Dramatic Irony In A Midsummers Night Dream

Throughout the play A Midsummer Night's Dream, Shakespeare uses both fate and free will to present his philosophy towards the nature of love. The characters struggle through confusion and conflicts to be with the one they love. Although the course of their love did not go well, love ultimately triumphs over all at the end of the play. The chaos reaches a climax causing great disruption among the lovers. However, the turmoil is eventually resolved by Puck, who fixes his mistake. The confusion then ends and the lovers are with their true love. Throughout the play Shakespeare's philosophy was displayed in various scenes, and his concept still holds true in modern society.

If there was no such thing as sympathy, empathy, or love in our world, it would be a hard place to live. If there was no hard law or reason in our world, it would be a crazy place to live. Neither of these worlds would be anybody’s first choice as a home - it's just common sense take away either of these two fundamental aspects of life, and everything is immediately chaos. In fact, it is only in a world such as ours, where legal and human emotion work together, that we are happy. In William Shakespeare's A Midsummer Night's Dream, Shakespeare recognizes this truth and uses the two settings to represent the city of Athens as law, order, civility, and judgment, while the woods represent chaos, incivility, dreams, and love.

Fairies, mortals, magic, love, and hate all intertwine to make A Midsummer Night’s Dream by William Shakespeare a very enchanting tale, that takes the reader on a truly dream-like adventure. The action takes place in Athens, Greece in ancient times, but has the atmosphere of a land of fantasy and illusion which could be anywhere. The mischievousness and the emotions exhibited by characters in the play, along with their attempts to double-cross destiny, not only make the tale entertaining, but also help solidify one of the play’s major themes; that true love and it’s cleverly disguised counterparts can drive beings to do seemingly irrational things.

The story of A Midsummer Night's Dream was mainly about love and its abnormal dealings. In the play, Shakespeare tried to show that love is unpredictable, unreasonable, and at times is blind. The theme of love was constantly used during the play and basically everything that was said and done was related to the concept of love and its unpredictable ness. Shakespeare made all of the characters interact their lives to be based on each other’s. At first, everything was very confusing, and the characters were faced with many different problems. In the end, however, they were still able to persevere and win their true love, the love they were searching for in the first place.

William Shakespeare wrote the play, A Midsummer Night's Dream, sometime in the 1590's. The play, a romantic comedy, portrays the adventures of four young lovers, an amateur actor's group, their interactions with a Duke and Duchess, and with fairies in a moonlit forest. Although Shakespeare used certain themes in this play to portray Greek aspects, the reflection of Elizabethan England is dominant in several different ways. Shakespeare's use of fairies, the way women are treated, and the use of a class system in this play are all perfect examples of how very Elizabethan this beloved tale actually is.

During the late 15th century by William Shakespeare, or more commonly known as Shakespeare wrote the play A Midsummer's Night Dream. Shakespeare was both a playwright and a poet, producing many famous pieces such as Hamlet, Julius Caesar, and the infamous Romeo and Juliet, along with over a hundred sonnets to name a few. In the play A Midsummer’s Night Dream, he writes of four young lovers who wander into the woods, and the trials they endure along the way. Within this story, Shakespeare also shows that it is not possible to control another person's actions because the two characters keep trying and failing to do so.

In A Midsummer Night’s Dream, Shakespeare easily blurs the lines of reality by inviting the audience into a dream. He seamlessly toys with the boundaries between fantasy and reality. Among the patterns within the play, one is controlled and ordered by a series of contrasts: the conflict of the sleeping and waking states, the interchange of reality and illusion, and the mirrored worlds of Fairy and Human. A Midsummer Night's Dream gives us insight into man's conflict with characteristics of human behavior.

