Dr.Strangelove Film Analysis Essay example

The 1967 film by Mike Nicoles “The Graduate” is about Benjamin Braddock, a recent college graduate, who is at a crossroads in his life. He is caught between adolescence and adulthood searching for the meaning of his upper middle class suburban world of his parents. He then began a sexual relationship with the wife of his father’s business partner, Mrs. Robinson. Uncomfortable with his sexuality, Benjamin and Mrs. Robinson continue an affair during which she asked him to stay away from her daughter, Elaine. Things became complicated when Benjamin was pushed to go out with Elaine and he falls in love with her. Mrs. Robinson sabotaged the relationship and eventually the affair between Mrs. Robinson and

The Cold War was a period from 1947 to 1991 that adhered erratic tension and constant threat of nuclear conflict between the two remaining superpowers that emerged from WWII, the U.S. and the Soviet Union. The 1964 film Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, directed by Stanley Kubrick, depicts the overlying themes of the Cold War in a comedic fashion. This film’s full embodiment of the Cold War is seen through its representation of the time period, and the sheer competitiveness between the United States and Russia. Additionally, due to many of Kubrick’s movie decisions, the film has helped society

In this paper I am going to write about the movie “Grease.” Specifically, on the two main characters Sandy and Danny. I will be describing and analyzing their interpersonal communication, but mainly on the conflict of their communication.

Even though Stanley Kubrick’s Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb screened in the midst of the sobering Cold War, critics were keen on praising the film for its mastery of humor applied to such a sensitive matter. The film is exceedingly loaded with metaphors, innuendos, and allusions that nothing can be left undissected or taken for face value; the resulting effect is understood to be part of Kubrick’s multifarious theme. Kubrick has stated that what began as a “the basis for a serious film about accidental war ” eventually birthed an absurd and farcical classic comedy. The director fuses together irony, satire, and black humor to create a waggish piece but most of all the situation of the times and its

Trainspotting presents an ostensible image of fractured society. The 1996 film opens, famously, with a series of postulated choices—variables, essentially, in the delineation of identity and opposition. Significant here is the tone in which these options are delivered—it might be considered the rhetorical voice of society, a playful exposition of the pressure placed on individuals to make the "correct" choices, to conform to expectation.

The film Pleasantville directed by Gary Ross is about two modern teenagers, David and his sister Jennifer, somehow being transported into the television, ending up in Pleasantville, a 1950s black and white sitcom. The two are trapped as Bud and Mary Sue in a radically different dimension and make some huge changes to the bland lives of the citizens of Pleasantville, with the use of the director’s cinematic techniques. Ross cleverly uses cinematic techniques such as colour, mise-en-scene, camera shots, costumes, music and dialogue to effectively tell the story.

The movie “John Q” narrates a story of the financially constrained character John Quincy Archibald who ensures that his nine year old son at the brink of death, secures a heart transplant by any means possible. Throughout the movie, there is a compelling display of the love shared by a family and this is seen in the great lengths John went to save his son, however unlawful. The main characters are John, Michael and Denise Archibald, Rebecca Payne, Doctor Turner and Lt. Grimes.

How do the respective narrative forms of Double Indemnity and Magnolia construct their characters and provide different critical perspectives on social values? Discuss in your essay some of the various narration types and the formal narrative construction of the films' characters. However, do not simply provide a list or catalogue of the narrative differences between the two films. A critical and necessary part of the assignment is for you to argue how the narrative construction in each film provides critical perspectives on social values.

In this essay I will analyze two Cold War American Films, War Games and Dr.Strangelove. Both of these films portray the cold war era, where it was uncertain when and if nuclear fallout would happen. I will start off by giving a brief summary of both films. Then talk about some cold war culture such as posters, TV shows, and historical events discussed in class, as well as some aspects of plot in the films, such as the leaders in power in each film and finally compare both films to the culture shown and argue that they both accurately portrayed it.

Charles Maland’s argument for the 1964 film Dr. Strangelove is that it was one of the most “fascinating and important American films of the 1960s.” He backs up his argument with evidence of the films rejection of the Ideology of Liberal Consensus, its attack on “crackpot realism” and critique of life in the 1960s Cold War era, and finally its paradoxical revolution that sets an example for other films to come after.

The president and Mandrake are both feminine in their demeanor and personality. They don 't want to go to war, but they also cannot take control and stop the war. This can be seen as the female of the relationship not wanting sex. This leads those “masculine” men frustrated. The masculine characters in the film, Buck and Jack D. Ripper, are quite enthusiastic for nuclear war and sex. Their desire for sex and war allows them to go forward in the war effort in an energetic manner.

Into the Wild is a documentary film by Sean Penn that follows the life of Christopher Johnson McCandless, a vagabond who tramped across the United States for two years before his journey led him to Alaska, where he lived in the wilderness, sheltered by an abandoned transportation bus, preceding his death. McCandless grew up with all the privileges of being raised in the suburbs by a middle class family, he later went on to graduate from Emory University in Georgia, and seemed to have his whole life stretched out in front of him. However, he did the exact opposite of what was expected, severed all ties with his family, and adopted a life of chosen homelessness, where his travels led him on wild adventures across the country. Many speculate that McCandless was pushed to do this in order to spite his overbearing and abusive parents who verbally and physically assaulted each other in front of their children, demanding they pick a side. Some say it was McCandless’s desire to free himself from all material constraints and the burden of societal pressures. Taking a psychological approach, McCandless

“Ordinary people” everywhere are faced day after day with the ever so common tragedy of losing a loved one. As we all know death is inevitable. We live with this harsh reality in the back of our mind’s eye. Only when we are shoved in the depths of despair can we truly understand the multitude of emotions brought forth. Although people may try to be empathetic, no one can truly grasp the rawness felt inside of a shattered heart until death has knocked at their door. We live in an environment where death is invisible and denied, yet we have become desensitized to it. These inconsistencies appear in the extent to which families are personally affected by death—whether they

paranoid ultra-nationalist Brigadier General, Who orders the nuclear strike is named Jack D Ripper. When read and when spoken the name sounds incredibly similar to serial killer "Jack the Ripper." I truly don't think this was coincidental. The movie was filmed at Shepperton Studios near London, Whitechapel , the neighbor in which the serial killer mostly stalked is also in London. Perhaps this was Kubrick's way of framing members of the military industrial complex during the Cold War as serial killers. Instead of brandishing surgical knives, they are detonating nuclear weapons. This theory is furthered by the fact that President Muffley refers to Ripper as a psychopath and repeatedly uses the term mass murder. Furthermore, in a scene with Mandrake, Ripper states he denies women his "essence." The physical nature of sexual intercourse and his wariness of it, drives Ripper’s irrational impulse to guard the purity of his bodily fluids against ideological incursion. It seems that Ripper’s conspiracy theory is born of misogyny. This is intriguing because Jack the Ripper exclusively killed women involved in

“Dr.Strangelove” is an 1964 film based on the argument of rational; deterrence theory by Kenneth Waltz. Many of the events that occurred during the film also complimented many of the critiques of rational deterrence theory later made by Scott Sagan. Nuclear weapons have been an important issue for debate for years. The spotlight of nuclear weapons was an important factor during the cold war nevertheless the question of nuclear weapons remains afterwards. The question of both the spread and contraction of nuclear weapons remains a strong issue because of the opposing theories that argue against the question of the spread, contraction furthermore the total dissolution of nuclear weapons.