• This theory looks at how we present ourselves in social situations in terms of our identity. • Institutions are in control all aspects of people’s lives to shape the expectations of behaviour to fit in the norms of society through strict ruling. • Social stage an active impression of who you are to gain approval of other people which is seen to be the audience • Dramaturgical perspective shows social interactions as a theatre that reflects the idea of an individual’s life as a stage performance ,the audience expectations and maintenance of role created by the actor. • Social stage looks at how we take on roles to maintain a certain image in order to fit in societal expectations
The dramaturgical perspective views our daily interaction like we are in a stage performance all the time. In the Tv show NCIS there are so many examples of dramaturgy. This shows so many of the concepts of dramaturgy. This show is the navy version of CSI. NCIS is only called when it involves a Navy officer that was either kidnapped or murdered. The cast on NCIS are Special Agent Leroy Jethro Gibbs, forensic specialist Abby Sciuto, chief medical examiner Donald Mallard, Special Agent Timothy McGee, Jimmy Palmer, Director Leon Vance, Agent Eleanor "Ellie" Bishop, Agent Nicholas “Nick” Torres, Agent Alexandra “Alex” Quinn.
The social identity theory is a theory developed by Henry Tajfel, in which Tajfel believes that who we are socially determines how many positive feelings we have towards ourselves. Basically, if we like where we stand socially, then we will like who we are and display happiness. In this theory, Tajfel labels the “in group” and the “out group” and says that we will always compare our “in group” to another’s “out group.” By comparing these groups, we develop a better personal view on ourselves (King, 2009). A big factor of the social identity theory is that the groups will tend to critique the differences of the groups, and overlook the similarities. A modern day example of the social identity theory would be your everyday high school cheerleaders versus band members. The cheerleaders think of themselves as the queen bees of the school,
In life we all act differently depending on who we are with and the situation at hand. In almost every situation we act in a different way, with our friends in public, with our family members at home, with coworkers, and most importantly our boss in a work environment. Depending on who we are with you could say our personality changes. As humans we know how to act in every situation, at work you would dress more formal, whereas going out with a group of friends you would dress more causal. Along with our looks changing, we also change our behaviors, the way we talk, sit, the tone of your voice, etc. At a doctor’s office, the receptionist must play a defined role. She has to act polite, caring, professional, and must remain discreet about
In The Presentation of Everyday Life, Goffman lays out the seven elements that create a performance: belief in the role that is being played, the front or ‘mask’, dramatic realization, idealization, maintenance of expressive control, misrepresentation, and deception/mystification. Using the simple description of someone interviewing for a job, we can see that “As he seeks to assume the role of an ideal employee (idealization), he tries (in his performance) to convey a certain image about himself through his dress, his speech, and his expressions (his front), emphasizing those things that he wants the interviewers to know (dramatic realization). He has to maintain control over these expressions throughout the interview (maintenance of expressive control). Any lapse in his performance in that role (misrepresentation) may lead to him revealing those things that he has been trying to conceal (mystification).” (Corbin, 2012)
Erving Goffman was a sociologist known for developing the symbolic interaction and dramaturgical theory perspective. The dramaturgical theory is a social psychological perspective that studies human behavior and social interaction in terms of the analogy of the theater. This perspective is also related to symbolic interactionism. Symbolic interactionism is a theory based on interaction and communication, facilitated by many different words, gestures, and other symbols that have acquired various meanings. Dramaturgical theorist focus on how people manipulate various aspects of themselves and their settings to influence how others define and respond to them. In this perspective, “the self” is constructed of the various roles that one acquires, in order to present their various selves in ways that sustain particular impressions to their audiences. “The self” is a private possession established in and reflective of an individual’s personality, which includes ones values, beliefs, motives, traits, and dispositions. In addition, a person’s “self” is acquired through social relationships and is a structurally fundamental process that may change due to various situations. As humans interact with one another they are placed in social categories based on their attributes and actions. These assessments are primarily based on ones knowledge of roles.
