Dracula by Bram Stoker

1174 WordsJul 17, 20185 Pages
Throughout the Victorian era, a woman’s sole purpose was to marry, produce children, keep the house clean and have dinner on the table by the time their husband returned from work. They were restricted to working tedious jobs at minimum wage until they were married and were not allowed to receive a real education. Once married, a woman was expected to become a fulltime mother and house wife tending to the needs in the home on command. All these lovely skills were that of the traditional Victorian women. They were pressured to express their femininity through their dainty attire, gentle mothering, social order and expressing the manners and obedience that was expected of them. All in all it was required that they be as little of an…show more content…
A few chapters later, Lucy is buried and the stage of mourning had begun, Van Helsing takes Dr. Seward and Arthur to see their beloved Lucy in the cemetery where she resided. “There was a long spell of silence, big, aching, void, and then from the Professor a keen "S-s-s-s!" He pointed, and far down the avenue of yews we saw a white figure advance, a dim white figure, which held something dark at its breast. The figure stopped, and at the moment a ray of moonlight fell upon the masses of driving clouds, and showed in startling prominence a dark-haired woman, dressed in the cerements of the grave. We could not see the face, for it was bent down over what we saw to be a fair-haired child. There was a pause and a sharp little cry, such as a child gives in sleep, or a dog as it lies before the fire and dreams. We were starting forward, but the Professor's warning hand, seen by us as he stood behind a yew tree, kept us back. And then as we looked the white figure moved forwards again. It was now near enough for us to see clearly, and the moonlight still held. My own heart grew cold as ice, and I could hear the gasp of Arthur, as we recognized the features of Lucy Westendra. Lucy Westendra, but yet how changed. The sweetness was turned to adamantine, heartless cruelty, and the purity to voluptuous wantonness.” (Stoker 248-249) In this passage in chapter 16, John, Professor Van Helsing and Lucy’s late fiancé Arthur, finally see the ‘New Woman’ that Lucy has become. This is the

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