Dracula In Bram Stoker's Dracula

The evolution of religion, particularly the growth of atheism and the relaxation of catholicism and christianity in the U.S. and throughout the western world is expressed in the film. The film relies heavily on catholicism yet as religion becomes more and more relaxed in the film’s context, Bram Stoker’s Dracula features aspects of other religions. Throughout the novel and this film, crosses, crucifixes and the Body of Christ are used to ward off Dracula. This can be seen in the close up of the reflection of the crucifix that Jonathan wears (28:18). It’s effects on Dracula are immediate and obvious. Moreover, the idea of reincarnation and its accompanying values are evident throughout the text. The comparison between between Dracula’s wife and Mina reveal their physical appearances to be the same through the cut between the shots of Mina looking up at the painting of Dracula and his wife (2:00:42). Additionally and more evidently, Bram Stoker’s Dracula features a Dracula who is more humanised and romanticised than any movie that predecessor it. Dracula and Mina are shown to have a romantic bond as opposed to only the sexual attraction which is expressed in the novel. This relationship is evident in the panning of Mina and Dracula dancing (1:09:02). Through this technique, the intimacy and romanticism of this

Dracula is one of the earliest and successful vampire novels in history, which is why Dracula is considered to be the traditional vampire. Beginning with the fact that Dracula must sleep during the day, otherwise he will weaken in sunlight. The first clue was Jonathan Harker’s thought, “I have not yet seen the Count in the daylight” (Bram Stoker, 49). His thought is later proved to be true when Harker sneaks into Dracula’s room and is said, “There in one of the great boxes, of which there were fifty in all, on a pile of newly dug earth, lay the Count” (50). The next being the obvious and most important is his consumption of blood. Another element is he is petrified of

Within the novel, blood is used as a vital liquid for life. Not only for the humans, but for the vampires as well. Dracula drinks blood, a concept which is unnatural and horrific. He is the embodiment of evil within the novel, and supports himself on the blood of the living and the pure. Also, Lucy dies after having her blood taken from her. Lucy’s blood is drank by Dracula and she grows weak without it. By having her blood continuously drained from her, she is shown to “die” repeatedly. This lets the readers become acquainted with the undead before they ever meet an Undead Lucy. Finally, “The blood is the life!”, as Reinfield states. Reinfield is an unsettling character, and yearns for the blood of other organisms. He eats flies, spiders, sparrows, and nearly had a cat. After cutting open Dr.

To start off, the manner Arnold Friend and Dracula 's facial and physiological traits are described allow us to compare how monstrous they really are. The Count is said to be a tall thin old man with a shaved face, except for his heavy mustache. His face is a strong aquiline with a high bridge of the thin nose and peculiarly arched nostrils. Stoker notes that his ears are pale and pointed, his chin is broad and strong and his cheeks firm and thin. There is an insistence on Dracula 's mouth that is fixed and cruel-looking with sharp white teeth that protruded over his vital-looking lips. His eyebrows are massive, almost meeting over his nose and he has bushy hair that grows around his temples and his lofty domed forehead. Another element that is focused on in Stoker 's novel is the vampire 's extreme pallor. This description is not particularly frightening since we immediately know the character is a monster : he does not look human at all and is not hiding it. There is no place for

Bram Stoker’s Dracula is a story of horror, suspense, and repulsion. The main antagonist, Count Dracula, is depicted as an evil, repulsive creature that ends and perverts life to keep himself alive and youthful. To most onlookers that may be the case, but most people fail to see one crucial element to this character. Dracula is a character that, though it may be long gone, was once human, and thus has many human emotions and motives still within him. Let us delve into these emotions of a historically based monster.

     Mr. Renfield, a patient of Dr. Seward, wants to be Dracula in every which way possible. He wants to consume lives, be immortal, and serve the father of all immortals. When Renfield walks around discussing all of these things, pertaining to “the master”, everyone thinks he’s a madman. If Dracula were to walk around and greet people saying, “hi, I’m Count Dracula, an immortal blood sucking creature, who can turn into mist, fog, a wolf or a bat on a whim, how do you do?” chances are, you’d lock him up as soon as humanly possible. However, no one would do that to Dracula, even if he did walk around saying hello to people in that manner. This is what Renfield wants- the notoriety, respect and fear people give to Dracula, the immortal.