In his book, The Presentation of Self in Everyday Life, Goffman (1959) focuses on the self as a staged production in which people actively present themselves to different audiences one encounters. To bolster his conceptualization, Goffman used an interesting metaphor of “all the world’s a stage” (1959, 254). This, he terms as a “dramaturgical approach” (Goffman 1959, 240) in which an actor puts on a show for others; drawing analogies between human behaviors and the theater. Goffman (1959) likens the individual to an actor on stage performing for and with other individuals involved in the situation. Three types of space exist for the actor to perform on, to enact the self, and to interact with others: the front stage, the backstage, the outer region. Goffman (1959) utilizes specific dramaturgical terms such as performance, teams, front and back regions, sign-vehicles, and highlights the process of dramatic realization. These terms will be discussed in the following sections.
Pretend you are playing the role of a character named Jordan, while discussing Erving Goffman’s theory of dramaturgy. Jordan finally made it. Jordan finally graduated university and has been lucky enough to receive an offer for an interview at the institution that he had been working towards his entire university career, an interview at the top law firm in all of Toronto. Now it is time to prepare. It is time for Jordan to show the firm that he is meant to be there. To show the firm that this position was meant for him, he must be the best version of himself. Jordan is competing against hundreds of other university graduates, but he must show them that he is the one. Jordan’s first impression matters, he must show them the qualities that they want to see to ensure that he receives the position at the law firm.
While in the front stage the performer is aware that they are acting in front of people and acts appropriately to the given situation. But
In “Presentations of Self in Everyday Life,” Goffman is constantly explaining how everyday life is a dramaturgy. A dramaturgy is the art of dramatic composition and essentially the production of a theatrical play. A social situation is much like a play. Every play has a stage, actors, a script, a set, rehearsals, and practices. In a social situation, the stage is where the encounter takes place, the actors are the people involved in the encounter, the script is the social norms of the social encounter, and the set is the environment where the encounter takes place. It takes practices and
The purpose of this assignment is to record your life for one day and critically discuss how you are an actor in society; how you affect your social surroundings; and, how your daily life is shaped and constrained by society. This will allow you engage with many of the sociological concepts reviewed to-date including newer concepts such as impression management, stage theory and emotional labor.
Who are you? Who am I? These are questions that we all ponder at some point or another in our lives. As human beings we are seemingly inundated with the desire to classify and categorise. We are constantly defining and analysing the differences that we observe in the world, it seems only natural that we would apply this method of classification to our position within our society. More specifically, we want to understand our social identities and this can be achieved by acknowledging which groups we identify most with.
Erving Goffman sees self-presentation in six aspects, which are all related to the idea of life as a drama; persona, performance, staging, teams, role, personal style. According to Goffman, a persona is when someone wears various personality ‘masks’ depending on which roles they are undertaking, for example, when someone is with their friends the mask they wear defines them as a kind, friendly person whereas when they are with the family the mask will come off and their personality will change. I wear a mask when I’m with my friends and this portrays me as a friendly, outgoing character, whereas the mask I wear at home is loud, moody and unproductive.
Social identity theory, it is a person’s sense that is based around the group they are in, either by their personal identity or with different kinds of social identities. That is, people will try to improve their own image of themselves. The theory was proposed by Henri Tajfel. People can increase their self-esteem by both their own achievement and interaction with a successful group of people. This shows the importance of social belonging. This theory is based around three mental processes, social categorization, social identification and social comparison.
Ever since I took drama classes in high school I felt that we always put on an act. A show almost, that we put out for the people we interact with daily. Erving Goffman, “Canadian-American Sociologist” (Encyclopedia In., 2017) also believed this, he compared social interactions to the theater, where individuals take a particular role. According to Goffman this “theatrical metaphor consists of a stage, actors, and an audience” (Crossman, 2014). It also consists of the onstage, backstage and offstage. These three stages show different behavior on a person.
Drama is not just consisting by the actors ' dialogue and movements; there is also a very special consist part is chorus. Chorus usually plays a pretty important role in drama, and it also has different functions in different storyline, and promotes the process of the story. Its location is irreplaceable. This paper will take the scripts, which are Lysistrata (Aritophanes) and Despatch (Angie Farrow, 2015) as the example, comparative analysis the role of the chorus in this two scripts. It will discuss the narrative device of the ‘chorus’ functions. The way to help the story of the play telling by chorus and allow the narrative to unfold will be discussed in this paper, too.