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Duality In Edgar Allan Poe's Poetry

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Stallings 4
Poetic Principle" and "The Rationale of Verse." He also produced the thrilling tale, "The Cask of Amontillado," and poems such as "Ulalume" and "The Bells." Most of Poe’s work is concerned with terror and sadness, but in normal circumstances the poet was a pleasant companion. The way Poe talked was so mysterious and dark, therefore Edgar Allan Poe talked brilliantly, and with so much emotional and passion in his poems. Even when he does not hurl his characters into the clutch of mysterious forces or onto the untrodden paths of the beyond, he uses the anguish of imminent death as the means of causing the nerves to quiver (“The Pit and the Pendulum”), and his grotesque invention deals with corpses and decay in an uncanny play with the aftermath of death. Edgar …show more content…

He was capable of writing angelic or weird poetry, with a supreme sense of rhythm and word appeal, or prose of sumptuous beauty and suggestiveness, with the apparent abandon of compelling inspiration; yet he would write down a problem of morbid psychology or the outlines of an unrelenting plot in a hard and dry style. In Poe’s masterpieces the double contents of his temper, of his mind, and of his art are fused into a oneness of tone, structure, and movement, the more effective, perhaps, as it is compounded of various elements. As a critic, Poe laid great stress upon correctness of language, metre, and structure. He formulated rules for the short story, in which he sought the ancient unities - the short story should relate a complete action and take place within one day in one place. To these unities he added that of mood or effect. He was not extreme in these views, however. He praised longer works and sometimes thought allegories and morals admirable if not crudely presented. Poe admired originality, often in work very different from his own, and was sometimes an unexpectedly generous critic of decidedly minor writers

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