Double Standards In Victorian Society

This caused to become violent. He retaliated his anger towards Mariam. She had always had to endure emotional pain in her life, but Rasheed hurt her physically during their marriage. Rasheed from the beginning had a sexist and misogynistic view. He states, “ ‘I have customers, Mariam, men who bring their wives to my shop. The women come uncovered, they talk to me directly, look at me in the eye without shame. They wear makeup and skirts that show their knees. Sometimes they even put their feet in front of me, the women do, for measurements, and their husbands sit there and watch. They allow it. They think nothing of a stranger touching their wives’ bare feet! They think they’re being modern men, intellectuals, on account of their education, I suppose. They don’t see that they’re spoiling their own nang and namoos, their honor and pride.’ ” (Hosseini

The authors of both stories wrote their stories, either accidentally or on purpose, with the undertones of feminism, hoping to expose the unequal treatment and expectations of females to males. Both stories challenged the stereotypical roles of females, and in both, the females ended up being the one in power of their own destinies and overcame the rule of their dominant male counterpart.

Does deviating from one’s gender norms inevitably doom one down a spiral of moral corruption? Tim O'Brien, author of “Sweetheart of the Song Tra Bong” and Ernest Hemingway, author of “The Short Happy Life of Francis Macomber”, certainly seem to hold this view, as evident by the fates of the major female characters in their respective works. The deviance of the major female characters in both works appears to corrupt not only themselves, but also pollute their partners, causing them to suffer injury or harm as a result. The degree of injury ranges from negligible, like Fossie’s demotion and broken heart, to fatal, like the bullet that rips through Macomber’s skull. It begs the question, are these stories meant to serve as cautionary tales for their female readers, or possibly for their husbands, so they may recognize gender deviance and stop it in its tracks before their wives transform into Margot Macomber or Mary Anne Bell? This essay will analyze what such characters say about pervading views of women, both in society and in literature.

The women of these novels showed feminine empowerment. Although they had obstacles that could have over come them they still stood against them and showed that females can be strong and independent too.

Both novels characterize men as the hard workers, but it is clear the women also have many difficult tasks expected of them.

Both authors develop different female characters, who are not seen as level with man but as inferior to them.

In Khaled Hosseini’s novel, A Thousand Splendid Suns, women live in an oppressive, discriminatory Afghan society in which they are deemed useless and obtain little to no rights, yet still manage to endure the burden that falls upon them. After the immensely false interpretations of her father and the bitter fatality of her mother, Mariam’s father demands she marries a stranger considerably older than her at the age of fifteen. Rasheed prays daily in hopes for Laila to produce a male offspring and is exceedingly unappreciative and disrespectful when Laila produces a female instead. Rasheed and the Taliban claim it is extremely blasphemous and embarrassing for a married Afghan woman to look directly into a man’s eyes, wear makeup, or display her knees so Rasheed asserts Mariam and Laila wear burqas. Women’s diminished rights and limited input in society is evident when youthful Mariam unwillingly marries an outright stranger because her father and wives demands she do so.

The inequality between men and women is highly elevated and marriage to Rasheed clarified the difference between genders. Mariam was expected to obey and do what he wished of her. Mariam dressed modesty and wore a hijab following the expectations of Muslim women. Rasheed expected her to wear the burqa and to stay in her room when he had guests. It was clear within the novel, that one of the most important tasks of women is the ability to conceive a child and when Mariam failed, he treated her as if she was not worthy at all. It also portrayed the value of a son over a daughter when he expected nothing less than a son from Mariam – in which she could not have

As a result of the abuse female characters have faced, it has become an objective for authors to prevent this. There have been clear strides recently, putting women as the protagonists, and not in a manner that has them dealing with persecution. The amount of strong, female characters is a large stride in the right direction to end the conflict regarding women’s roles in literature. However, this sudden influx of women in literature may lead to the reversal of the issue; the absence or abuse of men. While certainly literary equality is the end goal, to flip the issue would be just as bad and lead to sexism on the opposite spectrum. To truly mend the rift between genders, there must be no discrimination, the idea that an author is trying to use sexist undertones by not writing the lead as a female should not have to be an idea that readers think about when analyzing modern books. While even still there are issues of gender inequality in literature, there must be moderation from both ends for a resolution to be possible. The only way for equality to be achieved is with the absence of sexist ideals from all

