Drag Culture Essay

The Beauty Myth’s central argument is the growing standards of physical beauty of women as they grow stronger. This standard has affected women in many ways, such as in the workplace, culture, and religion. The standard has taken over the work of social harassment. The beauty myth expands the belief an unbiased measurement of beauty exists and that women want to express it and men would want that women. The author, Naomi Wolf, states that the beauty myth is not about women themselves, it is about the power of men and their society. The myth supplies power to multibillion dollar cosmetics industries and it keeps women from rising too high in the workplace. Within this book, Wolf shows how the beauty myth functions and affects women in the workplace, media, sex, religion, culture, violence against women by men, and by women themselves in the configuration of cosmetic surgery and eating disorders.

Though women have played an integral part in the history of the discipline of anthropology, it was not until the early 1970’s that the field of anthropology and gender, or feminist anthropology emerged. Sex and gender roles have always been a vital part of any ethnographic study, but the contributors of this theory began to address the androcentric nature of anthropology itself. The substantial gap in information concerning the study of women was perceived as a male bias, a prejudice made more apparent because what little women-centered fieldwork was done received insufficient attention from the academic community. While anthropology was considered one of the more egalitarian fields of study, it was dominated by white, Western males who

In strip clubs women must act like women by expressing the traditional female behavior and roles as well as dressing and performing femininely. The article’s data illustrates that strip clubs have distinctive organizational cultures that is established on different social class and customers. Club owners believe that sexuality has to be depended on client class norms by how the clubs and dancers consider working class or middle class must be demonstrated. The clubs that provide to a middle class crowd present one form of sexuality, at the same time, a peaceful form of display demonstrates a working class clubs. Having said that, women at strip clubs perform not only as sexualized women but also as classed women.

Women have decided to consume hip hop regardless of the sexism and machismo of their rap artist spouses. Historically, black women who have sex with other women haven’t been recognized in the Black community. Also, the expectations are the same in hip hop culture because men reject lesbians. An example is the murder in 2003 of Sakia Gunn after she declared her lesbian identity to a group of males. We all know that in hip hop culture men predominate and precisely masculine. Women can achieve a higher professional success than men regarding no matter their sexual orientation. In other hand, women represent different controlling images like the whore, the mammy and temptress. Homophobia in hip hop is translated into forms of oppression, discrimination and violence for gays, lesbians and transgender. “Black women rappers interpret and articulate the fears, pleasures, and promises of young black women whose voices have been relegated to the margins of public discourse.” Their voices are in constant dialogue with the public and men rappers about sexual promiscuity, emotional commitment, infidelity, the drug trade, racial politics and black cultural history. If we pay close attention to female rappers, we will notice that they address questions of sexual power, economic opportunities and the pain of racism and sexism. Women rappers has been promoted as sexually progressive, antisexist voices because of “an understanding of male rappers as uniformly sexist.” Discussions of women

The topic of beauty standards and body image is a pressing matter regularly discussed in today’s society. However, the concept of black beauty (those of African descent), both its internal and external components, has yet to be explored thoroughly. I aim to discover the motives of black women who wear protective styles—wigs, weaves, and braids. Do black women in the Syracuse area wear protective styles as a physical protective style to shield their natural hair from the harsh and sporadic environment or do they wear it for psychological reasons to shield their emotions from the harsh critics and scrutiny that black women face in a Eurocentric environment? This study is done with the purpose to bring to light the opinions of black women, whose feelings are frequently ignored and undermined in our society. In

For as long as media has been around, women have been sexualized in order to sell products. It’s a known fact by brands and consumers alike: sex sells. No one can deny this fact, it’s everywhere. Turn on your radio, you’ll hear songs describing women as nothing more than pieces of meat, objects to look at. Turn on your televison and you’ll see advertisements for inherentlyunsexual products like beer or a burger, but it will accompanied by a half naked woman. Walk into any convenience store, and you will find half a dozen magazine with airbrushed models in bikinis, some of these models so young that they cannot even drive. At what age does it become okay to start sexualizing women, or is it never okay? Some would say the age of legality, which is eighteen, but young Hollywood starlets such as Kylie Jenner and Ariel Winter were victims of the media’s obsession with sexualization before they even turned sixteen. It is an understatement to say that the media has gone too far in many instances. It’s as if as soon as girls reach the age of puberty, they fair game to the media as objects of scrutiny and sexualization. It has gone from bad to worse. The way the media sexualizes women, especially famous teenage girls, is wrong and has

Just listening to a track and hearing the word bitch continuously used, as in Jay Z’s “99 Problems”, on the surface structure, it

