Dramatic Irony In Sophocles Oedipus Rex

A well-written tragedy is filled with irony. Oedipus The King is a great representation of a dramatic irony play. When reading the play the audience is very much aware of the outcome of the hero’s action far before the hero

To the reader, it is revealed that what you physically se, may not be what you may see mentally. Irony is also shown in Oedipus Rex in relation to blindness. Teiresias’ is also the character who depicts irony throughout

Hubris is Oedipus's tragic flaw. He is now overly full of himself because: he rescued the city of Thebes from the Sphinx, people admire him, the citizens worship him as if he were an idol, the citizens think of him as their hero, and the Thebans have such a high esteem for him, that they made him King. One instance that proves he is filled with overbearing pride is when he proclaims, "I, Oedipus, a name that all men know." (8) This statement also brings about irony. It is ironic because his name will be remembered and well-known everywhere--as a polluter, the

The entire play comes to a tragic end. And with dramatic irony is clearly seen in the entire play. Oedipus killed his father and murdered his mother, but Oedipus and Jocasta did not find out until the end, Tieresias ' warnings and prophecy clearly portray the use of irony. Rhetorical questions are seen questioning himself or fate. What, born as mine were born?”

The story of Oedipus is full of irony such as verbal, tragic, and situational irony. For example, verbal irony appears in Oedipus’ speeches. When Oedipus orders for the man who killed Laius to be punished, he is unaware that he is in fact the murder. Verbal irony appears again when Oedipus ridicules Teiresias for his blindness when Oedipus is also blind, witless and senseless to his own actions. An example of situational irony is: Oedipus is an adopted son; he hears the prophecy; he escapes the city to avoid fulfilling the prophecy only to escape to his real parents.

Dramatic irony depends on the audience’s knowing something that the character does not, and in this play the audience knows Oedipus faith before he knows it himself. In this play there are several parts where Sophocles conveys his plot through dramatic irony. Dramatic irony underlines how partial human perceptive can be even when it is most reasonable and how agonizing it can be to be the costs of the misinterpretation, in some sense foreseeable. Dramatic irony is also use by Sophocles to make the audience feel their taken part of the play knowing the fate of the main character, making the audience wait in suspense wanting to know how Oedipus would react to his fate. The other use of the dramatic irony was to foreshadow which is a key

Random House, Inc. 05 Nov. 2015. .), Verbal irony is seen throughout the play, Oedipus the king, an example of this irony is seen when Tiresias says, “None of you know_ and i will never reveal my dreadful secrets, not to say your own.” (Sophocles,374-376). Tiresias is saying that he refuses to reveal the troubling things inside of him, and that the dreadful secret will cause Oedipus grief.. This is verbal irony since Tiresias is saying that if he reveals the truth, that Oedipus will feel grief about it, but Oedipus doesn’t understand that the grief that he will feel is because he killed king Laius and because he’ll end up discovering that he married his mother. This helps add to the suspense of Oedipus finding out the

Tragic and foreboding are some of the many tones that overlook “Oedipus the King”. Oedipus is a hero with mostly good intentions but because of his tragic flaw of ignorance ends himself in agony. The fact

     In Oedipus The King, dramatic irony is used in order to create suspense among the audience. Oedipus’s attitude toward the solution to the plague, allows for such uses of dramatic irony that bring the reader more in tune with the action on stage. Oedipus strongly forbids the people of his country “to receive that man (King Laius killer) or speak to him, no matter who he is.” (Scene I 20-22) The dramatic irony, in the Exodos, is that Oedipus discovers that he is the killer of his father, King Laius and pleads to be driven “out of this country as quickly may be, to a place where no human voice can ever greet [him].” (Exodos 207-208) According to Literature, the Exodos is the final scene of the play, also containing in this case, the resolution. As said by Aristotle the tragic fall should arouse solemn emotions such as pity and fear, but if performed well does not leave the audience in a state of depression. Sophocles demonstrates this during the rising action when Oedipus has a hateful agitated perception of the perpetrator, while the audience feels

Oedipus is one of the most famous tragic heroes in drama history. His bizarre fate leads him to a tragic defeat that leaves the audience and reader feeling emotionally overwhelmed. According to Aristotle’s definition, Oedipus’ story makes him as a tragic hero. Oedipus is the personification of Aristotle’s characterization of a tragic hero through his ability to maintain and keep his virtue and wisdom, despite his shortcomings and situation in life. Aristotle’s observation of a tragic hero does not reveal the lack of morality or the evil of the character, based on an error in judgment. The tragedy and drama fit the Aristotelian characteristics of Oedipus.

