Good Vs. Evil In Dracula By Bram Stoker

Batman beats the Joker. Spiderman banishes the Green Goblin. For centuries story tellers have used the basic idea of good beats bad to guide their tales. Stories of blood sucking, human possessions and other tales have been passed down generations and vary between cultures. Among the creators of the famous protagonists is, Bram Stoker, the creator of Dracula. This fictional character was soon to be famous, and modified for years to come into movie characters or even into cereal commercials. But the original will never be forgotten; a story of a group of friends all with the same mission, to destroy Dracula. The Count has scared many people, from critics to mere children, but if one reads betweens the line, Stoker’s true message can be

Bram Stoker's Dracula is highly acclaimed and has received many different interpretations which deal with complex symbolisms and metaphors. These interpretations often require a great deal of knowledge in psychology, political science, anthropology, and other non-literary disciplines. These interpretations may be valid, as they are related to the disciplines on which their arguments are based, but the true power of the novel is due to a very simple theme that lies beneath the other, more convoluted interpretations. This theme is the universal concept of identity: us versus them. This criticism sets aside outside disciplines and focuses on the literary motif of identity. John

The theme of appearances varying from reality is also present in many instances throughout Bram Stoker’s Dracula, especially within various characters. Dracula, for example, has the ability to shape-shift and change forms. Dr. Van Helsing, one of the protagonists of the novel, explains, . . . he can, within limitations, appear at will when, and where, and in any of the forms that are to him; he can, within his range, direct the elements; the storm, the fog, the thunder; he can command all the meaner things: the rat, and the owl, and the bat—the moth, and the fox, and the wolf; he can grow and become small; and he can at times vanish and come unknown. (Stoker 237) Dracula is able to convert into a variety of forms, including a mist, bat, or wolf, depending on what best suits the circumstances; essentially,

     Throughout many types of literature, violence exists to enhance the readers interest in order to add a sense of excitement or conflict to a novel. This statement withholds much truthfulness due to the fact that without violence in a piece of literature such as Dracula by Bram Stoker, the plot would not have the same impact if it was lacking violence. Dracula's power and evilness led to the violent happenings which began with the conflict of Jonathan's inner struggle, as compared to the conflict which blossomed later on with good versus evil.

During the peaceful time period prior to World War 1 called the “Belle Epoque”, many memorable stories and people had blossomed. First and foremost, Dracula. Bram Stoker invented this distinct character who came from Transylvania. Surprisingly, Stoker did not visit this city himself. There is an importance of this location as it has influenced him to bring upon this orientalist view. Transylvania is known to be mountainous and forested, which overall exudes a spooky environment. Dracula is a dark character that suggests a foreigner, radiating exoctism. Inevitably, this fascinated many and has made them curious about whether or not the way Transylvania was viewed by Stoker was true. The unknown is often feared by humans and it brings upon many questions that need to be answered. Such tales can intrigue humans to fight or flight, and to fight it would require to explore and dissect the truth. The truth in this matter is to find out the actual, moreso our own, portrayal of Transylvania. In all, attacking our curiosity,

Evil features in both ‘Dracula’ and ‘Frankenstein’ but the personification of this evil is different in both novels. A feeling of menace and doom pervades ‘Dracula’ because of his supernatural powers. One feels that he has control of the evil and he has the power to manipulate the environment and people for his own ends. ‘Frankenstein’ centres on the creation of a monster made from parts of dead bodies and the fear created by the monster due to circumstance and the ignorance of society. Also, one feels a certain amount of apprehension that the monster is deserted by his creator and loses control without his support and guidance.

