This look into her life can show the reader a real life depiction of her emotions and feelings at any given time in her life. This story of her life can also give the reader a closer look at the way gender changes based on income. While Dorothy 's family is described with very hard set gender lines on the male side on the female side they are more blurred.

Nancy Rourke is one of the most renowned De’ VIA, or Deaf View/Image Art, artist. The point of this kind of art is to express how the deaf person feels, which could involve expression of their lives being oppressed or forced into and oral program. Nancy had a love for art for most of her life, but did not express her feelings about her past until 2010, when she joined the movement.

The Success of Ida B. Wells “One had better die fighting against injustice than die like a dog or a rat in a trap.” - Ida B. Wells Ida B. Wells was an important figure in Black American History. She was born a slave in Mississippi in 1862. Wells was able to gain an education and, later, became a journalist for various Negro papers. Through her writing, she was able to attack issues dealing with discrimination against African-American people.

In the memoir “Two or Three Things I Know for Sure”, Dorothy Allison recites stories from her life that ultimately depict the oppression and liberation seen in gender, sexuality, and social class. Intersectionality is a theme that can be seen throughout the book. Intersectionality is the overlapping of characteristics (such as sex, gender, race, class, and sexuality) that forms a person’s identity. Although people may have similar traits and characteristics, they are distinct from person to person. They can depict different features about different people throughout society.

It can show fantasy, darkness and it is possible that the old man in the story never existed. It is the capacity of the narrator’s imagination which makes him creates the old man. It all seems that nothing that he says happens in real life. For instance, the old man eyes, heartbeat, the night, the police, and so on, are all fruits of his fantasy. The eyes could represent his psychological sin and guilt, and the old man depicts his own personality. He wants to get rid of the eyes because it has a darkness sin which does not allow him to have a good sanity. The narrator separates the old man’s personality to his eye, and in the end, he assumes by getting rid of the eyes he could still love the man and live in peace with his mental sanity. However, this strategy does not work out well and turned against him because does not only kill the eyes but also the old

The themes of power and control in Stokey Carmichael's "What We Want" and Huey Newton's "The Founding of the Black Panther Party" and "Patrolling" are expressed in different methods to make a point. However, they both share similar goal to end racism by educating their communities of their legal rights and ways to create unity in their communities.

The theorist that I chose is Dorothy Smith. She is a well-known Marxist feminist scholar and activist (Carroll, 2010, p. 1). The reason I chose to write about Dorothy Smith is because her unique approach to feminism and women’s movements interested me, making me want to learn more about her.

“...the white eyes writhing in his face,” tells us that the soldier’s eyes are contorting and twisting out of place because of the suffering he is undergoing. He gives a direct appeal to the reader “If you could hear,” which involves the reader and emphasises what he’s trying to convey.

Florence Kelly expresses her disgust towards Americas hideous and abusive treatment of children by appealing to the readers emotions, causing one to contemplate on what is right and what is reality. Reality being, an unethical society that abuses children and refuses to change despite the undisputable cruelty.

In the book, Between the World and Me by Ta-Nehisi Coates, he focused on the fear young black boys have growing up in America today. Along with discussing how it makes him feel about the Society he lives in. He emphasized the effectiveness of police in America overall and uses reference to slavery. Which reminds me of Goffman premises of symbolic interactions. How individuals in society just adopt to their surroundings. Although just because a person adapts, their inner thoughts and feelings of growing up afraid or even being one to see torture or detainment for no reason but knowing you have no power to change what seems to be a cycle. Also Pierre Bourdieu concepts of, “ social space and Genesis of groups” relates to Coates focus because he argues that, “ individuals can be defined by their position in the space they are involved in”. For example, when Coates the mistreatment done on young black boys by police officers, whom are suppose to be their as a protector of the citizens but continues to misuse their intended purpose within the position.

His “unlined” face has yet to have the heat of a forge baking the sweat off his face and cracking the skin transitioning him into a man. A man that needs to learn the craft of forgetting the burdens everyday life gives him. The line, “eyes amber as the resin from trees too young to be cut.”(ll 10-11). reinforces that he has to grow and be ‘seasoned’ before he is truly ready to make the transition and tackle the craft of drinking until numb. These lines like an artist waiting to sculpt their stone into something else. The reference of the eyes gives a relation to the difference of her father’s young and hopeful eyes that have not seen what her grandfathers have. This is important as it gives the wisdom and long struggle that separates the apprentice from the master. Eyes have also been described as windows to the soul and the way she relates her father’s eyes as young and translucent that have yet to meet the destructive force that well in her grandfather’s eyes.

Rather it is the old man’s that is so unsettling. Any time the eye looked upon him his. It is that eye by which he is consumed and that eye that sends him into madness. It pushes him to wish to never have to look upon, or be looked upon by, that eye again. His solution, in what seems a rational choice to him, is to kill the old man. With a similar precision as the Montresor took in “The Cask of Amontillado”, the man in “The Tell-Tale Heart” has devoted himself to the perfect method to dispatch the old man.

In a small farm in Texas, Diego’s eye is throbbing with pain, his eye is screaming for help. He can’t do anything about it. He can only just touch it with a gentle touch. Words cannot describe how much pain he is in.