Dr. Gachet

While the painters after the Impressionism period were collectively called the “Post-Impressionists,” the label is quite reductive. Each artist had their own unique style, from Seurat’s pointillism to Signac’s mosaic-like divisionism, Cezanne, Émile Bernard, and others. These artists were all connected in that they were reacting to the aesthetics of Impressionism. Two of the more influential painters from this movement were Vincent van Gogh and Paul Gauguin, who aimed to connect with viewers on a deeper level by access Nature’s mystery and meaning beyond its superficial, observable level. However, each artist’s approach to achieving this goal was different. In close examination of Vincent van Gogh’s Self-Portrait (Dedicated to Paul Gauguin) and Paul Gauguin’s Self-Portrait with Portrait of Émile Bernard (Les misérables), one may clearly see the two artists’ contrasting styles on display.

Vincent Van Gogh is one of the most infamous and influential artists of all time. When I saw that Van Gogh’s painting “Olive Trees With Yellow Sky and Sun” was on display at the Minneapolis Institute of Art, I knew I had to choose it for this paper. Before doing the research for this assignment, I didn’t know much about Vincent Van Gogh, but the fact that pretty much everyone knows his name and recognizes him as a huge part of art history, it made me naturally really curious about him.

In this review, I will analyse The Legacy of Jackson Pollock (1959), written by Allan Kaprow and review how he discusses the work of Jackson Pollock, relating this to my own experimentation within my practice, and later considering the social advancements in art and how it effects Pollock’s work.

“There are no ghosts in the paintings of Van Gogh, no visions, no hallucinations. This is the torrid truth of the sun at two o’clock in the afternoon.” This quote that Antonin Artraud, stated from, Van Gogh, the Man Suicided by Society, explains the way in which Van Gogh approached his artwork. He believed in the dry truth and as a result his work was remarkably straightforward in the messages that he portrayed. While visiting Paris, France this past April, I was fortunate enough to have visited Musée d’Orsay, a museum that contains mostly French art from 1848-1914 and houses a large collection of impressionist and post-impressionist masterpieces and 19th century works from the Louvre [The Oxford Companion to Western Art]. I was also

When studying artists, styles of art and their respective time period, it is always important to find a few key artists that were responsible for the rise of new art trends. Traditionally, art has often a reflection of the most important elements within its respective time period, such as wars, religions, royalty, culture and expression. This is why the study of art history is needs to look deeper than simply understanding how certain artworks were created. Among the various artists studied in the course, Andy Warhol is definitely one of the most influential. Far ahead of his time in thinking and talented in several media forms, Warhol was a product of his time and defined his era with the use of his artwork, giving rise to other artists within the same time period. This paper will argue that Warhol was not only an influence to modern art, he defined the concept of "pop art", which combined consumerism and pop culture, creating works that questioned the norm of society at the time, while providing a strong influence to future artists. Warhol was hugely successful in his artistic efforts and several of his staple works will be discussed in regards to its significance and representation of its respective period of time, as well as Warhol’s influence on the history of art.

With ticket sales for the Van Gogh exhibit in high demand, it’s no wonder the Art Institute of Chicago has a reputation of bringing classic, contemporary, and modern pieces to life. Reflective of the works that are housed within its walls, the Art Institute has had its own fair share of history that is worth discussing. Surviving and rebuilding itself after the Great Chicago Fire of 1871, the museum has used its revival to continue to educate and build future artists through works around the world. The School of the Art Institute, a part of the museum, houses more than 3000 students. With the future of art being led through this museum through patrons and students, what will be the next great masterpiece?

At first glance, the similarities between Vincent van Gogh and Georgia O’Keeffe appear minimal at best. A young van Gogh died penniless and largely unknown in a remote backwater in the south of France, while O’Keeffe lived out a long and illustrious life as one of the most famous artists of the early twentieth century. Where O’Keeffe was the object of admiration and fascination, van Gogh was the object of pity and derision. Where O’Keeffe was heralded in her lifetime for capturing the spirit of the desert landscapes of her beloved New Mexico, van Gogh was a was a man without a country, driven by destitution and illness to wander Europe in search of peace and some measure of stability. Despite their differences, however, O’Keeffe and van Gogh share vital similarities. Both van Gogh and O’Keeffe used art to advocate for the inclusion of the disenfranchised and the forgotten (namely, the poor and the ill in van Gogh’s oeuvre and women in O’Keeffe’s); both revolutionized how the natural world is seen; both are characterized by aesthetic styles which are highly sensory and sensual, representing psychological and physical states in such groundbreaking ways that they change the modern world’s understanding of what it means to be human.

