Dramatic Elements In The Masque Of The Red Death

In "The Masque Of The Red Death", Edgar Allan Poe uses words and phrases to create an effect. He uses bold and dark words to help his readers be able to picture a very good image of the story and the mood that he wants to set. When he claiming that, "no pestilence had ever been so fatal ", that let the readers know that is was probably a very strong and gruesome disease that killed many of the town people. When Poe starts the story he starts by describing "The Red Death" and its symptoms. He described it as, "sharp pains, sudden dizziness, profuse bleeding at the pores with dissolution", "seizure process and termination of the disease were the incident of half and hour", he lists the symptoms as if it were a recipe, he is very straightforward and uses words that give an image to every symptom, he completely lets the reads know that "the red death" was a very nasty painful disease and you could imagine how much it made the characters suffer all in half

Symbolism plays an important part in this story. The ebony clock is particularly significant “there stood against the Western wall, a gigantic clock of ebony.” Poe placed the clock against the western wall for a symbolic purpose. The sun rises in the East and sets in the West. The clock is nearer to the setting sun. The placement of the clock indicates an association with an ending. A sunset indicates the ending of a day, while the ebony color of the clock suggests its relationship with darkness and death. The characters react to the sounding of the clock’s chimes in a nervous fashion. “…While the chimes of the clock yet rang, it was observed that the giddiest grew pale.” Poe uses this clock to remind the characters that they have lived through another hour to build up the time of revelation. At each strike of the clock the characters stop everything as if they are waiting for the "Red Death" to come for them at any minute. At twelve, the stranger dressed as the "Red Death" appears. This time everyone begins to fear death. The darkness of the rooms causes shadows to form by the fires' light to increase suspense.

Throughout the gothic horror short story, “The Masque of the Red Death”, Edgar Allan Poe illustrates the struggle of an egotistical prince who refuses to face the inevitable reality of death. Through the downfall of the protagonist, Poe establishes the idea that the inability to face reality often leads to the destruction of the mind. The downfall of the Prince is emphasized by Poe’s use of characterization, setting, and symbolism.

Conflicts affect the mood of the main characters in a story, by expressing the insecurities, Death,” a couple of conflicts are exposed throughout the piece. In the story “The Masque of the Red,” a couple of conflicts are expressed throughout this piece. The conflicts man versus fate and man versus himself are the conflicts that are displayed several times within this story. From major conflicts to minor conflicts, this story clarifies the problems that Prince Prospero faces within himself. In addition to Prince Prospero’s problems with himself, this story also explains the conflict of how death is uncontrollable.

the end of a day and darkness. Poe uses the element of darkness as a visual representation of

The giant clock also was symbol of horror in the story. "Its pendulum swung to and fro with a dull, heavy, monotonous clang." Every hour the clock

Edgar Allen Poe's “The Masque of the Red Death” is an extravagant allegory of the futility of trying to escape death. In the story, a prince named Prospero tries to avoid the Red Death through isolation and seclusion. He hides behind the impenetrable walls of his castle and turns his back on the rest of the world. But no walls can stop death because it is unavoidable and inevitable. Through the use of character, setting, point of view, and symbol, Poe reveals the theme that no one, regardless of status, wealth or power can stay the passing of time and the inevitable conclusion of life itself, death.

“The boundaries which divide Life from Death are best shadowly and vague. Who shall say where the one ends, and where the other begins?” (Poe). There is no such thing as having the ability to predict or tame the wrath of death, for all we can do is learn to accept it. In the story, “The Masque of the Red Death”, the main character, Prospero, shows through his arrogant actions that death will forever overpower the human instinct to stay alive. Poe uses symbolism to convey the battle between man and nature through the idea of the masquerade that serves as a fortress against the wrath of the disease, an excuse to disguise the true colors of man, and the honest truth that man will never become immortal.

