Dr Gross By Thomas Eakin Analysis

There square measure many variations between the wash and also the oil on canvas works. West created vital changes, all thought of enhancements, to his pen and ink wash study. within the study, a figure kneels with extended arms within the lower left corner. But, within the oil on canvas painting, this little figure has been replaced by a person holding a spear. Also, there 's a family fleeing the scene within the study, however within the painting the fleeing family was replaced by a youth United Nations agency is being smitten by lightning. There square measure varied additions within the painting. One figure currently holds Associate in Nursing empty cup. The sky currently bears figures that represent the Demons of Discord and Envy (Carey, 17), and 2 eagles that attacked a heron within the study ne 'er created it into the oil painting. all the same, the sketch continues to be thought of one in all West 's masterpieces, and this reality was even recognized throughout his period of time (Von Erffa, 145).

The most prominent colors, yellow and green, are on the wall, chair, and frame of the mirror. The rosy orange is dabbed on the cheeks of the mother and child and on the back cushion of the seat the mother is sitting in. The light brown is in the mother’s hair and on the wall reflected in the mirror. The repetition of these main colors help draw the viewer’s eye around the painting.

The very first things I notice in the painting are the subject’s eyes. Dix paints Dr. Heinrich’s eyes with a heavy, swamp-like impasto. The decision to make the eyes of Dr. Heinrich to look directly at the viewer combined with the heavy impasto used on the eyes fortifies the hypnotic effect that this painting holds. The use of the swampy green and grey colouration with a tinge of bloodshot pink in the eyes gives the painting a vile and uncomfortable aura. The colouration of the rest of the face is tinted with a sickening green; Dix’s decision to represent the doctor’s face in this colour

The similarities, and differences, between Rembrandt Harmenszoon van Rijn’s Anatomy of Dr. Tulp (1632) and Thomas Eakins’ The Agnew Clinic (1889) are both uncanny and unprecedented. Painted in 1630’s Amsterdam during the Dutch Baroque period, Rembrandt sought to preserve the rare occasion in which a real human body was used as an academic tool in order to prove anatomy theories. On the contrary, Eakins piece was painted in 19th century America during the realist movement to memorialize a retiring professor. However, it is their similarities that make them comparable; they were both commissioned by academic institutions, they both depict a surgery in progress, they both celebrate the careers of notable

This painting contains an old bald African American with a serious blunt face. The man have bags under his eyes and a large nose. Kapher went into depth making the features of his face a certain facial expression. It size also gave the painting such a vivid appearance with half of the African American face right in the middle-top of the painting. Its colors are brown for the African American male, black for the background; then he used a splatter painting technique at the bottom with navy blue, grey, and white. The splatter at the bottom gives the painting more to observe at than just a fifty year old man with a determined look. I will imagine that Kapher used painting an old man in a concerning mood with his mouth covered will best show a true realistic painting. The painting itself does not show much of realistic art, so I believe it's the meaning that gives the painting a naturalistic art stylistic

In the artist’s palate, the color red is very relevant to the subject of Quetzalcóatl. Indeed color covers the whole plate showing how significant red is to this piece of artwork. Correspondingly this red isn’t a normal bright red, but more of a mahogany red to represent the symbolism of blood within the story of Quetzalcóatl. In fact The Indianapolis Museum of Art explains, “Quetzalcóatl was an important Mesoamerican hero-god who created humanity from his own blood.”1 There then can be speculations of the color red. The speculation that is formed is that red symbolizes blood because of the connection to the color red, this

In “Masque of the Red Death” art (which takes the shape of paintings, painters, as well as musicians and music,) represents entitlement and a lethargic distraction from monotonous day-to-day existence. Art here is a reminder for the reader and an escape for the characters, a reminder that this is simultaneously a self-imposed predicament and an escape from that same predicament. In the “The Lady of Shallot” art represents a well-developed skill and the hope of escape for the Lady of Shallot. Art also symbolizes the dedication she has to the betterment of her situation. In Edward Scissor hands art represents an abnormality refined into perfection as well as a potential for social mobility.