More evidence that supports my hypothesis is the timeline of the story. Dr.Van Helsing first appears in the story when he is summoned by his former student, Dr.Seaward, to help save Lucy Westenra’s life after being bitten by a vampire. Conveniently, Dr.Van Helsing is able to stop everything he’s doing and travel to London, where the Count is headed as well. While the protagonists are waiting for Dr.Van Helsing’s arrival, Dracula has been feeding on the living, which is known to change his

Parts of this description may fit what is projected in ones mind when picturing the count, but other parts are quite different. For example the pointy teeth, red lips, and pale skin are expected. However, the Dracula in the movies is not often sporting a thick moustache. As the book continues, the count begins to frighten Jonathan. Dracula is always absent during the day, and once while Jonathan was shaving Dracula came in and startled him resulting in a cut on Jonathan’s cheek. At the sight of the blood Dracula attacked him only stopping when he saw the crucifix hanging on his neck. Strange events continue to occur throughout the book. Jonathan finds Dracula in a box during the day either asleep or dead. Three women try to drink Jonathan’s blood but Dracula gives them a baby instead. Then, the next day a woman comes to the castle wailing for her baby and gets eaten by wolves. Jonathan is

Although it is in some instances subservient to Dracula, Nature also plays the dominant role at times, regulating what Dracula can and cannot do. Even though he may seem to be stronger than Nature at times, he is not outside of it’s boundaries. In several ways, Nature controls Dracula such as: Dracula must sleep in unhallowed earth, his powers are diminished at daybreak and he can also be rendered inactive by placing a wild rose over him: Dracula must sleep in unhallowed earth. As a result where ever he goes he must take some of the unhallowed earth from his home in Transylvania. For example, when he comes to England, he takes boxes of the unhallowed earth to sleep/regenerate in. With all of the powers Dracula has, he still has to give into

Blood sucking, shapeshifting, killer… These are just some of the myths attached to Count Dracula. Dracula is a vampire, and as we all know, vampires consume blood. In the novel, the author Bram Stoker never mentions how Dracula became a vampire (every other vampire was created off of Dracula), however Van Helsing thinks that he made a deal with the Devil and traded his mortality for that of a cursed soul in return for something else. A lot of myths are attached to Dracula, which is

The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different

“He speaks in perfect English and welcomes Harker inside, shaking his hand with an ice-cold, vice-like grip” (Dracula, 55). Dracula explains to him that he will no be able to make the trip to London, but one of his trusted servants will be going along with Harker back to London. After supper Jonathan analyzes Dracula and notices one very strange feature, his mouth is thick and white; they cover sharp white teeth, which stick out over his lip. What Jonathan does not know is that those teeth are canine teeth only found in animals. There are exceptions, for instance, vampires have these teeth so they can puncture the human’s carotid vessel in their neck and suck their blood. The first time that Jonathan sees Dracula’s cannibal teeth grow is when Harker starts shaving. He accidentally cuts himself and Dracula leaps for his throat so he can suck his blood. Harker touches his crucifix and Dracula’s “demonic fury” vanishes. The strangest event that Harker notices in Dracula’s castle is “Dracula emerge from his room on the floor below, slither out, head downward, in lizard fashion, with his cloak spread out around him like great wings” (Dracula, 179). This shows that “Dracula is not a person. He is a presence, an absence that requires concealing” (Wolf, 368). This tells Harker that something is very wrong with this man. He recalls how the peasants behaved

Dracula uses his supernatural powers to feed his fascination with youth and innocence. In the beginning of the novel, when Dracula is first encountered, he is described as old, although “His face was strong… [his] lips, whose ruddiness showed astonishing vitality in a man of his years… The general effect was one of extraordinary pallor.” (27). This description of the Count shows that while he is old, he still possess some attributes and features of the young. Once Dracula finds that the men have made a bond against him, he makes a bond to take all of their women. He succeeds in transforming Lucy and scaring her mother to death, although Mina is stronger and the men save her by killing Dracula. Also, the three women vampires in his home are past conquests of beautiful, young women. Dracula only sucks the blood of young women in the novel reflecting his hunger for youth and innocence. As the

While in Stoker’s novel, the alluring Count Dracula spends the nights continuously feeding on the blood of the innocent, the villagers all the while living in fear. He sucks the life from young maidens, transforming them into his unholy minions.

They come in the night, flying from their graves in the form of bats. If not stopped, they will nefariously kill the members of their own families, and then go on to take the lives of others. They are vampires –corpses that rise from their coffins in the middle of the night, seeking out living victims whose blood they drink to sustain their unnatural existence. The most famous of all vampires is Count Dracula, a fictional character made famous in books and movies. Dracula is portrayed as a tall,