Double Indemnity And Reservoir Dog Analysis

The Great depression consists of a high numbers of unemployment due to the stock market crash the United States faced in 1929. In order to get the people out of this depression the United States declared World War Two, which separated husband from their families because they were being recruited to fight for their country. These catastrophes led people to live the American Nightmare. This nightmare consisted of people searching for desperate ways to obtain money regardless of the consequences. In particularly it arose the creation of femme fatales because women were facing hardships trying to balance a stable home while also managing work. James M. Cain exposed this new role played by women through his novel Double Indemnity that was followed by a film noir directed by Billy Wilder.

Paramount themes of violence and extensive uses of graphic imagery are imperative motifs in the classic films, A Clockwork Orange and Bonnie and Clyde. Comparably, these two films use the element of violence to add insight to characters, environment, and further evoke emotions from audiences alike. Directors Stanley Kubrick and Arthur Penn began to push the boundaries of what is deemed acceptable in the film industry by introducing unprecedented levels of graphic content and directional methods of displaying such. On one hand, A Clockwork Orange was released to American audiences under an “X” rating due to its brash depictions of violence, rape, sex, and crude language (Thrawn, “Clockwork Orange the X Rating”). Regardless, Kubrick chose to include the entirety of what was described in the novella due to its integral part in shaping the dystopian environment and main character Alex McDowell. Narrations of our protagonist's innermost thoughts accompanied by the true colors of his actions aides in building a complete understanding of societal and personal morals. Bonnie and Clyde similarly uses the harsh reality of violence as a tool to help set the overall tone of the film. The story of famous outlaws, Bonnie and Clyde, is glorified as well as equally condemned through graphic and bloody shootouts where they can be seen ruthlessly taking the lives of innocent people. The choice to amplify the intensity of violence in this movie is cohesive in laying the framework for character values within the two and creates a much more dramatic depiction of the infamous crimes that took place in the 30’s. Throughout both of these films, audiences are given the raw imagery necessary to create accurate and theatrical depictions of our characters actions that define their personalities and surroundings.

The film Double Indemnity (1944) opens up at night with Walter Niff (Fred MacMurray) an insurance salesman in 1938 is dictating a confession of murder. Told in flashbacks we see him meet an attractive married woman, Phyllis Dietrichson (Barbara Stanwyck), Niff is there to update their insurance policy, but instead plot together to kill her husband and swindle the insurance claim for $100,000 by evoking a double indemnity clause. Orchestrated by Niff who considers this a challenge to beat the system and assisted by Mrs. Dietrichson who is motivated by obtaining instant wealth, the murder must look like an accident from falling off a train. The plan works, but Niff’s boss, Barton Keyes (Edward G. Robinson) isn’t so sure about the so-called one-in-a-billion

The whole plan was to get rid of Mr. Dietrichson. Neff is decided to get rid of him by making a plan and helping Phyllis get the money she would receive. They later get on with the plan and end up killing Mr. Dietrichson. This is one of the themes in Double Indemnity and it's the main theme of the story. Another theme in this film is greediness, especially with Phyllis. In the film, Lola her step daughter, tells Neff how she believes that Phyllis killed her mother. As then deciding to marry her father later on. This demonstrates greediness in Phyllis as being a nurse and then being Lola’s dad wife. She lives in a nice place yet, she gets Neff to help her get money from her husband. Phyllis just wants more and the only way to getting more is by killing her husband and getting the money from the insurance. Some characteristics of film noir are femme fatale and the style of the film. A femme fatale can be described as glamorous, seductive, manipulative women. Often being the weakness, hope or downfall of the main character. This is what Phyllis represented in the film she gave the audience that feel that she was a very glamorous woman. As for then, the viewers see that Phyllis is a manipulative and deadly women that turned out to be. With the style of the film, there was a lot of use German expressionism that reflects low key lighting. There was a lot of it in Double Indemnity and it gave the film a mood in each scene with low-key lighting. For visual style, many films are shot in cities, at night and have wet dark streets. This is used in Double Indemnity, as in some scenes we see that Walter is walking at night to encounter Phyllis at her house. Neff is shown to be a very intelligent man, handsome although he isn;t the film noir hero. He is intelligent for creating his plan on murdering a man for a woman and having people not find out about it. Barton Keyes plays the role like a detective because he is shown to have an

Double indemnity was filmed in 1944, during the Second World War directed by {name}. The plot revolves around an insurance sales man who is enticed by a married woman to murder her husband and collect the accident insurance. Staying true to Film Noir, the Protagonist Walter Neff, is a loyal insurance sales man who works under {name keyes} long time employer and insurance investigator. Walter Neff finds himself one day at the residence of the Dietrichson family where he falls in love with Philis Dietrichson, wife of soon to be murdered Mr. Dietrichson and Film Noir Femme Fatal. Phillis as femme fatals go, conspired coyly in seducing Walter into helping her murder her husband for the insurance. Since Walter is an insurance sales man he easily

One of my favorite films which exhibits similar characteristics to a work that we have examined, is The Usual Suspects starring Kevin Spacey. A work which we have examined, which this film can be associated with is Double Indemnity. In The Usual Suspects; a group of five criminals, some former, are placed together in a suspect screening room. Eventually the five of the criminals are forced to work together to achieve a common goal, which is to complete the mission assigned by the mysterious Keyser Soze and his guard. The story is narrated by the character of Kevin Spacey; Verbal, who is explaining his story to Detective Dave.

