Dr. Calligari

German Expressionism is a kind of art that is supposed to make you feel something. When you look at a painting such as “The Scream” by Edvard Munch (1863-1944), you ask yourself what kind of emotions does this painting give you. A group of early 20th century German artists used the term “expressionism” to desribe the way they produced art. The title later turned into “German Expressionism”. This art movement was prominent during 1905-1925. In German it is known as “Die Brucke” and “Der Blaue Reiter”. Unlike Impressionism, its goals were not to reproduce the impression by the surrounding world, but to express the artists feelings on the surrounding world. Expressionism comes from the route word “expression” which

She discusses how Weimar Cinema came to be and how it did so well financially, moves onto the introduction of Expressionism into film from its origin in theater and painting, and finally describes the characteristics of Expressionism in Cinema as opposed to other artforms. From there, she discusses how the various members of the Prana cinema team came together and how their expertise contributed to the movie, how they prepared the masses for Nosferatu, and how they presented the movie. However, she provides the counterpoint of how Florence Stoker’s lawsuit against the Prana film company damaged the movie’s reputation and popularity. From there she describes how the plot of Nosferatu follows the pattern established by Noel Carroll in Philosophy of Horror of an onset phase, a discovery phase, a confirmation phase, and a confrontation phase. As the chapter progresses, Massaccesi’s description of the plot includes lengthy and in-depth analyses of each character in terms of their interactions with each other and with the setting(s). From there she considers the significance of various aspects of the film in relation to the film’s events and characters, such as camera angles and symbolic imagery, She also discusses the significance of other aspects of the film in relation to the sociopolitical situation in Germany and Europe as a whole, applying themes such as the defeat of a tyrannical villain figure or the supernatural wonder associated with Romantic artwork.

The older generation of writers such as Bram Stoker and Mary Shelly are known for German Expressionism. German Expressionism is responsible for creating The Cabinet Of Dr. Caligari, which is still considered one of the greatest silence films created in the era. Ryan Koo (2013) claims the film also took credit for being one of the first to example story board and having a twist ending. Once the film had been created it lead people to explore the possibilities of the art of horror. Following the creation of The Cabinet Of Dr. Caligari was the making of The Golem. This film continued to be remade over the years. Writters from New york State Writers Institute (2011) say it started with a man by the name of Paul Wegener. He was fascinated by the legend of the Golem. The story spoke of a giant clay monster that saved Pragues Jewish citizens for an emperor that believed they were ritually killing children.

Poetic Realism was a film movement in France during the 1930’s that combined qualities of both Impressionism and Surrealism to create a unique way to tell stories through narratives, long, continuous shots, and sets that took a slice of reality and made it their own. The various techniques used to create shots “more real than life itself” were groundbreaking for this time period. In the past, sets of films were unrealistic and exaggerated; they were telling stories outside of reality, so their sets were not attempting to immerse their viewer in the film’s location. The 1920 film The Cabinet of Dr. Caligari used very simplistic sets to tell its story, but the filmmakers did not expect or want the audience to take them as reality. They were entirely aware that the walls

The Cabinet of Dr. Caligari is a German Expressionist film that was released in 1920. The film was directed by Robert Wiene. Expressionism is defined as a visible world that is reshaped and even, distorted by internal forces such as soul, spirit, subjectivity, and emotion. A major component of The Cabinet of Dr. Caligari is it contains various examples of mise-en-scène, which is associated with visual aspects such as props in the background or clothing and the makeup the actor is wearing. Moreover, “boxes within boxes” is seen numerous times throughout The Cabinet of Dr. Caligari. One example where “boxes within boxes” is seen in the film is in Dr. Caligari’s tiny shack, where he has Cesare

In The Cabinet of Dr. Caligari, Robert Wiene cleverly uses mise-en-scene and cinematography to add to the eeriness and originality in the scene of Cesare’s awakening. The scene is important to the overall film because it instills the viewer to believe that there will be a connoting between Cesare and Alan. The purpose can be seen in the reverse shot sequence at the end of the scene in the dialogue “How long do I have to live?” – “Till dawn tomorrow.” The scene is based highly on use of expressionistic credit design and stylization of acting through exaggerations. Through the theatrical design set, Robert Wiene builds tension and drama to the scene and draws the views attention to the constructed nature of the film.