An intersectional approach is an approach which seeks to demonstrate how race, class, gender and sexuality make certain experiences different. Intersectionality is the overlapping of social categories such as race, class, gender and sexuality that leads to further discrimination against a certain individual or group. To take an intersectional approach to understand race, class, gender and sexuality, is to consider hardships not as a similar element for all individuals without regards to race, but instead consider where in a specific hardship different races, genders, classes and sexualities are affected different. According to Crenshaw, “many of the experiences Black women face are not subsumed within the traditional boundaries of race or gender discrimination as these boundaries are currently understood, and that the intersection of racism and sexism factors into Black women’s lives in ways that cannot be captured wholly by looking at the woman race or gender dimensions of those experiences separately” (Crenshaw, 357). Crenshaw explains that the personal experiences of women of color cannot be fully understood by looking at race or gender discrimination as two separate factors, but in fact can be understood if both aspects are looked at together. When race and gender are examined separately, this causes for women of color to be “erased”. Crenshaw says, “ And so, when the practices expound identity as “woman” or “person of color” as an either/or proposition, they relegate

Although drag queens and the queer community are connected I don’t think that you can classify them as the same culture. If you would ask people what a drag queen is, they would probably say that it is a gay man dressed as a women. However there are a substantial amount of drag queens who are not gay. I think that it's so easy to just classify drag queens as one thing because in our society it can be a stereotype that gay men want to be women and they are feminine.

Women are empowered, encouraged and even pressured into being involved in a sport or some type of fitness activities today; however, it hasn’t always been that way (Cahn 278). In the 1920s, also known as the “golden age” of sports, women and young girls faced obstacles such as rejection, gender discrimination, and stereotypes when showing interest in sports or fitness activities. One famous author named Susan Cahn, wrote a book called Coming on Strong: Gender and Sexuality in Twentieth-Century Women’s Sports, and focuses on the decades between the 1920s and the 1960s. For most of the 19th century, females were accused of causing a great deal of danger to the moral and physical areas of masculinity. Through the research of multiple different aspects, such as media, appearance, and gender roles, Cahn puts together an idea and theme that athleticism is seen as a masculine trait because it was once constructed by society itself; which fortunately for the women, that idea can be changed. In the later centuries, Cahn writes about the progress of woman 's appearance in sports, however then describes the difference in respect, attention throughout media, opportunities and wages between men and women. Through both primary sources such as newspapers, interviews, and journals, as well as secondary sources like relevant literature, Cahn writes her book in a historical non-fiction genre. After reading Coming on Strong: Gender and Sexuality in Twentieth-Century Women’s Sports by Susan

"For most of history, anonymous was a woman", quotes Virginia Woolf. (1) Throughout history, women’s lives were restricted to domesticity and family, and they were left oppressed and without political voice. Over the decades the roles of women have dramatically changed from chattels belonging to their husbands to gaining independence. Women became famous activists, thinkers, writers, and artists, like Frida Kahlo who was an important figure for women’s independence. The price women paid in their fight for equality was to die or be imprisoned along with men, and they were largely forgotten in written history. However, the roles they took on were wide-ranging which included working in factories, tending the troops, taking care of children

Society should be more open minded with the topic of gender identity. Our society does not like rapid changes when they are publicly made; there is always a dispute or an opposition against those unexpected changes. The LGBTQIA+ (lesbian, gay, bisexual, transgender, queer, intersex, and asexual) community is the “rapid change” that society finds difficult to deal with. Although, this community has always existed, but it has never been publicly recognized like it is today. Gender Identity is a very complicated topic to talk about because it has so many concepts that only those who find themselves as part of the LGBTQIA+ community can fully understand.

Males and females are classed differently from the moment they are pronounced boy or girl. Gender determines the differences in power and control in which men and women have over the socioeconomic determinants of their health, lives and status in their community. Our society moulds how men and women should and should not behave and can be observed in all parts of our society. As a result of these Gender stereotypes men and women have issues which affect their health which are unique to each gender. Males for example are perceived to be greater risk takers as a whole in our society than that of females. We represent risk taking behavior with masculinity and violence, high speed driving and contact sport with the male gender. (Doyle 2005)

Society has clearly defined boundaries between what is considered to be male or female. The development of an individual’s gender role is formed by interactions with those in close proximity. Society constantly tells us how we should look, act and live based on gender. Family, friends and the media have a tremendous impact on how these roles are formed and the expected behavior of each gender role.

In this feature, Brett Barbour, begins by stating that Rupaul's Drag Race is the cream of the crop of television shows that are currently on the air. Barbour conveys that what makes the show a momentous trailblazer is that it is a delineation of the LGBTQ culture and community. Barbour then goes on by discussing what the television program consists of and how the show is composed of spare auto parts from various reality shows and forms a robust transformer that is a awe-inspiring contribution to society. Barbour develops his thesis by suggesting that the show is victorious because of its mastermind, the astounding Rupaul. Barbour indicates that Rupaul has scurried up the ladder of success and is a trendsetter. Barbour states that the show was