Dramatic irony in Oedipus the King is evident throughout, which is similar to the latter play, but in a different form. In here, the irony is evident. Oedipus the King revolves around characters' attempts to change their destiny (which fails) - Jocasta and Laius's killing of Oedipus and Oedipus's flight from Corinth. Each time somebody tries to avert the future, the audience knows

Traditionally, hamartia has been identified either as being a “tragic flaw”—a serious physical, psychological, or moral flaw in an otherwise impeccable character—or as being directly caused by such a flaw. For example, Laurence Berns states, “As a result of a flaw natural to his kind, the tragic hero harms and destroys those he loves most. It is those very qualities for which he is admired and honored that cause him to wreak great evils” (77). Oedipus, then, is said to be a just and noble ruler who cares for his people as though they were his own children. Indeed, Oedipus addresses the citizens of Thebes as “children” in Sophocles’ tragedy Oedipus the King (111–113), and he burns with an admirable passion to discover the truths pertaining both to his own past and to the cause(s) behind the plague besetting his city . The fundamental purpose of this dramatic story is that a king picks up his legacy by killing Laius who is his father, so he can fill in as imperial ruler in Delphi. The metaphysical realities revealed through Oedipus' actions go beyond the noble/base, advantageous/injurious or pleasant/painful noted above. Oedipus' actions can be further defined as either virtuous (virtue) or vicious (vice). Virtue and vice are metaphysically manifested through Oedipus' actions in the play.

Sophocles was born a hundred years before Aristotle and perhaps was not aware that he wrote a near-perfect representation of the tragic form. Almost certainly, however, he was conscious of the dramatic irony he carefully intertwined throughout the plot. Dramatic irony was a tool for Sophocles to advance the notion of the tragic one step beyond the simple fate of the main character. Dramatic irony is a literary technique allowing the audience to know of the character's fate well before such fate occurs. The difference between the audience's knowledge of the tragic circumstances and that of the ignorant characters heightens the depth of the tragedy. The more significant the ultimate sacrifice which the innocent hero makes, the more powerful the message sent to those in

Reading through three related stories, we discover different motifs denoting author’s thought in different time.Without any doubt, the tragic essence goes through the Three Theban Plays. As Sophocles meditates the philosophy of the tragedy all along his life, the tragic essence expands from individuals in a society. The conflict in each play becomes increasingly complicated. In Antigone, we can clearly distinguish the conflict between Antigone and Creon, family and politics. However, in Oedipus at Colonus, the play merges all the conflicts happened to former plays and enhances the theme of the story. The later part of this trilogy, especially the ending of Oedipus the King and Oedipus at Colonus, reveals a darker and deeper phenomenon of Thebes and projects it to Oedipus. The prophet plays important role of forming the story line and tragic image of Oedipus, but the root causing the series of tragedy of the characters is not gods’ command. It is degeneration of people, which is pathetic to humanity. Finally, after suffering from family complex and exile, Oedipus is not only a victim of the society, but also the reflection of the twisted humanity of Thebes.

Oedipus displayed his faulty character throughout the play by showing how he is filled with ill-temper and pride, especially during his confrontation with Apollo’s blind prophet, Tiresias. He allowed his own hubris to take over him, eventually leading to his disaster at the end of the story. Now, some critics may argue that Oedipus did not actually go through a downfall in the play, but when looking back at the definition of a tragic hero, it can be seen that there are evidence to prove that Oedipus is a tragic hero.