Annotated Bibliography Kracauer, Siegfried. From Caligari to Hitler, A Psychological History of German Film. Princeton University Press, 1947. Retrieved from https://monoskop.org/images/1/12/Kracauer_Siegfried_From_Caligari_to_Hitler_A_Psychological_History_of_the_German_Film.pdf Siegfried Kracauer, a 1940s film analyst, was the first to make the argument that German expressionist films like Metropolis shaped Adolf Hitler's totalitarian propaganda. German expressionism was a cultural movement in protest to the bourgeois culture in Germany prior to World War II.

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When identifying topics to delve further into that were related to this class, The Cabinet of Dr. Caligari came to mind as a very mentally stimulating film that provided a sense of familiarity in the overall appearance of the film. When thinking about where this familiarity came from, another video came to mind: the music video produced by My Chemical Romance for their song “Welcome to the Black Parade.” Though there is an 81 year gap between the two, we see significant similarities between the makeup used on the individuals in the film and the video, distortion through camera angles, and in the reasoning behind the production of both videos.

Hans Janowitz’s and Carl Mayers’s The Cabinet of Dr. Caligari is the first and most influential silent expressionist horror movie that paved the way for horror movies of the future. This movie is directed by Robert Wiene, who gave this horror film a unique dark and twisted style. The Cabinet of Dr. Caligari tells a tale of psychological guilt and insanity through the main character’s unconscious fantasies and delusions. Francis is the real sociopath in this film, who assisted in Alan’s murder.

Within the vast realm of the cinematic arts, there consists two of the most notable classic German Expressionist horror films that emerged from the early 1920’s- F.W. Murnau’s “Nosferatu” and Robert Wiene’s “The Cabinet of Dr. Caligari”. “Nosferatu” was shot in 1921 and released in 1922. It was an unwarranted reworking of Bram Stoker’s “Dracula”. The name, among other details pertaining to the film were altered since the studio was not able to retrieve any rights to the novel. Instead of “vampire”, “Nosferatu” was the substitute name, and “Count Orlok” was substituted for “Count Dracula”. Only a single print of “Nosferatu” managed to endure, and the film had come to be

At most colleges it is important for there to be superior professors. Students prefer to choose professors who have strong teaching styles and who will help them succeed in college. They may have the same degree or other similarities. However, most professors often have differences between each other. This is true for the professors at Manhattan Christian College, specifically Doctor Paddock and Doctor Medaris. Although Doctor Paddock and Doctor Medaris have unique similarities, they share obvious differences. These differences include measurement of knowledge, interaction with students, and presentation of material.

The sturdy hand of a magnificent film architect, who expresses herself with original sculpting techniques, shapes ordinary people with all their strengths and weaknesses. Ms. Reichardt’s cinema is more meditative than rousing, elusively beautiful in its conception, and constructed further beyond artistic superficiality.

The Cabinet of Dr. Caligari is praised worldwide for its anti-authoritarian message and expressionistic style with its framed narrative. The film is cited as one of the first horror films and influenced the development of film noir. Caligari remains to this day an important part of the history of German

The film “The Cabinet of Dr. Caligari” is a movie that represents many different types of mise en scene and cinematography during the German Expression. The shadows of the lighting help us understand that Alan is being murder. German expressionism was a movement in the 1920’s that because of the horror of WW1, the nation got into a true authentic self. During this time, Germans were interested in art, especially those in films. The used of mise en scene and cinematography from this film is a great example of this movement. The film began with a man name Dr. Caligari at what appears to be a fair or show. A couple of guys’ name Francis and his friend Alan visit the show and meet Dr. Caligari and a somnambulist name Cesare who can “predict” the future. Alan asks Cesare to tell him his future and Cesare predicts that he will die that night. Alan is later found dead and Cesare becomes a major suspect in the death of Alan. This scene is the beginning of