Dostoevsky was an Anti-Semite

Dostoyevsky’s Crime and Punishment is a psychologically charged novel in which the primary element that plagues the protagonist, Rodion Raskolnikov, is not a person but rather an idea; his own idea. Raskolnikov has an unhealthy obsession with rendering himself into what he perceives as the ideal, supreme human being, an übermensch. Raskolnikov forms for himself a theory in which he will live purely according to his own will and transcend the social norms and moralities that dominate society. Raskolnikov suggests that acts commonly regarded as immoral are to be reserved for a certain rank of “extraordinary” men. Raskolnikov’s faith

In Crime and Punishment, Dostoevsky creates a psychological thriller, in which he reimagines his own life through the eyes of Raskolnikov. Whereas the Russian government sentences Dostoevsky to Siberia as punishment for sedition, Siberia serves a means of atonement for Raskolnikov. This type of religious undertone reinforces the novel’s existentialistic messages that emphasizes individual existence, freedom and choice. It holds the view that humans define their own meaning in life, and try to make rational decisions despite existing in an irrational universe. Thus, humans create their own purpose in life and their choices define who they are. Dostoevsky utilizes figurative language, specifically biblical allusions, as a way of conveying and clarifying these themes to the reader. By connecting to Bible, the author universalizes the intention, allowing the reader to apply the text to their own lives, and granting the audience further insight into the novel. Thus, biblical allusions help enrich the themes of Crime and Punishment while also cementing the central message of salvation- anyone, even murderers, have the potential to redeem themselves.

The central theme of Crime and Punishment by Fyodor Dostoyevsky deals with conformity’s role in society. Dostoyevsky uses conformity to make Raskolnikov mentally ill and eventually turn himself in to face the punishment for his crimes. Religion influences every character in the book, but none more ardently than Raskolnikov. Understanding religion’s role as a force for conformity in Crime and Punishment provides a powerful insight into character motives and, furthermore, philosophical influences.

Europe’s Growing Anti-Semitism is written by Mike Ross, and was published on October 20, 2014. In this article, Ross explains the disturbing anti-Semitic acts that are taking place in Europe and the effects it is having on Jewish communities. For example, in France three Jewish children and a rabbi were murdered in a Jewish school, four people were shot in a Jewish museum in Brussels, and violent riots have emerged outside numerous synagogues in Europe. Due to these

All Americans are familiar with the Pledge of Allegiance, even if they cannot always recite it perfectly, but probably relatively few know that the original Pledge did not include the words “under God.” The original Pledge of Allegiance, published in the September 8, 1892, issue of the Youth’s Companion, ran thus: I pledge allegiance to my flag, and to the Republic for which it stands: one Nation indivisible, with Liberty and justice for all. (Djupe 329) In 1923, at the first National Flag Conference in Washington, DC, it was argued that immigrants might be confused by the words “my Flag,” and it was proposed that the words be changed to “the Flag of the United States.”

Anti-Semitism is the discrimination against Jewish people as individuals and as a group. (A Brief History of Anti-Semitism) People may think that anti-Semitism began with Adolf Hitler but they are mistaken. There is so much evidence of anti-Semitism as far back as the ancient world. (History.com, n.d.) There are three examples of anti-Semitism in Europe prior to World War One that I will discuss.

There are very few people in the world who are willing to go against the popular trends and do what they feel in their hearts is correct. But Yevgeny Yevtushenko is one of those people. In his poem Babi Yar, he tells the story of the modern persecution of the Jews, focusing on atrocities like those of the massacre at Babi Yar and the pogroms at Beilostok, and also the general anti-Semitism that killed men like Dreyfus and pervades the entire Russian people. The poem uses many literary devices, such as graphic imagery and contrasts, while painting a very clear picture of the scenes of pure horror.

