Dramaturge Essay

The theory of dramaturgy is considered a micro theory, under the category of “interpretive”, which also includes interactionism, ethomethodology, and phenomolohy.

The dramaturge explores the inner and outer world of the play and how the use of Design can be appropriate to the plays context and accurately portray the playwright’s intention while still conforming to the conventions and practices of the period.

Warm up your vocal cords because you’re going to want to sing along to this youth theatre company’s musical revue. The performance showcases a wide range of music – from energetic group numbers to stirring ballads that will have you weeping in your hanky. Whether you enjoy new smash hits like Hamilton and Dear Evan Hansen or classics like A Chorus Line and Hairspray, there’s something sure to please everyone.

In life we all act differently depending on who we are with and the situation at hand. In almost every situation we act in a different way, with our friends in public, with our family members at home, with coworkers, and most importantly our boss in a work environment. Depending on who we are with you could say our personality changes. As humans we know how to act in every situation, at work you would dress more formal, whereas going out with a group of friends you would dress more causal. Along with our looks changing, we also change our behaviors, the way we talk, sit, the tone of your voice, etc. At a doctor’s office, the receptionist must play a defined role. She has to act polite, caring, professional, and must remain discreet about

This theory looks at how we present ourselves in social situations in terms of our identity.

This last half term we’ve been looking at challenging stereotypes and misconceptions. To begin with we were given stimulus in the form of photographs; these prompted each of us to have thoughts on what was shown. The image showed a man or woman staring stone faced through the many legs of passers by. My feeling towards this photograph was partly sympathy; however I knew I would just be one of the many people who would walk past. Stereotypes can interfere; one of the first things that came into our minds was things like drugs and gambling. This makes you feel less sorry for the person and immediately ideas that could be entirely untrue come into your head.

RETURN TO DESTINY is a character driven drama. The script explores strong themes about destiny, hate, friendship, redemption, and forgiveness. The messages are certainly relevant in today’s society. The script teaches a poignant message about tolerance and learning to forgive. The tone is consistently dramatic.

While writing and narrative (poetic or otherwise) were considered as means of survival, theatre remains outside the circle of literary survivalism. Indeed, according to Anne Ubersfield, “performance is a perishable thing.” (xxii) It is usually considered as an event that is bound by the present. The belief in the historicity of the theatrical event still dominates the critical approaches to theatre. Many contemporary critics maintain that on the stage, “drama takes place and takes time too.” (Worthen xi) They believe that it is “an historical event.” (Styan 6) that is limited in terms of space and duration. It cannot last beyond the performative moment.

Ancient Greek Theater is the first historical record of “drama,” which is the Greek term meaning “to do” or “to act.” Beginning in the 5th century BC, Greek Theater developed into an art that is still used today. During the golden age of the Athenians plays were created, plays that are considered among the greatest works of world drama. Today there are thousands of well-known plays and films based on the re-make of ancient drama.

Class Attendance/Participation: 30% (Tardy 3 times = an absence; students with three absences should consider dropping.)

In Introduction to Dramaturgy, we learned that live theatre has many conventions or habits that govern how we act during the performance. These conventions seen in the theatre are also seen in other rituals in our daily lives. In the first chapter of History of the Theatre, Brockett explains that performance “elements are evident in events like political campaigns, holiday celebrations …” (1). Rituals have theatrical and performance elements like spectacle, dialogue, and conflict. Some rituals even contain stories and costumes similar to full-scale theatrical performances. This essay will compare the performance elements seen in theatrical performances to those seen in everyday rituals in our society and explain the reason for the differences in the two.

In this class I have learned a bounty of information that will forever enable me to better understand human interaction. I have always been the type of person that prefers to sit back and watch interaction, than to be the center of the interaction. In this way, I have always been more observant of how people interact and what motivates people. This class has taught me much about why people do the things they do and expanded my knowledge of how people interact and express themselves. Erving Goffman’s concept of dramaturgy explains human interaction so well: “the self is essentially ‘on loan’ to us from society; it is created through interaction with others and hence ever changing within various social contexts. For example, you may want to make

Making: I used the process of observing when I wrote, filmed and edited my production as I looked at it from different perspectives to self critique my work, in order to improve it. I also, compared and contrasted variations of my work to make choices about which was the most effective.

So, you want to go to drama school. How do you find the school, or schools, that are right for you? The school that will help you transform yourself and your acting? The one that will be worth taking several years out of being in the marketplace and pursuing work? There are many, many actor training programs to choose from in the United States, alone — not to mention the United Kingdom. One can easily become overwhelmed surfing the websites of the top 10 schools, not to mention the top 25.

A dramaturg’s role and responsibilities vary from production to production, given the productions artistic expression. As discussed in “Dramaturgy and Performance” (2012) a dramaturg’s purpose and approach fluctuates. The stereotypical image of a dramaturg being an old bookish man or woman, reciting Aristotles’’ “Poetics”,handing out analysis of the play is changing with the acknowledgement of the role. Ben Power, British dramaturg and plawright, in an interview with Time Out explained the dramaturgs purpose as "about trying to understand what the authorial intention is, and to really investigate that and