Duality Of Human Nature In 'The Tempest And Montaigne's The Essays'

Aime Cesaire’s A Tempest is a ‘new world’ response to Shakespeare’s The Tempest. In Cesaire’s adaptation, the characters and plot are generally the same. However, there are a few small deviations from Shakespeare’s The Tempest that make a significant impact on the play as a whole, and lead the play to illustrate important social issues occurring in the time of the adaptation.

Whether one realizes it or not, the world we live in is governed by certain expectations and unwritten rules that our society creates. These expected behaviors are called norms. When one establishes the role that they play in society, they are governed by the expectations that society places on that specific role. Norms give order to a society, but is that enough to say that they are good for citizens? Are these norms needed to govern our behavior in a way that our government cannot? Social norms and the effect that they can have on a person or group of people is shown through Shakespeare's The Tempest. The characters in The Tempest are negatively affected by the unwritten social norms that they are expected to follow, and today these

Humans have often struggled to define their relationship with nature throughout history. In the early periods of their existence, humans were ruled by the brutality of untamed nature. They utilized nature to an extent of survival, but had not yet developed a system to thrive within it. As humans advanced, both mentally and technologically, their aptitude and desire to exploit nature increased dramatically. These two polar relationships between humans and nature are mirrored in William Shakespeare’s The Tempest and Aimé Césaire’s A Tempest. In The Tempest, Shakespeare fixates on Caliban’s attachment to nature and Prospero’s exploitation of it, while in A Tempest, Césaire employs nature as the dividing force between Caliban and Prospero. These two separate themes both represent the consequences that occurred throughout history as a result of two ideologies about nature colliding during colonization.

worse than not having been exposed to society at all, and to live in a

In this play, there is a noticeable difference between the natural way in which humans want to act against what is considered natural in society. Elements of society cause the characters to be able to justify unnatural actions. Shakespeare thoroughly laces this play with the concept of humans are neither good nor evil by nature.

   A production of The Tempest should emphasize the idealized methods in which Prospero uses magic to solve the problem of revenge which is so prevalent throughout his tragedies, perhaps the production might be a direct allegory for the magic of the theatre itself.   In this conception of the play, the scattering and bringing together of the characters in the script is significant in that theatre also could be said to bring people together and allow them to share in an experience of emotion, magic, and finally, of resolution. In this way the production could be used as a vehicle for conveying the idealistic virtues of forgiveness, compassion, and of course knowledge. In his book, A

  The Tempest is generally considered to be Shakespeare's last sole-authored play. The play draws a number of oppositions, some of which it dramatises, and some of which it only implies. Prospero, a figure exhibiting many resemblances to the Elizabethan idea of the 'Mage', (of whom the best known is probably Dr. John Dee), is opposed to both his corrupt brother, usurper of his role as Duke of Milan, and to Sycorax, an evil witch and mother of the 'deformed slave' Caliban. Sycorax does not enter the action of the play, having died before it opens, but enough is made of her evil disposition and behaviour to show Prospero as a model of human virtue in comparison. This despite Prospero's own use of magic to

Through discovery, our perception of human nature changes alongside the world we live in. this is shown in Micheal de Montaigne’s essay “of cannibals” and ‘The Tempest’ drama written by William Shakespeare. Both show, when man is left alone in a natural state, humans grow to perfection, compared to the state of a civilized man whom is corrupt and alters human nature to an animalistic form. The tempest portrays human beings in a civilized state, whom the characters do inhuman acts for material gain and Micheal de Montaigne’s “ of Cannibals” represent man in a natural state whom when left untouched grows to an paragon society. Yet, which is better? a man in a natural state or a man in a civilized state.

    "Negritude, originally a literary and ideological movement of French-speaking black intellectuals, reflects an important and comprehensive reaction to the colonial situation of European colonization" (Carlberg).  This movement, which influenced Africans as well as blacks around the world, specifically rejects the political, social, and moral domination of the West.   Leopold Senghor, Leon Damas, and Aime Cesaire are the three pioneers of the revolution.  The founder who expresses his ideas more broadly, though, is Cesaire, who uses literary works to express his viewpoint on colonization.  An excellent example of such a tactic is his play, A Tempest, which is a revision of

     Through the years there has been much debate as to whether Shakespeare’s The Tempest is an Allegory to European colonization and colonial life, or if it is his “farewell to the stage” with a complete overview of the stage and a compilation of all of his characters into a few, in which the playwright himself being presented as Prospero. Is The Tempest an allegory to European colonization, or is it Shakespeare, presenting his formal farewell to the stage?

Envision living in a nation that has achieved the paramount form of society, one that is ideal in its ethical, social, and political facets. Simple to imagine but impossible to replicate, and that is, according to Plato’s Theory of Forms, because the physical world is a poor copy of these ideas, these forms, even the ones closest to perfection are imperfect. That is why a utopia can not be attained in reality. Although, in Montaigne’s Of Cannibals, it is proposed that the natural state is the closest to accomplishing this. The ideas set forth in this work, chiefly the concept of cultural relativism, influenced Shakespeare in his writing of The Tempest, and the characters Gonzalo and Caliban portray

Renaissance humanism scholars recognize that “Hamlet contains a vital critique of humanism” (Renaissance) throughout the play. The author, William Shakespeare, was from a period of

Dale Carnegie once said “when life gives you lemons, make lemonade.” The ability to transform something appalling to alluring is a true indication of appreciation for life, but can at times result in consequences. In Shakespeare’s play The Tempest, Prospero commands one of his spirits, Ariel, to summon a tempest as an act of revenge for being deposed as the rightful Duke of Milan by Antonio and Alonso. Although the tempest causes isolation between characters, Ferdinand, Miranda and Ariel are blessed by the tempest; receiving opportunities achieve a better life.

The notion of human nature has always been historically debated. Explores, philosophers, and writers have always come to argue on what is considered to be barbarism, savagery, and civilized. These constructed categories have put a label on people who do not share the same ideas as one another. These different views of human nature have come to propel change and have come to revolutionized human history. Jean-Jacques Rousseau, Michel de Montaigne, and Thomas Hobbes all differ on their ideas of human nature, but they also share common ground. For some of these men the practices of different cultures are categorized as savagery, and for others it has been viewed as noble savagery. Their ideas however have allowed society to view different perspectives of human nature. These perspectives have classified human nature as a way of life, or as an obstacle to what is consider to be the good life. Their ethnographic resources provide a glimpse to all the different cultures and their value to society and history.

     Shakespeare’s enchanted island in The Tempest is a restorative pastoral setting, a place where ‘no man was his own’ and a place that offers endless possibilities to the people that arrive on it’s shores. Although the actual location of the island is not known, the worlds of Seneca aptly describe it’s significance to the play – it represents the ‘bounds of things, the remotest shores of the world’. On the boundary of reality, the island partakes of both the natural and supernatural both the imaginative and the real. It allows the exploration of both man’s potential and his limitations, his capacity for reform through art and his affinity for political and social realities. It is constructing