Dracula Journal Entry Essay

Dracula is a horror vampire novel written by Bram Stoker. It starts off with Harker's journey from England to Europe to deal with business that Renfield had failed to finish. Harker meets the Count and stays with him for a while. While he is there he notices how trapped he feels in the castle. He is starting to notice very strange things happening around the castle. Once he realizes he is trapped he tries to escape. He does this successfully. Dracula first takes Lucy under his spell. Mina wakes to find Lucy gone from her bed and goes to search for her. Mina finds her and says, ““when I told her to come at once with me home, she rose without a word, with the obedience of a child.” (Dracula, page 135). Mina is Harker's fiance that becomes Dracula's second innocent victim. Dracula takes Mina under his spell and she falls in love with

The novel is a classic story of good v. evil. The author took many years and hard research to conjure up a literary masterpiece like Dracula(Burt). A unique type of

Jonathan Harker and Van Helsing are arguably the most interesting characters in the story. Jonathan is the first character in the story to encounter Dracula, and Van Helsing is the professional who assembles the band of vampire hunters. Both men are important to Dracula’s inevitable downfall, although Jonathan has more to lose since his wife is also involved in this nasty work.

Bram Stoker's Dracula is highly acclaimed and has received many different interpretations which deal with complex symbolisms and metaphors. These interpretations often require a great deal of knowledge in psychology, political science, anthropology, and other non-literary disciplines. These interpretations may be valid, as they are related to the disciplines on which their arguments are based, but the true power of the novel is due to a very simple theme that lies beneath the other, more convoluted interpretations. This theme is the universal concept of identity: us versus them. This criticism sets aside outside disciplines and focuses on the literary motif of identity. John

The normal Victorian representation of a woman would be that of a weak character, who would faint at the sight of blood; a character who would only discuss weather and art. In this novel, the stereotype of an ideal Victorian woman is broken as it is contrasted with the modern woman. The two best friends, Lucy and Mina, are each a representation of each. While Lucy is shown as all weak and someone who gives in easily, Mina stays on the “good side” even after she has been bitten by a vampire and her conversion has started. She is presented a hero, who plays an important role in bringing Dracula down through her intelligence and resourcefulness. Hence, by representing Mina as such a powerful character, Stroker breaks the stereotypical idea of a

     Throughout many types of literature, violence exists to enhance the readers interest in order to add a sense of excitement or conflict to a novel. This statement withholds much truthfulness due to the fact that without violence in a piece of literature such as Dracula by Bram Stoker, the plot would not have the same impact if it was lacking violence. Dracula's power and evilness led to the violent happenings which began with the conflict of Jonathan's inner struggle, as compared to the conflict which blossomed later on with good versus evil.

Bram Stoker’s Dracula is a story of horror, suspense, and repulsion. The main antagonist, Count Dracula, is depicted as an evil, repulsive creature that ends and perverts life to keep himself alive and youthful. To most onlookers that may be the case, but most people fail to see one crucial element to this character. Dracula is a character that, though it may be long gone, was once human, and thus has many human emotions and motives still within him. Let us delve into these emotions of a historically based monster.

Bela Lugosi is arguably the most classic example of an actor taking on a vampire role. However, during 1931 when the universal studio was casting the 1931’s Dracula, Lugosi could only barely speak English, and therefore almost lost his chance at playing the iconic part (“Dracula (1931 English-Language Film”). Nonetheless his accents and costumes, which has become the classic look of the vampire, he himself was so typecast in his role that he was actually buried after his death in his Dracula costume. Certainly, it is Lugosi’s performance that makes Tod Browning’s film such an influential Hollywood picture. Overall, I will give it a 3 star out of 5, compared with the older version film of Dracula, because of the dialogues and sounds, the plot is much easier for the audiences to understand, without any editing or background music the horror of the film is not inferior to