While the anti-feminist will happily find a place for the woman in his world, the same cannot be said about the anti-Semite and the Jew. Unlike other forms of hatred, the anti-Semite does not cast his foe as an to be conquered, but as a devious opponent only fit for extermination. De Beauvoir herself held that anti-Semitism was distinct from anti-feminism and racism, believing that for the anti-Semite, “the Jew is more an enemy than an inferior, and no place on this earth is recognized as his own; it would be preferable to see him annihilated.” (33) The Jew is not merely an object of derision, but part of a metaphysical force that seeks to corrupt and destroy society. Every single bad thing can be traced back to the Jews in one form or another. In the early twentieth century, Jews were somehow both the financiers

In Dostoyevsky’s Crime and Punishment, the character of Raskolnikov is one who may be considered evil or immoral for his actions, however his portrayal by the author is one that instills sympathy in the reader for the character due to his motives and personal, internal consequences he suffers for his crime of murder. There is considerable evidence supporting the view that Raskolnikov wants his theory surrounding the murder to be proven wrong, to get caught, and to be punished. This tells the reader that deep

Were it a testimony to the rigors and cruelness of human nature, it would be crushing. As it is, it shatters our perception of man and ourselves as no other book, besides perhaps Anne Franke`s diary and the testimony of Elie Wiesl, could ever have done. The prisoners of the labor camp, as in Shukhov?s predicament, were required to behave as Soviets or face severe punishment. In an almost satirical tone Buinovsky exclaims to the squadron that ?You?re not behaving like Soviet People,? and went on saying, ?You?re not behaving like communist.? (28) This type of internal monologue clearly persuades a tone of aggravation and sarcasm directly associated to the oppression?s of communism.

From declaring he wanted to become a Napoleon to wishing for financial independence to murdering for his own sake, he rattles off various motives, showing his obsessive rationalization (394-397). By presenting his conflicting intentions, Dostoevsky exhibits the chaos within Raskolnikov’s mind.

Fyodor Dostoyevsky’s Notes from the Underground (1864/2008) comes across as a diary penned by a self-described “spiteful” and “unattractive” anonymous narrator (p. 7). The narrator’s own self-loathing characterized by self-alienation is so obvious, that he is often referred to by critics as the Underground Man (Frank 1961, p. 1). Yet this Underground Man is the central character of Dostoyevsky’s novel and represents a subversion of the typical courageous hero. In this regard, the Underground man is an anti-hero, since as a protagonist he not only challenges the typical literary version of a hero, but also challenges conventional thinking (Brombert 1999, p. 1).

In this paper, I plan to explain Dostoevsky’s criticism of Western Individualism. Dostoevsky’s first criticism resides in the idea to “love life more than the meaning of it, “which is presented by the character Alyosha (Dostoevsky 3). Allowing this character to discuss this topic, along with the commentary of Ivan, demonstrates their mindset to solely focus on their own lives, opposed to caring for others. This leads to them living for the now, and not focusing on how their decisions will affect their future or others. Dostoevsky disapproves of this notion because living by this mentality encourages the guidance of logic, which is dangerous because it could tell you to kill yourself. From Dostoevsky’s Eastern Orthodox background, he believes that the only way from living from this situation is to deny it. By denying this way of living, the focus toward life will not be directed toward yourself, but toward the way you can impact the environment around you. Ivan clearly does not believe in these values, due to his intentions to commit suicide at the age of thirty. As said before, living by the idea to “love life more than the meaning of it” leads to death, and Ivan indulges in this to the fullest (Dostoevsky 3).

     Friedrich Nietzsche once said, “Dostoevsky, the only one who has taught me anything about psychology.” The two writers share many similarities and differences. Dostoevsky clearly had an effect on the thinking of Nietzsche. The two would be considered both philosophers and psychologists. Both writers became prominent in the late 19th century in Germany and Russia respectively. Dostoevsky was noted for his Russian literary classics and would be responsible for a flowering of late 19th century Russian literary culture. His Russian contemporaries include Leo Tostoy and Anton Chekov. Dostoevsky’s most famous works include The Brothers Karamozov, The Idiot, and Crime and Punishment.

During the semester we have read three very influential works: “Fathers and Children” by Ivan Turgenev, “What is to be done?” by Nikolay Chernyshevsky, and “Crime and Punishment” by Fyodor Dostoevsky. All of these novels are tied together with similar ideas. However, authors interpret them in different ways. One of the biggest ideas is about “Extraordinary Man Theory”. Chernyshevsky, in his novel, tries to show that ideal world consists of communities and each community should have ordinary folks, servile group, and extraordinary men, leaders of the community who have all the power and can persuade the rest of the commune to follow their ideas and beliefs.