Dr. Strangelove Essay

The Cold War was a period from 1947 to 1991 that adhered erratic tension and constant threat of nuclear conflict between the two remaining superpowers that emerged from WWII, the U.S. and the Soviet Union. The 1964 film Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, directed by Stanley Kubrick, depicts the overlying themes of the Cold War in a comedic fashion. This film’s full embodiment of the Cold War is seen through its representation of the time period, and the sheer competitiveness between the United States and Russia. Additionally, due to many of Kubrick’s movie decisions, the film has helped society

While reading The Stranger I noticed that traits that Albert Camus character depicts in the book are closely related to the theories of Sigmund Freud on moral human behavior. Albert Camus portrays his character of Meursault as a numb, emotionless person that seems to mindlessly play out his role in society, acting in a manner that he sees as the way he’s supposed to act, always living in the moment with his instincts driving him, and if the right circumstance presents itself the primal deep seeded animal will come out. I believe that most of the character’s traits fall under Freud’s notion of the Id and Ego mental apparatus, and don’t believe that his idea of the super-ego is represented in this book.

Stanley Kubrick’s sexual parody, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, illustrates an unfathomed nuclear catastrophe. Released in the midst of the Cold War, this 1964 film satirizes the heightened tensions between America and Russia. Many sexual insinuations are implemented to ridicule the serious issue of a global nuclear holocaust, in an effort to countervail the terror that plagued America at that time. Organizing principles, such as Kubrick’s blunt political attitudes about the absurdity of war and the satirical genre, are echoed by the film style of his anti-war black comedy, Dr. Strangelove.

Kubrick employs all techniques of humor but most notably black humor, parody, and irony. Each character is employed to be the amplified version of their real-world counterparts. Americans are military cowboys, Russians are haughty drunks, scientists are insane, and the only woman in the film happens to be a sexy secretary. Regarding the culture of nuclear threat that was present during the time of this film, the characters were necessarily exaggerated to satirize the political dynamics permissible by the

The Stranger The Stranger exhibits a society that has confined itself with a specific set of social standards that dictate the manner in which people are supposed to act. This ideology determines the level of morality, and how much emphasis should placed on following this certain "ethical" structure. Albert Camus's main character, Meursault, is depicted as a nonconformist that is unwilling to play society's game. Through Meursault's failure to comply with society's values and conform to the norm, he is rejected and also condemned to death by society.

The film Edward Scissorhands is a contemporary archetype of the gothic genre exploring themes such as unrequited love, social rejection and human creation as defined by Tim Burton. Feature films explore different ideals that can be categorized into different genres that create expectations among audiences about characters, settings, plots and themes. Edward Scisscorhands directed by Tim Burton in the year 1990 is described as both a dark romantic fantasy and a gothic horror film. The film tells a story about Edward Scissorhands, the creation of an elderly inventor who dies before he can give Edward his normal hands in place of his scissor hands. Edward is taken from the mansion he lives in by a suburban family in an attempt to live a

     Of Mice and Men was written during a period of racism. In the 1960's it was important for everyone to get along with eachother because not everyone was equal. George and Lennie showed a great part in friendship throught the whole book. At the ranch in Selinas mostly everyone showed friendship in some way. Friendship was a great factor when the book was published because of all the racism going on at the time.

In this essay I will analyze two Cold War American Films, War Games and Dr.Strangelove. Both of these films portray the cold war era, where it was uncertain when and if nuclear fallout would happen. I will start off by giving a brief summary of both films. Then talk about some cold war culture such as posters, TV shows, and historical events discussed in class, as well as some aspects of plot in the films, such as the leaders in power in each film and finally compare both films to the culture shown and argue that they both accurately portrayed it.

Through a variety of literary and cinematic techniques respectively, John Steinbeck’s Of Mice And Men and Sean Penn’s Into The Wild illustrate how the fulfilment of one’s life, and their pursuit of happiness, hinge upon friendship, dreams, and one’s attitude towards life and happiness in general. Steinbeck’s 1937 novella Of Mice And Men illustrates the importance of friendship and dreams in a context of hardship and economic downturn. This is done by using George and Lennie and their dream of landownership and material possession to demonstrate how dreams give people the hope required to drive themselves, and how friendship offers them the ability to keep going even if their own spirit should break. Sean Penn’s 2007 film Into The Wild

Of Mice And Men The novel ‘Of Mice and Men’ reveal life in the 1930’s. A time very diverse to ours. Steinback, the author of this novel wrote about various issues such as lifestyle of the travelling ranchmen, loneliness, friendship, the American dream, racism and sexism. The book is about two migrant labourers, George Milton and Lennie Small in California.

Charles Maland’s argument for the 1964 film Dr. Strangelove is that it was one of the most “fascinating and important American films of the 1960s.” He backs up his argument with evidence of the films rejection of the Ideology of Liberal Consensus, its attack on “crackpot realism” and critique of life in the 1960s Cold War era, and finally its paradoxical revolution that sets an example for other films to come after.

Hitchcock's Psycho Psycho first hit our screens in 1960 directed by Alfred Hitchcock. It faced major controversy, as it was different. Horror films before this were more unrealistic and gruesome. Psycho was a groundbreaking film of the horror genre. It was more realistic the events could happen in reality.

In his 1964 film Dr. Stangelove or: How I Learned to Stop Worrying and Love the Bomb, Stanley Kubrick by no means chose the title unintentionally or without plenty of deliberation. While it may seem odd that the title’s namesake character, Dr. Strangelove, is only in a few scenes and could even be written off by some as a minor character, his importance to the film is nothing short of crucial and presents a much deeper meaning when considering his significance. In only his second speaking appearance, the first of which doesn’t occur until over halfway through the film at the 51:07 mark, Dr. Strangelove at 1:27:41 begins to discuss with the President the idea of preserving a “nucleus of human specimens.” On the surface this may seems like something any sort of ‘doomsday prepper’ would consider, but the character of Dr. Strangelove makes the meaning much deeper and darker.

Dazed and Confused is a film that follows a plethora of characters on the last day of school before summer vacation. Although lacking in tangible plot, it makes a bold attempt to encompass and present the zeitgeist of the 1970s. In my opinion it is as if Dazed and Confused was produced in hopes of making those viewers who lived through the 1970s feel a sense of nostalgia. The film’s trajectory, harnessing of zeitgeist, and soundtrack are all very similar to George Lucas’s American Graffiti—a film that also successfully rooted in nostalgia. Dazed and Confused was released in 1993 and, like American Graffiti, was able to look over its shoulder to determine what music stood the test of time. The film attempts to epitomize what it meant for

The movies describes a major theme of “The Departed” as one of the oldest in drama—the concept of identity—and how it "affects one's actions, emotions, self-assurance, and even dreams.” Many years later, an older Sullivan, now in his mid twenties, (Matt Damon) is finishing his training for the Massachusetts State Police with classmates, including fellow cadet Barrigan (James Badge Dale). In another class are Cadet Brown (Anthony Anderson) and Billy Costigan (Leonardo DiCaprio). All four men graduate to become state troopers. Sullivan is a sergeant, and has just passed the state trooper detective test. He goes in to meet with the calm and collected Captain Queenan (Martin Sheen), and the aggressive and