Bela Lugosi is arguably the most classic example of an actor taking on a vampire role. However, during 1931 when the universal studio was casting the 1931’s Dracula, Lugosi could only barely speak English, and therefore almost lost his chance at playing the iconic part (“Dracula (1931 English-Language Film”). Nonetheless his accents and costumes, which has become the classic look of the vampire, he himself was so typecast in his role that he was actually buried after his death in his Dracula costume. Certainly, it is Lugosi’s performance that makes Tod Browning’s film such an influential Hollywood picture. Overall, I will give it a 3 star out of 5, compared with the older version film of Dracula, because of the dialogues and sounds, the plot is much easier for the audiences to understand, without any editing or background music the horror of the film is not inferior to

The epistolary form of the novel consists of a narrative based on letters, diary entries, newspaper clippings and other documentary records. It helps to bring realism into the narrative by lacing it with personal and historical references. It helps to add believability by incorporating a variety of perspectives on the events and characters in the novel. This form works for Dracula because the log of the ship captain and the diary entries of Jonathan Harker provide personal witness accounts to prove that the events are real as opposed to imaginary. Daddy-Long-Legs by Jean Webster are a novel composed nearly entirely of letters by the orphan Jerusha Abbott to her benefactor John Smith. The form helps to record the growth of the character over the years.

Gothic literature is dominated by gothic horror, for instance dark and mysterious objects or events. It is a type of literature that combines fiction, horror, and romanticism. As Bram Stoker wrote his famous novel, Dracula he makes sure to include many different characteristics of gothic literature. Three important motifs that are stated in Dracula which also fit into the gothic literature category would be; blood, dreaming or nightmares, and superstition. This particular novel has many gothic motifs, but these are three that I believe really stand out.

Bram Stoker's Dracula is a true Gothic novel that belongs on any gothic literature course. Focusing in on the recurring themes, characters and settings used throughout the novel one sees how Dracula has set the standard for Gothic literature today.

The beginning of the novel expresses an abundance of foreshadowing and dramatic irony, creating an entertaining read for those already familiar with the traditional concept of vampirism, which has largely developed and evolved from this book. For instance, the complete absence of mirrors in the castle (Stoker 16) and, later, the Count’s lack of a reflection (Stoker 21) should act as significant red flags to readers of the modern day. Similarly, the Count’s “peculiarly sharp white teeth” (Stoker 15), which Harker notices but disregards, would be key indicators of the Count’s true inhuman identity if his name was not already commonly recognizable. As a reader, I enjoyed being able to anticipate many of these foreshadowed instances that Harker and the other characters were ignorant to. This presiding knowledge of the fantastical elements of the book is contrasted by Stoker’s ability to make each entry seem as real and raw as possible. As mentioned in the previous paragraph, the introduction to the novel states that “all the records chosen are exactly contemporary” (Stoker vi), reiterating the notion that the accounts recorded are very much real and recent; there is no true way to prove how “authentic” (Stoker 326) subjective pieces of text may be, so these excerpts are, in turn, simply no different from real records of personal statements. I love this resulting juxtaposition of reality and fantasy and find it makes Bram Stoker’s Dracula all the more

goes to nurse him back to health and to help him make the trip back to

The universe is composed of both good and evil beings. The good humans are always nice and thoughtful of other people. The evil characters, on the other hand, keep on hurting and harming their fellows. In most cases, people do not like associating with evil characters. These people are avoided, and they live a lonely life without friends. The reason is that good and evil will always be two parallel elements that will never meet. In a typical and real-world setting, good and evil characters are determined by their actions. For instance, an evil person could set a trap for luring their closest friend into danger. Conversely, in the fictional world, evil characters are differentiated from the good ones by giving them terrifying and monstrous images. The novel Dracula by Bram Stoker is one book that uses vampires to portray evil. Some people find pleasure in doing good while others find joy in doing evil to others. But everyone is entitled to choosing their paths and personalities. The question is, between good and evil, what is the noblest thing to emulate? The Dracula novel gives a series of events that answers the question. Evil will never surpass goodness, and neither will the two ever cross lines; instead, goodness will always win the battle.

A noticeable difference in the way movies have changed over the years is evident when comparing and contrasting two films of different eras which belong to the same genre and contain the same subject matter. Two vampire movies, Dracula and Bram Stoker's Dracula, present an interesting example of this type of study.

Dracula written by Bram stoker is a Novel that many people enjoyed. It talks about the good and evil. It was a Novel about suspense horror and mystery. In the novel Dracula Bram Stoker tell us the story of a vampire known as count Dracula who is known by the people of Transavia to be completely evil. I will be analysis the novel to see why Stoker wrote the book, who he wrote it for, the good people in the story, and some other analysis. First I will beginning with the reason Stoker choose to write about Dracula.