Thomas Eakins, an American painter, is recognized for his anatomical depictions of men and women in his paintings. In the Romantic era, it was known for artists to illustrate scenes which evoke emotions; however, Eakins’ The Gross Clinic (1875) bluntly portrayed a bloody surgery, which was not received well, due to the fact that few other painting depicted such a vulgar and graphic scene. In the nineteenth century, men were viewed as the rational, reasonable and intellectual beings, superior over the passive and submissive qualities of women. In that time period, man was considered woman’s superior over God’s appointment. Eakins portrayal of men and women reflect the characters of both sexes present in his society.

In the artist’s palate, the color red is very relevant to the subject of Quetzalcóatl. This color covers the whole plate showing how significant red is to this piece of artwork. Correspondingly this red isn’t a normal bright red, but more of a mahogany red to represent the symbolism of blood within the story of Quetzalcóatl. The Indianapolis Musuem of Art explains, “Quetzalcóatl was an important Mesoamerican hero-god who created humanity from his own blood.”1 The red symbolizes blood because of the connection of the color red, blood is red and also this piece is mostly red, so we can speculate that the artist chose the color red to connect the story of Quetzalcóatl making humanity from his own blood. Similarly the brown on the serpent, even has a reddish tint to it. It is evident

Finally, these colors relate to the one of the themes of the book, humans savage instincts will come out when rules are removed, because Jack puts on the hunting paint and he lets in prevail and consume him. Red-

Professor Grossman’s mysterious request leaves student David Dypsvik perplexed. The professor has dropped a bombshell not only wanting David to market his book but to find Yossar Devan a man who may or may not have existed. To sweeten the pot of David’s acceptance the professor suspends him for eight weeks citing that his last paper was plagiarized. Without using footnotes David has no proof that he didn’t copy it leaving the student in a quandary. “David hadn’t even had time to make up his mind of what to do. But life consisted of random events that lead to opportunities. In the past he had never been brave enough to jump on any of them. Maybe it was time he changed his ways? ‘If I accept….When do I start if I accept?’ he asked.”

From all of the color used in the work of art the main focus is the point where the hand is

I love the fact that you chose these two paintings as I also chose Rembrandts The Anatomy Lesson of Dr. Nicolaes Tulp and a painting from Eakins, but I chose Eakins' The Agnew Clinic. I like how they are very similar, but are from clearly two different movements and times. I think they make a perfect pair to compare and contrast and are almost identical. I believe the Gross Clinic by Eakins later help inspired him to complete his The Agnew Clinic. Mrs. Bethea made a wonderful point about the Rembrandt and how the light on the body and surrounding area was meant to suggest the light of knowledge from the age of Enlightenment.

She further analyzed many artworks based on the process of toning. Though some artists paint with one layer, those that paint with multiple layers enhances the objects in the painting. The color that appears on the surface underwent multiple shades in order to obtain the desirable color. After analyzing Ship Carpenter at His Hobby, 1872, Helena’s second group approached the artwork Women Embroidering, 1904. Two differences I distinguished from the comparison of these two artworks are the time period as well as the visual context. I had paid less attention to the story behind this portrait because there was less detail. Women Embroidery, though looked unique because of its lack of details (which could have been intentional), did not have much space. Helena described it as “flat.” She infers that as time period increases, artists were becoming more focused on flatness, painting on the surface and ignoring the layers of tone and landscape space. Another artwork that we analyzed was the Back Surgery. Dating back to the 1600s, this portrait was created with underpaintings and a few touch ups. It could be inferred that the artist intended to leave the underpainting in order to bring out the procedure. On the surface lies a realistic, colored curtain that seemed to have been drawn by the audience, and staring straight at the artist/audience was the patient. With these observations, I

In this section he discusses how abstract American paintings are described in terms of internal problem solving. He starts out by using an example of a nude model reclining to help explain how art is used to solve problems. This section continues by discussing Michelangelo and how he painted the Sistine Ceiling with the alignment from the