In the comedy A Midsummer Night’s Dream, the plethora of comedic styles used by Shakespeare illustrate his intention to poke fun at love throughout the play. The play is notorious for its intricate and irrational plotline, mainly due to the constantly shifting love triangles. Once the powerful fairies become involved with the fate of the naive lovers – Demetrius, Helena, Lysander and Hermia – matters are further complicated. The complication inflicted by the fairies is credited to the powerful love potion that Oberon, King of the Fairies, hands over to Puck, a mischievous fairy, to use on his wife Titania, with intentions to embarrass and distract her. This spiteful attitude is due to Oberon and Titania’s argument over the custody of an

“Beware of your stereotypes and prejudices, they can trap you in a box and make you miss what life has to offer you”─Med Yones. One has to see past the stereotypes in life, just as one should do for A Midsummer Night's Dream by William Shakespeare. This literature masterpiece entails a quarrel of a pair of lovers caught entangled in a treacherous web of tainted love and magic. This comedy, viewed through the archetypal literary criticism lens─which focuses on the stereotypical aspects─, makes the audience wonder and push beyond the boundaries of the stereotypes with the tale. Combined with its other elements, A Midsummer Night's Dream is more entertaining and meaningful when viewed through the archetypal literary criticism lens; such as in Act 1: scene 1; Act 3: scene 2; and Act 5: scene 1 in both the printed text and the 1999 film versions.

In many of Shakespeare’s literary works one can find multiple themes that reflect or question our reality. He accomplishes this by using figurative language such as metaphors and similes. Shakespeare’s Midsummer Night’s Dream encompasses many themes and apply them to certain characters or through communication between multiple characters. Helena portrays themes of love, betrayal, jealousy, and gender norms in Midsummer Night’s Dream presenting them through her speech and behavior. She depicts the challenges of a woman and also the flaws of human nature. In Act 2 scene 1 and Act 3 scene 2 Helena uses a metaphor twice which emulates these themes presenting us a broader understanding of her representation within the play and the play as a whole. Following are lines from Helena.

Misunderstood Intentions? Puck a scheming, troublesome and mischievous servant fairy of Oberon who is not that good at listening. All throughout William Shakespeare's "A Midsummer Night's Dream" Puck seems to be at fault for most of the characters' problems. However Oberon is the person who requested for Puck to carry out most of these tasks, Puck is the character that blatantly mistakes Lysander for Demetrius, puts the Ass's head on Nick Bottom, and forced Lysander to hate Hermia for a while.

“Some men just want to watch the world burn,” (Alfred [Michael Caine,] Batman; The Dark Knight). William Shakespeare uses a variety of literary devices throughout his works, but his use of dramatic irony specifically puts his readers at the edge of their seats. Being full of jealousy and betrayal, the plot of Othello is guided by this playwright’s usage of dramatic irony. Through the use of dramatic irony and characterization Shakespeare creates Iago, the most sinister character in all of literature.

In the play Twelfth Night, Shakespeare uses dramatic irony to develop the comedic effect in the characters relationships. The use of dramatic irony produces most of the comedic effect by revealing situations and relationships to the audience, but not the cast. Developing the plot with this literary device provides comedic and ironic situations while engaging the audience.

Shakespeare’s A Midsummer Night’s Dream is a play that utilises comedy to convey complex ideas that are seen throughout the play, concepts like the jealousy Helena has towards Hermia, Egeus’s strong hostility towards Hermia and Lysander’s relationship and unrequited love. He uses comical tools like unconscious irony and hyperbole to turn rather difficult topics into humorous representations of them. Events like how Puck thinks Titania had fallen in love with him, not knowing he was bearing the head of an ass, are portrayed in a humorous way so the viewer understands the meaning, but sees it as a light- hearted narrative. Shakespeare carefully uses comedy that does not overpower the meaning of the play, but puts a completely different perspective on some of the themes.

About three hundred years prior to Freud’s work on the subconscious, we see that Shakespeare, as evidenced in A Midsummer Night’s Dream, seemingly had a good grasp on the importance dreams played in our lives. The entire play seems like one long dream, and this causes the audience to question the reality of the play. The sense of time also lends to this notion, as it seems to be missing from the play. At times, just like dreams in real life, the audience is dropped into the middle of the action without any direction as to what is happening, or the events that led to where they