The standard perception concerning human limitations has it that the potential of humankind knows no bounds. Yet, the cycle of life disproves this recurrent opinion of human potential. Based upon the realistic scope of their own abilities, the phrase, “the sky’s the limit”, are well within the bounds of the timeless concepts of life and death. These ideas are common points amongst works of literature from the American Romantic Period. Moreover, one of the most prominent Romantics is Edgar Allan Poe, who utilizes seemingly natural attributes of human interactions, and expands them out of proportion in order to reveal the gloominess of those said attributes. Poe’s literary works encompass many aspects that are reflective of the Romantic Period; his works include the acknowledgement of nature or setting, emphasis on individuals and groups of people, and elements of the supernatural; such use of Romantic attributes also leads to a plausible interpretation of an indirect rejection of the establishment of religion. The utilization of these qualities appears frequently in Poe’s short story, “The Masque of the Red Death”, which is a fictional account of a burgeoned plague and its multitude of effects on the wealthy survivors. Furthermore, a key point in the short story is the particular choice of setting: a gothic quarantine, which intertwines many Romantic elements. In particular, the quarantine of “The Masque of the Red Death”, is a symbol of human limitations and the

Michael Ruiz once said, “Everyone dies. There’s no point in fighting it.” In Masque of the Red Death by Edgar Allan Poe, there is a disease that kills almost everyone in a country so the king brings all survivors into a castle to prevent it from killing anyone else, although it still ends up getting in from a ghost, and wipes everyone else out. In Masque of the Red Death by Edgar Allan Poe, Poe uses gothic elements such as a gloom setting, supernatural beings, curses, and air of mystery and suspense.

Fate is a mysterious force. There are the non-believers, saying that you are responsible for your actions and not controlled by this so called ‘destiny,’ able to change your life at any point you wish to. Demonstrated in stories such as Charles Dickens’ A Christmas Carol and Dr. Seuss’ The Lorax, these tales showcase how a crabby old miser and a mysterious man change the course of their futures. Meanwhile, there are many stories, myths, and even religions that emphasize how fate controls your life; that you are on a predestined path. Edgar Allen Poe seems to share this view on the subject. His short story, The Masque of the Red Death, exemplifies how no matter what you do to protect yourself, fate will find you and do its bidding. Despite his

When it comes to reading literature the most challenging yet important task is to understand the purpose of the author's writing. In Romantic era literature understanding the emotions and thoughts that are created in the reader's mind are essential to gaining a clear message that the writer is trying to send. In Edgar Allen Poe’s short story “The Masque of the Red Death” the narrator immediately introduces the “Red Death”; a disease that has been spreading throughout Prince Prospero’s country; killing his people within half an hour of contracting the disease. Throughout the story the author continuously uses diction and syntax to create suspense and evoke a grim tone to the reader. In the “Masque of The Red Death” Poe produces fearful imagery in the reader's mind through creating a supernatural presence in the setting.

There is a “…gigantic clock of ebony” in the black room, its sound is described as “…clear and loud and deep and exceedingly musical, but of so peculiar a note and emphasis” (421). This suggests that the clock has importance, as it is a physical reminder of death. If the story did not use imagery, the reader’s interpretation of it would be completely different.

Poe used the rooms of the fortress as a symbol of the progression of a human life. The fortresses design contains seven distinctly different rooms. H.H. Bell, Jr., an expert on Edgar Allan Poe, has suggested that Poe seems to represent these rooms as an “allegorical representation of Prince Prospero’s life span” (Bell 241). The greatest piece of evidence for this is the order in which Poe arranged the rooms. The first room is positioned in the far eastern side of the mansion and the last room’s placement resides in the far western side. Just as the sun rises in the east and sets in the west each day, the arrangement of the rooms suggests the beginning and the end of life. Poe exemplifies this idea with the coloration of the last room. Black, a color connected with night and death, covers the walls in the last room. Also, the color of red seeps through the stained glass windows representing the bloodiness often incorporated with death, particularly the Red Death so feared at this party. Prospero’s guests avoid the last room out of fear, just as the living avoid reminders of death. Meanwhile, music and dancing

There is a terrible sickness spreading throughout their town. “No pestilence had ever been so fatal, or so hideous.” (Poe 78 ) In the story “The Masque of the Red Death” fear is the main theme. Prince Prospero invites a thousand of his friends to his castle. There are seven different colored rooms in the castle. The guests fill all the different