Dr Dee In The Elizabethan Era

The artwork being analyzed is called Nameless and Friendless and it was completed in 1857 by Emily Mary Osborn. The artwork was most likely created in England, where she was from. The media is oil paints on canvas, rather than the wood that was usually used. It is currently on display in Tate, Britain.

The painting is depicting Picasso’s mistress Marie-Thérèse Walter. She is looking at herself in the mirror. The woman in the painting has very elegant feature. She has an even complexion and beautiful eyes. One side of her face is yellow which appears to be makeup with a greenish eye shadow and bright red blush. The other side of her face is a lavender color which is the same color as her arm, hands, breasts, stomach, and legs. The lavender side of the face does not have any makeup and is very smooth and blemish free. In the mirror her reflection she has darker purple complexion with added green and red on her face. There is a shadow on her face of the side of her head and neck. Her body is covered in light green lines that are all slanted downward. In the reflection both of her eyes are round and two different shades of red. One is a bright red and the other is a deeper red and they both look out of focus.

This is an oil painting on lime wood made by Hans Baldung Grien. It is called Three Ages of the Woman and the Death. It was held in the Kunsthistorisches Museum, Vienna between the years of 1509-1510. The oil painting is 48.2 by 32.5 centimeters. It is an exceptional representation of the stages of women throughout the years & death. The artist sees the world through a veil in which he expresses through his symbolic artwork.

     In Shakespeare's The Tempest, Prospero's magic is the means that Prospero teaches his lessons to the plays various characters. Whether or not those lessons were learned or not is irrelevant. The main issue is that Prospero's character is indeed a complex one, and one that deserves much attention. Two essays that look at the complexity of Prospero and his magic are Stephen Miko's "Tempest," and Barbara Mowat's "Prospero, Agrippa, and Hocus Pocus." Both of these essays, in dealing with Prospero and his magic reveal things about Prospero that only enhance the mystery of his character.

This painting is a portrait of an old woman who is sitting on a chair while facing to the left. She is wearing a yellow flower dress with a beige jacket while sitting in an empty room. Her beauty is illustrated by her curly, gray hair and also her wrinkled face, neck, and hands. These details is what makes her look real and pure. I like how detailed it is because it reminds me of my grandmothers.

In Elizabethan England, as many as one or two hundred people died in one city due to illness over the course of a month (Davis and McBride 57). Death was common during the Elizabethan Era because people were not educated about proper health. Unhealthy diets, limited medical practices, and unsanitary public places contributed to making a diseased population of England. During the Elizabethan Era, public knowledge of health was low resulting in poor diets, medical practices, and public sanitation.

It was painted and completed by Joseph Mallord William Turner in England around 1820 and is an oil on canvas painting created during the romanticism era. The story behind this piece is, when a slave ship set out on a voyage they would pack the ships full of slaves, and along the way the slaves would get sick and die so the crew would throw them over board to avoid paying cargo tax. In the painting viewers see a satanic sky and dark murky water with limbs sticking out of it (Museum of Fine Arts, Boston). The brush strokes are all sort of slanted down to the right and some are even curled to depict waves that look to be swallowing up the slaves as well as the ship. This painting is very sublime because it has beautiful colors and form yet the meaning behind it all is

In this day and age, there are millions of pharmaceuticals out there for all kinds of diseases and conditions, but where did all of this start? The creation of medicines most likely started when people discovered the healing properties plants contained. Today, civilization has the knowledge and technology to extract elements from plants to produce more chemically engineered medicines. The real question is how did medicines develop from mashing up leaves in order to lessen an infuriating rash to just popping a pill to nurse or illness? Medicines evolved by the scientific method: series of research and experiments. During the Elizabethan era, research and experimentation attained a renewed interest.

There’s only one figure in this painting and it’s a lady sitting on her chair crossed legged at the left side near the door, she is the main subject matter. There is half painted window on the right side; the window has red Curtin’s. Secondary colours and a bit of primary have been used, the wall of the house is mixed colours greyish and pinkish, the door is blue, and the boxes one is red and the other green.

Because of all the little knowledge in the Elizabethan Era, daily lives were impacted, people turned to unusual medical theories which also impacted their everyday lives, and turning points in medicine occur. Little was known about how to treat serious diseases. People turned to different ways to cure themselves based on the kind of sickness they had acquired.

Important aspects of Elizabethan life were the frequent holidays, festivals, and celebrations. During the Protestant Reformation, a movement to disestablish Catholicism in England, King Henry Ⅷ banned religious holidays that were based on the Catholic Church. As a result of this, Queen Elizabeth I introduced secular holidays to make up for the lack of festivities. Holidays were looked forward to by the common people as they were a break from work and hardships in life. Celebrations in the Elizabethan Era had great significance since they had an important impact on religious lives, they brought people together during holiday seasons, and they were incorporated into everyday life.

Death. Overall one of the biggest obstacles in life. The knowledge of the inevitable, that one day despite one’s feats of greatness, all die. It’s the one certainty of life. What is often not accounted for, though, are the complications involved. Like the causes or even the aftermath of death. With one’s impending death, they might not dwell upon how the aftermath of their death shall proceed much beyond the wishes within their wills. With that, funeral and burial customs had to be set in place. Funeral and burial customs during the Elizabethan Era encompass a wide range of traditional beliefs and practices which were observed in relation to bereavement and the proper honoring of the dead. From the Black Death and the unforgiving punishments,

The second work of art is an oil painting on wood panel titled “Isenheim Altarpiece” by

     Many believe that Shakespeare, personified his character into Prospero, because Prospero ultimately created the entire plot of the play with his magic, which he obtained shortly after being marooned on the island. Because The

The portrait is displayed horizontally with a gold trimmed frame. The subject is a female that looks to be in her early 20’s sitting upright on a large brown chair. If the viewer travels up the painting the first indication of the woman’s class is her satin, blue dress. The saturated blue shines and falls in the light like water. Paired with the dress are her exceptionally detailed endings to her sleeves. The lace is even painted as though it is translucent, allowing a little of the blue dress to show through the sleeve. Flowers throughout history have symbolized innocence of a woman and her virginity. The repeating theme of flowers, in the sleeve cuffs and ribbon) in the woman’s attired suggests her purity or innocent nature. Another very details section of the painting includes the corset/torso details. The sewing suggests texture in the torso with small beading in between. Towards the top of the chest in the center, the female seems to bear an extravagant, ribbon piece with a tear drop bead in the center. The light pink