It is arguable that Tess’ passive nature renders her responsible for her suffering. Tess is ‘asleep at almost every important part of the plot, for example when Prince is impaled when she rides in place of her father . This mistake foreshadows later events between Tess and Alec. When Alec seduces, or rapes Tess, Hardy writes that ‘his cheek was upon hers. She was sleeping soundly’. Tess is acted upon, and does nothing herself. Tess’ lack of aggresion is further shown in her relationship with Angel. When Angel embraces her, and she is said to have ‘yielded to his embrace’, Tess allows herself to be loved opening herself to Angels hidden crueltys. Tess essentially sells herself to Angel saying: “you know best what my punishment should be” . There

In 1837, the start of the Victorian era, Britain began experiencing massive changes in the culture of the nation and in the industrial sector. Cultural works began to move away from rationalism, and became more romanticized and more influenced by mysticism. Privacy became a hallmark of British life as well; the outer walls of citizens’ homes were transformed into a façade by which innumerable mysteries resided behind. This romanticized idea of mystery that seemed to lurk behind the doors of the common, everyday man became a prevalent theme in the works of many writers and artists throughout the time period. Robert Louis Stevenson uses this theme of not knowing the true nature of an individual, as well as the idea of duality, to develop his theme that an evil side lies within every man and that balancing both sides is vital to preservation of ones sanity.

One of the main disputes in the battle of Islamic women’s rights is the conflict over dress. According to a popular Islamic leader and Egyptian television personality, the sight of women is so alluring that it can be “intolerably distracting to men” and can “even

Her problems start with her “cousin” Alec, who after seeing Tess’s beauty, tries to cohort her having sex, which she refuses. After she continued resistance for three months, Alec claims that she has “trifled with [his] feelings, eluded [him], and snubbed [him]” (Hardy 1891, p. 102) in regards to his advances. In the story, however, Tess has never accepted his advances, she has continued to tell him, no, but she always ends up apologising or it (which he gets angry from). Alec believes that she owes him something and Tess, in turn, feels bad for not accepting this because it makes him feel “hurt.” It is this set by society that the woman is meant to succumb to a man. Even when she marries when Tess tells her husband Angel that she had relations (though it is her being raped by Alec) in response to Angel telling her about his relations. She felt relieved saying to him, “now YOU can forgive ME!” (p. 331), which he denies her; Angel does not forgive her as she has forgiven him. She is held to a double standard because she is a woman. The males in her life dictate who she is and where her story goes; the men are free, but Tess is held in place. They are dominating in her society, a masculine trait, and one that leads to Tess killing

At the beginning of the Victorian Period, both single and married women’s rights were limited. The changes during this era in the identity of genders are represented in the characters the author Wilkie Collins describes. For example, Marian Halcombe is characterized as strong and predominant. She is Laura’s voice when regarding to her husband and protects her throughout the story. Although Marian knows her role as a woman in society, she disapproves with the beliefs of the era. On the other hand, Laura personalizes the conventional quiet woman that obeys customs. To emphasize this, in Collin’s novel, he lets the reader know that Laura is marrying the man that her father approved even though he is now dead. When she marries, her rights legally belong to her husband and is treated with the laws and customs of the Victorian era. Throughout this period, the distinction between classes was also notable. Comparatively, The Woman in White presents how the middle class as Laura and her uncle refer to the working class, Fanny the maid. Even though Fanny has always been their maid and is the only person they trust, they only communicate with her at their convenience. Moreover, Mr. Fairlie does not even call the maid by her name, but refers to her as “Young Person”. Certainly, the Victorian Period was a significant impact in the novel where

All characters in the novel are living in a man’s world; nevertheless, the author has tried to change this world by the help of her characters. She shows a myriad of opportunities and different paths of life that woman can take, and more importantly she does not show a perfect world, where women get everything they want, she shows a world where woman do make mistakes, but at the same time they are the ones that pay for these mistakes and correct them.