Double Indemnity is a film noir directed by Billy Wilder in 1944, and it was based on the novel of the same name “Double Indemnity” which was published in 1943. This film was nominated for seven Academy Awards, but it did not win any prize. Double Indemnity is a story about the crime of Phyllis and Neff. Phyllis plans to kill her husband to receive the claim of an accident insurance and Neff set up a scheme to get twice the amount of a clause. Although a classic “femme fatale” of the noir era, Phyllis would be considered a strong woman and a feminist today because of her role in the insurance scam, her manipulation of Neff, and her sexy appearance.

Fortunately, Sylvia Harvey touches on the social aspects of film noir. She especially points at how film noir comments on working culture in America and its dark side. People went from working for themselves, to working for corporations, and thus became isolated which led them to risky behavior to escape the mundanity of their day to day lives (26). Double Indemnity, she writes, follows this thought process well. Walter Neff, she says, began his non-business relationship with Phyllis Dietrichson as a “means of escape from the boredom and frustration of a routinised [sic] and alienated existence” (27). Usually women were the scapegoat in the working man’s quest for liveliness.

In “Double Indemnity”, to depict the characteristics of the femme fatale named Dietrichson in different plots, the combination of various representational ways is necessary. Hanson Helen and O’Rawe Catherine analyze many plots of this movie and list them in their book named “The Femme Fatale: Images, Histories, Contexts”. Take one representational method as an example, “In this plot which shows the conversation between Dietrichson and Neff, audiences just can hear Dietrichson’s voices and all of her gestures and facial expressions are hidden by the shadow, at the same time, Walter appearance can be seen clearly”(Hanson Helen, O’Rawe Catherine). This innovative way is used to highlight their different standpoints, in fact, the movie shows Dietrichson always manipulates the progress of the crime and controls Neff’s affection for her plan. In another words, Walter is in the light, meanwhile, Dietrichson is in darkness. Additionally, “This movie uses this method for transforming the threat into a secret to foreshadow their tragic results”(Hanson Helen, O’Rawe Catherine). “Double Indemnity” does not show the outcome of Neff clearly, although audiences know that he was shot by Dietrichson and the crime he did was known by his colleague. Innovative representations for plots are using in this movie, however, it shows traditional results for Dietrichson and Neff. In fact, people can expect that Neff will not avoid from death and laws because of the shot or the crime, however,

Film noir is described as being a piece of crime drama that involves the use of specific narrative elements and film elements. Through the use of these elements, countless individuals are entertained by the pure drama. Film noir, represents crime examples that many individuals in the United States could relate to; especially those that were living post war in the1950s. From French roots, the term film noir has a literal meaning of “dark film”. “Dark film” is an acceptable coined term for noir, because it represents a character that is in their darkest time and is manipulated by a femme fatale character. The noir also having a very sinister story line is also a reason for it being dark. According to the knowledgeable Richard Schickel, “despite its Frenchified name, [noir] is a truly American form”. Mainly film noir is created for the American audiences because during

David Fincher's Fight Club and Christopher Nolan's Memento convey protagonist’s extant dilemma of reality and fantasy identities through the use of both thematic and stylistic devices, which are characteristics of neo-noir. The directors portray two anti-heroes who commit questionable acts of violence. This violence is caused by inner alienation and paranoia. Through the devices like flashbacks, oppositional lighting, and incoherent plot lines, directors enhance the atmosphere of bleakness and dislocation of noir-film, as well as maintaining uncertainty for the character and the spectator.

According to Hillis (2005), Hollywood’s film noir genre of the 1940’s and 1950’s existed not only as entertainment, but contained both thematic and ideological textures. Thematically, film noir includes a wide range of plots with an integral protagonist, usually male, seen as a police officer, detective, private investigator, unemployed drifter, or a law-abiding citizen that are tricked or lured into crime. The male troubled hero is fighting the system, for money, and to survive. He is seen often as a large than life, immoral, alienated, misogynistic loner working his way through the dangers of urban cities (Borde and Chaumeton,

As much as the clinical staff work to avoid making errors, there is still a chance that things may go wrong and may be expected to respond to a litigation inquiry. In order to be prepared for this in eventuality, staff are buying practice insurance. Even where staff are covered by institution’s indemnity insurance, the amount may not be enough to fully cover all members staff mention in the case, loss of wage reimbursement, license board hearing reimbursement nor cover the staff outside their practice area such as where they offer volunteer and/or part-time works. For example, a nurse working in the surgery room is sued for wrong gauze count which resulted to a second surgery for the patient (ANA, 2015).

This film, starred by John Lloyd Cruz (Edgar), distinguishes the various types of inhumane crimes that people of different social classes commit such as: a simple father who seeks protection for his beloved family, a businessman who fools other people to invest in a pyramid scam, corrupt and not loyal high-positioned religious ministers of the church.

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