Duane Hanson: The Treachery Of Images

In the Memoir of Crazy Brave by Joy Harjo, she uses images of her drawing in order to show her individuality. The message is about showing your uniqueness , like Joy, she draws different from others by using her imagination. You know this because in the reading she wrote “ I noticed that the other children were all drawing the same house , the same lollipop tree and the same sun with a smiling face” . The reader can imagine the picture by just reading it ,this also shows that she was different and more creative with her drawings then the other students. Harjo made everyone's else's drawing seem so simple and the same like everyone was copying each other. This is a part of imagery. Another example of imagery in this Memoir

In Ishmael Beahs memoir A Long Way Gone the author’s natural images reveals his scramble to stay mentally stable. Understanding Beah is only 12 years old; Beah is confused as he loses all his family and friends and scrambles to stay alive as he runs from the rebels who have brutality kill anyone who stand in there way. To begin, in the stillness of nature Beah struggles to keep his mind from wondering.

Miner attempting to pronounce America’s hatred of the natural human body, discusses woman’s desperate need for appearances that other’s naturally have, making the women seem foolish and silly because there is no final answer to the perfect human embodiment. For instance, a group of women succumbs under a mysterious ritual with the goal to be thinner, while other participates in gluttony, gouging down food in order to gain weight. Additionally, Miner retells stories where women present themselves naked to strangers who proclaim themselves to be medically worthy because the women believe that by the medical men fondling their breast, their breast size will either become smaller or larger, depending on what the woman desires. In our social society, he is describing how women actually are undergoing cosmetic surgery by surgeons in order to change parts of their body that they are unhappy with. Miner writes this claim to sum up how society is displeased with their natural body, and are very willing to pay money to have their body dissected and, as previously stated, put holes in their teeth. By

With the sculpture straight ahead, the audience sees a profile view of the scene; however, the artist created the sculpture with enough space and depth to be able to view the front of the woman’s face from a side angle. The artist created the seated woman with much detail; her nose, chin, slightly opened mouth, pronounced brow line and inset eyes show this. She reaches for the chest with her right arm in a very delicate manner as her left arm lays on the throne for support.

The shift from Realism to Impressionism in the 19th century represented not only a change in form, but it also represented a shift in ideology. As one of our module videos notes, rather than focusing on accuracy and clarity, Impressionism emphasized “what the mind and the eye sees” and the “impression of light and color.” We will briefly discuss how the differences in the approaches of the Realists and the Impressionists had interesting implications for arts and how these ideologies can be applied to the ways in which believers and unbelievers interpret art.

It looks like the main focus of this painting is literally in the center of the piece. Anyone that were to ever view this painting could tell from the beginning that the overall view of this content is pathos. In the main section of the painting, there is an image of a person who is getting poured some type of liquid over their head. In this image, we can see the person in the center with no shirt on, and they have a small blue robe type of clothing tied below their waist. Around this person there are two figures with wings, they are wearing mini white gowns and their wings are white also. There is a person next to the wing like figures, that is pouring some type of liquid above the other person, this other human like

Most pieces of art have a deeper meaning than what is simply expressed on the surface. Through emotions, symbols, and motifs, an artist can portray a unique story; however, despite the use of creative symbols, distinct stories can show a similar theme. Two such examples are the short film Destino by Salvador Dali and Walt Disney and The Great Gatsby by F. Scott Fitzgerald, which share the common theme of “the struggle of obtaining dreams”. Based on what is shown in these works of art, it is a challenge to attain dreams.

Also, collaged images of woman 's genitalia were cut out and spaced all around the portrait. The spaces were carefully used to show that the collages were floating around the woman. The artist used overlapping technique to show certain collage cut-out appear closer to the viewer. He pasted some collage over and some behind the woman that you could see through with the overlapping. The collage images were abstract that you could barely tell that they were buttocks until you zoom in and see them close up.

Memories can be as short-lived as the moments that created them. The recollection of events and the deterioration of memories over time is a constant process that cannot be stopped. This inevitable passing of memory is fused to the inevitable passing of human life. Emily Davis’s still life photograph of wineglasses is reflective and fragmented, allowing the image to act as a metaphor for this fleeting aspect of memory through its own memory-like qualities. The photograph is also symbolic of the transience of human life through the use of the traditional symbol of the wineglass, ultimately serving as memento mori.

Dr. Seuss, an author and illustrator of 41 known books from the 1900s, once stated, “You can find magic wherever you look. Sit back and relax, all you need is a book.” Uglies by Scott Westerfeld, is sure to make a reader find the magic within reading.

Barry uses exaggeration to add a sesnse of humor to the essay. He exaggerates the Barbie doll proportions giving her a height of seven feet and eighty-one pounds with fifty-three of those pounds being bosoms. He also exaggerates mens complacency with their apperance even “if their faces cause heart failure in cattle at a range of 300 yards, and when their faces sag and their noses bloat to the size of eggplants and their eyebrows grow together to form what appears to be a giant forehead-dwelling tropical caterpillar.” With these exaggerations he shows how women are willing to try and be like something that is very hard to achieve, even though they have already achieved their goals in the eyes of men and others. He shows how men are careless about their appearance, even though they may look horrendous; they care more about manly activities.

Whether you fancy reading a book or watching a film, whether you consider yourself a bookworm or a movie enthusiast, or perhaps both or even something else entirely; there is bound to be something suitable for your tastes and preferences. In our day and age, many books often get adapted into films. This change of discourse undoubtedly affects the way we perceive the piece. An example for a book that has been adapted into a movie is the young adult novel “The Fault in Our Stars” by American author John Green.

Women and girls on average struggle with their self-esteem and their overall body image throughout their lives. It especially comes into effect with the constant portrayal of overly skinny mannequins or non-human representations in popular, stores, on the web, and on television (Clifford, 2011). In today’s society the average woman is bigger and mannequins are becoming smaller. It is difficult for the average woman to match their ideal

While in the Women and the Body course, I was able to dissect the images, constraints, and beliefs associated with the woman’s body. The debate over body image originated from patriarchal constraints, deeming that women have to fit into an ideal of womanhood. A woman’s body image is suppose to be a direct link to the man she is with. She should have childbearing hips, a stature that is associated in being motherly, and breasts to breast feed the children. With that it grew into using man made objects to reinforce the patriarchal power about body

The art of this era falls under the category of “psychedelic art.” Psychedelic can be defined as “of or noting a mental state characterized by a profound sense of intensified sensory perception, sometimes accompanied by severe perceptual distortion and hallucinations and by extreme feelings of either euphoria or despair,”8 and was usually influenced by the use of drugs. This kind of art was characterized by bright colors and unusual contrasts. Op art and pop art fall under this category of psychedelic art. “Op art, short for Optical art, is a style of abstraction that relies on geometric shapes, lines, and color juxtapositions to create optical illusions for the viewer.”9 Often looking at Op art makes one feel dizzy or disillusioned, which is the goal of the artist. Pop art was popular for commercial use, often seen in advertisements or on