Dracula is a signet classic novel written by Bram Stoker. This novel is portrayed by an antagonist character known as Count Dracula. He has been dead for centuries yet he may never die. He has a peculiar power of hypnotic fascination but he is weak in god’s daylight. He is immortal as long as he is able to drink blood from the living. He can change his form into a wolf, a bat or a puff of smoke. Dracula get in touch with Jonathan Harker through a real estate transaction. He went to Dracula’s castle through a carriage as were planned. After a few days, he felt as if he were prisoned in the castle as his movements were restricted. Meanwhile, Harker has a fiancée named Mina

There are many other theme that are evident within Stokers" Dracula.. which brings us to the second part of the review focusing on the world centred theory including a in depth look at the novel from a feminist approach in literature.

According to Dictonary.com a vampire can be described as, “A preternatural being, commonly believed to be a reanimated corpse, which is said to suck the blood of sleeping persons at night.” Dracula fits into that definition of a vampire perfectly, because vampires are essentially dead people that came back to life to drink other people’s blood, and that is exactly what Dracula does in the story. He goes around capturing any victim that he could possibly get, Jonathan would be a prime example, although he did not completely get him. Furthermore, Dracula makes people think that vampires have to be exactly the same and act the same way. It sets the way for modern day television and movies. Although Stoker didn’t create the concept of

Another theme of Dracula is submission and passivity. All the characters that are passive and submissive get attacked or both attacked and killed. Jonathan Harker does not listen to stories and warnings about Dracula, yet he goes into his castle and ignores every hint that he is a vampire. This leads to him being attacked by Dracula. Another character that is submissive is Mina, she listens to the men and follows their orders.

Bram Stoker’s Dracula is no exception, and he leaves plenty of room for any number of opinions with which to view the characters. The definition of protagonist clearly states: “the leading character of […] literary work; the principal person in a movement, cause, etc. Usually keeps a concrete goal, and generally undergoes some change.” Other definitions also state that the protagonist often has a moral weakness which will cause their fall in the end. Depending on one’s view however, this could point to either Mina Harker or to Dracula himself. Supposing Mina claims protagonist, Dracula would obviously take the place of antagonist, as he blocks the way to everything she strives towards: a safe and joyful family and constant friendships. While it may originally be assumed that this placement works vice-versa, with Mina blocking everything the Count yearns for, this is not the

Starting with the book describing Count Dracula’s shadow coordinates with his body, yet in the movie, his shadow works separately from his body movements (“Dracula (Universal Classics)”). Another feature of Count Dracula’s character in the novel is that he cannot be in or near the sunlight or it will kill him, but in the movie, he meets Mina in the daytime and it does not harm him (Bram Stoker’s). Nevertheless, in the book Dracula is a pure evil, terrifying blood hungry monster that wreaks havoc on anyone he meets and feels the need to take life or end life with his arch nemesis being with anyone who wants to preserve life (Stoker). But in the movie when he meets Mina on the streets of London, he pursues a courtship with her (Bram Stoker’s). Then Dracula begins to develop feelings for Mina, so when he proclaims his love for her and refuses to condemn her to the life of a vampire, he is no longer a vile, evil monster (Bram Stoker’s). This specifically turns his character to a vulnerable, loving man with feelings for a woman who reminds him of his dead wife Elisabeta (Bram Stoker’s). This leads to the next character Mina.

Evil never conquers because good always overcomes it. A good example of this is the book Dracula by Bram Stoker because the author expresses the nature of good vs. evil. Dracula wants to come to London because he wants to turn everyone into vampires. The basic background of the book Dracula is when Jonathan Harker, a realtor who is sent to Transylvania to complete a transaction with Dracula so he can come to England. What Harker does not know is that Dracula has a plan for world domination. Well, while Harker is on a train to Transylvania he enters “the east, a section of Europe whose peoples and customs will be for the most part, strange and unfamiliar” (Dracula, 20). Harker arrives at Bistritz on the eve of St. George’s Day,