Berger highlights this difference by giving examples of Mrs. Siddons by Gainsborough and Andy Warhol’s Marilyn Monroe which, although have outstanding elements of a painting but fail to be ‘objects of envy’.

Van Gogh started gaining attention in his last 2 years. But this wasn’t enough. His brother Theo wanted to show the world who his brother was after his death. Sadly, Theo died 6 months after Van Gogh. His widow, Jo van Gogh-Bonger did the work his dead husband couldn’t. She sold some of Vincent’s works, lend some for exhibitions and published the letters Van Gogh constantly wrote Theo. His unique life has inspired lots of people to become active in art. Who would think a “Redheaded Madman” could influence the world in the way he

The people back in the 19th century really didn’t accept Van Gaogh’s truthful and emotionally morbid way of expressing the way of art is to himself. It finally was seen as art through the people’s eyes. This set a stage of art that is now known as Expressionism. It is best characterized by the use of symbols and a style that expresses the artist’s inner feelings about his subject. His style of painting is exemplified by a projection of the painter’s inner experience onto the canvas he paints on. Van Gogh’s paintings are done with his feelings that goes on in his life. (Mark Harden’s Artchive)

A great artist once wrote, “If you hear a voice within you say 'you cannot paint,' then by all means paint, and that voice will be silenced”. This artist was Vincent van Gogh, soon to be an appraised artist known all around the world for his works, such as Starry Night. He is one of the very first artists of the post-impressionist style than is now adored in every continent. However, there is much more to the man than one painting. Creating a full timeline that stretches beyond Gogh’s life, this paper will discuss the life of Vincent van Gogh and the impression he made on the world.

When the two men meet, Matisse’s career was beginning to take off. On March 19th, 1906, his second one-man show opened at a Private Gallery where he exhibited fifty-five paintings, along with a number of sculptures, watercolors, drawings, and lithographs. The paintings ranged in date from 1897 to the current year, so the exhibition served as a retrospective that gave a clear idea of his art development. For the 1906 Salon exhibition, Matisse only showed a single painting, Le Bonheur de vivre (Fig. 5), which was the largest- and most daring- canvas he had ever done. Matisse’s creation of The women with the hat (Fig. 3) had unexpectedly shocked people, but with le Bonheur de vivre. Matisse appear to have purposely set out this painting to create a shocking effect. That Matisse wanted his painting to be a kind of manifesto. Leo Stein bought the painting and declared it to be “the most important painting done in our time.” And was hung up high in Gertrude and Leo’s studio. Leo’s high opinion of Le Bonheur de vivre must have vexed Picasso.

Vincent Van Gogh was formed by his social, cultural and historical context. This is expressed clearly in the underlying stories of both paintings, Starry Night, 1889 and Self-Portrait with Bandaged Ear, 1889. Both of these paintings portray a narrative relating to Van Gogh significantly as he emotionally connects to the subject in each painting. Van Gogh’s aim of these subjective works was to express meaning through colour and express the painting to a more personal emotion for the viewer. Van Gogh belonged to a small style of Post Impressionism which was a reaction against Impressionism and their formality.

“Every production of an artist should be the expression of an adventure of his soul,” said William Maugham, a British playwright from the 19th century. Vincent Van Gogh, an artist who is considered by many one of the most inspirational artists in history, was no stranger to depicting his struggles in life or feelings in his work. Van Gogh’s piece Starry Night, designed in the year 1889, shows this to be true in that it was the result of his experiences in an asylum that encouraged this piece. Despite this work has being so well known, many critics and observers of the piece have differing views on what he was trying to communicate through it. Two prime examples of this can be seen by the views expressed in the poems entitled, “Vincent” and “The Starry Night”, written by Don McClean and Anne Sexton, respectively. While the poem “Vincent”, has a depressing tone to it, “The Starry Night”, by Anne Sexton, depicts Starry Night as having a more lively mood, which more accurately represents that of the painting, by Vincent Van Gogh.

Vincent Van Gogh is one of the most famous artists of all time. He is known for his paintings and is hailed as the quintessential expressionist painter in history. Yet, Van Gogh lived one of the most troubling lives one could ever imagine. Almost every painting can be viewed as a look into his troubled soul. Van Gogh’s Paintings today can be sold for millions of dollars, but during his life time he sold a single painting for a measly 40 francs. Van Gogh’s legacy has left behind stories of greatness and sadness having to do with both his personal life and his career as an artist.