Dracul The Importance Of Communication Media In Dracula

Abraham "Bram" Stoker was an Irish author, most famous for his novel Dracula. After working as a daily paper writer, Stoker started composing his realistic novel and incorporated the written work abilities he learned. In order to make the novel more genuine, he included journal sections, letters and telegrams to enable the reader to dive further into his characters. ‘Dracula’ is still today a standout amongst the best-known horror stories composed and is considered a classic. Therefore his life will be investigated since it affected his style and tone of the story, and in addition why ‘Dracula’ is viewed as a classic text.

Dracula is a widely known novel written by Bram Stoker in 1897. It is popular worldwide for its intense love story and backstory of the infamous Count Dracula. Stoker was born in Dublin, Ireland in 1847. As a child, he was very ill, so in an attempt to entertain himself, he read several books and listened to the horror stories his mother told him. In turn, Stoker became interested in ghost stories and began writing them. Gothic fiction was a genre that was extremely popular during this time period, and Dracula is a wonderful example of this type of literature. Bram Stoker’s Dracula has all of the classic elements of a Gothic novel. Stoker incorporates these elements beautifully through the use of a variety of rhetorical devices, including symbolism, theme, tone, and setting.

A horror classic by Abraham Stocker, Dracula, may be one of the most notorious villain stories of all time. Bram Stocker is a Irish writer who changed the view of what to read in his time. He shows dark and twisted situations and metaphors throughout Dracula and many other of his horror novels. This novel was released in the Victorian era, which saw his type of writing as equivalent to the devil. This era was a long time of peace and bright minded people. Stockers style surprised many readers, because he always has you thinking it can’t get any darker than it is but it always exceeds the previous twisted situation or event. Bram Stocker shows Dracula as an iconic creature, with many reasons to be feared, but displayed in the wrong time era.

Are there still connections between Bram Stokers famous novel Dracula and modern day society? In Dracula, Stoker expands on many themes that indeed exist today. Not only does he touch on the most obvious theme, sex. He expands on gender division and good versus evil. Some say since times have changed the themes I introduced have changed as well, leaving connections between then and now irrelevant. However, I feel that although times have changed they still have roots from the time of the novel to now. In this essay I will expand on the themes of this novel while connecting them to modern day society, the critical texts I have chosen and will mention later on in the essay are a good representation of the commonalities between the chill, dark Victorian days in which the era that Dracula was written in and modern day.

Despite the plot’s complete failure in inciting interest within me, I was intrigued by Stoker’s style and storytelling capabilities. I was constantly curious as to why Stoker was revealing a vast amount of information about the scenery and internal feelings of each character while developing the plot in such a dull manner. Eventually, I came to the conclusion that Stoker is attempting to use rich imagery about both settings and the characters’ emotions to emphasize Count Dracula. While reading each chapter, clear mental images of the settings and the characters’ feelings are formed. Through the story being told from extremely

Dracula by Bram Stoker which is written in the style of journal entries, newspaper clippings, and other forms of personal narratives from various characters, and their viewpoints of the peculiar events surrounding them. There are many interpretations of this novel, many different viewpoints on the themes of the novel. Carol Senf, wrote an essay called Dracula: The Unseen Face in the Mirror. In this interpretation, there are many different viewpoints and ideas about Dracula. There are many ways to interpret and argue the validity of an argument, in Dracula: The Unseen Face in the Mirror, I agree with Senf’s argument. It is valid and makes a point, one never sees the viewpoint of Dracula, but of the other characters who have a bias to destroy Dracula.

on the place; this makes us feel anxious to find out where he is going

“” this is the definition of folklore, and from these stories we get a multitude of myths and speculation of what happens to us when we die. They range from just disappearing into nothingness to becoming a higher being or going into a higher plain of existence. There are ideas however, of a life on this earth after we die for those who have committed crimes or have not been buried properly, we become the other, the supernatural or ultimately the undead. The most common of which is the vampire. One of the most known vampires from literature is Bram Stoker’s ‘Dracula’ (1897) who is portrayed as a blood thirty, emotionless monster, which is the idea most often portrayed in folklore. This is a stark contrast from Anne Rice’s (1976) portal of a “” . The traditional idea of a monstrous creature who haunts the night is seen as an old idea and that people’s views of the supernatural are changing to a more humane, beautiful creature, not of a demon. This could be due to the popularity in teen and young adult fiction that happened in the late 1900’s. This change from traditional folklore is due to “” the way we perceive things are changing due to the influence of different cultures and ideas. Most of our ideas of vampires have changed from the traditional views to a beautiful human creature: seen in ‘Twilight’, ‘Vampire Knight’, ‘Vampire Academy’, and ‘Anita Blake’. These novels do have some elements of the monster portrayed in ‘Dracula’ and folklore but the main characters are the

After reading the novel Dracula by Bram Stoker, we learn many things about the style of writing he used to capture the reader’s attention. We also learned about the main ideas Stoker brought in his writing, like how evil is all around us and how when humans join together, they could overcome the evil. In addition, he also describes the protagonist of the story and the way it behaves throughout the whole story and how it gets involved with all the characters. Last but not least, Stoker shows the reader what he used as a symbol to defeat evil, which helped developed the outcome of the novel.

Dracula reflects both Bram Stoker’s context and his interest in controversial ideas. Use ‘Dracula’ and ‘Van Helsing’ to demonstrate what concepts and concerns have endured and how they have been represented in both texts.

A woman changes everything; finally there is vindication for the knight who gave up life to avenge the death of his one true love, as he chose to become the undead. Director, Francis Ford Coppola, in his work, “Bram Stoker’s Dracula”, reaches beyond the words to prove Dracula was more than a monster in creating the movie. Coppola focuses on Dracula as a man, as well as a knight, who is both deeply in love with his church and his bride. The historical elements in the writings of Bram Stoker come to life more so in Coppola’s work with the movie, than in the book. My goal of this paper is to prove how the differences between the book and the movie are predominantly in the beginning and in the end of the film and depict Dracula as the man he

The three most important gothic motifs that occur within the novel Dracula are a supernatural antagonist, dark settings such as castles and cemeteries, and unreliable narrators. The supernatural antagonist is the most important park of Dracula, it is so important the antagonist’s name is the title of the novel. The dark and eerie setting occur very frequently throughout the novel and have a profound impact on how the science will be perceived by the reader. Finally the unreliable narrators are important because, it makes the readers feel important by letting them connect the dots before the main characters.

Bram Stoker’s Dracula is a story of horror, suspense, and repulsion. The main antagonist, Count Dracula, is depicted as an evil, repulsive creature that ends and perverts life to keep himself alive and youthful. To most onlookers that may be the case, but most people fail to see one crucial element to this character. Dracula is a character that, though it may be long gone, was once human, and thus has many human emotions and motives still within him. Let us delve into these emotions of a historically based monster.

Bram Stoker’s ingenious piece of work on writing Dracula has set the expectation for gothic novels all over the world and time to come. The mindset of writing Dracula through the Victorian Era really sets the tone for the reader by creating a spine-tingling sensation right through the novel. With this in mind, Stoker wouldn’t have been able to succeed his masterpiece without the effective uses of symbolism, imagery, foreshadowing, and its overall theme.

Discuss possible answers to this question with reference to at least two critical or theoretical essays and at least two tellings ' of the Dracula story._______________________________________________