Dubliners By James Joyce : Summary

The traditional western hero has so closely synonymized itself with the image of the rugged, horse-riding, cowboy hat wearing, gun shooting white man, that a fearful wife and mother appears entirely antithetical to the very notion of the frontier hero. Yet, Louie L’amour adeptly crafts his western hero out of the very same aforementioned traits though his character Angie in The Gift of Cochise. Angie’s logical, pragmatic, and calculated actions, because of her role as a wife and mother, allow her to successfully advance westward independently and settle in Apache territory as the rightful western hero of the story. While various male characters attempt dutifully to satisfy Turner’s hypothesis of advancement westward, their reckless

To war, or not to war, that is the question. In The Things They Carried, Tim O’Brien faces cultural, political, and social factors that end up leading him to forgo his plan to dodge the draft, and to report as instructed, a mere yards away from his destination of Canada (57). In Leslie Marmon Silko’s Ceremony, Rocky and Tayo, two young Native American men, experience cultural, political, and social factors that draw them into the Army, fighting the Second World War for a country that considers them less than human. The stories of these characters are not unique, they are stories that are representative of the stories of young American men at the time, who faced cultural, political, and social factors during both conflicts. The purpose of this inquiry essay is to determine what those factors were, and why they lead these men to willingly engage in two of the deadliest conflicts in human history.

The three stories “A Drug Called Tradition,” “What it Means to Say Phoenix, Arizona, and “The Trial of Thomas Builds-the-Fire” in a book of short story collection called: “The Lone Ranger and Tonto Fistfight in Heaven,” published in 1993 and reissued in 2005, by Sherman Alexie, a Spokane/ Coeur d’Alene Indian. Those three short stories introduce us readers to Thomas Builds-The-Fire, a character who tells too much stories. Through analyzing Thomas Builds-The-Fire’s stories, we will understand why his community treats him like an outcast. The story about three proud Indian boys: It is night time, they aren’t doing drugs. Instead, they drink Diet Pepsi, and strangely, “They are wearing only loincloths and braids” even though they’re sipping on the Pepsis in the twentieth century. Because, as Thomas suggests, they “have decided to be real Indians tonight”, “they all want to have their vision…receive their true name,” and they want to “breath in that sweet smoke” (20) from the fire they built. The word “sweet smoke” gives us readers a sense of release and relief of their suppressed feelings coming from the longing to reconnect to their roots. Later, the boys become non-alcoholic, and in a matter of seconds, “Thomas throws away the beer,” “Junior throws his whiskey through a window,” and “Victor spills his vodka” (21). At the end of this story, “the boys sing. They sing and dance and drum. They steal horses” (21), thus become heroes, proud Indian heroes. Story of Thomas and

The story, "Araby" in James Joyce's Dubliners presents a flat, rather spatial portrait. The visual and symbolic details embedded in the story, are highly concentrated, and the story culminates in an epiphany. An epiphany is a moment when the essence of a character is revealed , when all the forces that bear on his life converge, and the reader can, in that instant, understand him. "Araby" is centered on an epiphany, and is concerned with a failure or deception, which results in realization and disillusionment. The meaning is revealed in a young boy's psychic journey from love to despair and disappointment, and the theme is found in the boy's discovery of the discrepancy between the real and the ideal in

The American frontier hero is very present in our culture, and those heroes have come from different traditions of males in the eighteenth and nineteenth centuries. The start of the American frontier hero goes back into the early decades of American colonization. There have been investigations of the heroic stereotype that suggests that American frontier heroes played a very important role in the shaping of American literature and culture than had previously been known by Denise MacNeil and Mary Rowlandson. Following up after reading “The Account of Mary Rowlandson and Other Indian Captivity Narratives,” it was an eye opener for myself. Furthermore, it was an eye opener, because many of us take life for granted and do not realize someone

Scenes showed Indians on massive horses carrying rifles and arrows while circling innocent wagon trains. In the movies settlers, cowboys, gangs, and Indians died amidst bullets firing everywhere on a daily basis. On the contrary, fictional stories about the West are a stark contrast between what we read in history books and the actual colonial American life on what Meriwether Lewis called “level

Joyce's modernistic view of Dublin society permeates all of his writings. The Irish experiences account for a large portion of Joyce's writings. Stephen Dedalus is sometimes Joyce's pseudonym and represents Joyce and his life in Joyce's works. Joyce plays a crucial role in the modernist movement in literature. Some of the well known innovative techniques used by Joyce are symbolism, realism and stream-of consciousness. James Joyce's writings contain autobiographical matter and display his view of life in Dublin, Ireland with the use of symbolism, realism, and stream-of consciousness.

Talk about starting off with a bang! Most Americans have grown up with the illusion of the old west from movies. Indeed, even before the invention of the television, the Lone Ranger and Tonto were popular on the radio which was later transitioned to the black and white TV screen. Furthermore, the worldwide western hero actor John Wayne brought the images of how the west was won from the savage Indians in several movie productions like “She Wore a Yellow Ribbon” and “The Searchers.” Further, ingrained into our minds are the stories of real American heroes such as the one in the poem “Evolution” where the western soldier was famous for his prowess of killing savage Indians during battles with the United States cavalry. This person was William Cody who was better known as “Buffalo Bill Cody.”

Human beings yearn for better lives, often through escape. The main characters in James Joyce's Dubliners are no exception. Characters such as Eveline in "Eveline" and Little Chandler in "A Little Cloud" have a longing to break free of Dublin's entrapment and pursue their dreams. Nevertheless, these characters never seem to achieve a better state; rather, they are paralyzed and unable to embark on their journey of self-fulfillment. Joyce employs this motif of the empty promise of escape and its subsequent frustration through one's own responsibilities and purely physical acts. Through this, Joyce interconnects the different Dubliners stories to show that escaping life in a place as paralyzing as Dublin is no easy task on the individual.

Kolodny explains that the captivity narrative and Indian War narrative have “long been appreciated by Americanists as an ongoing literary vehicle through which successive generations of Americans played out the symbolic dramas of westward migration” (330). Americans saw their fears of the wilderness conquered in captivity narratives and could then move into the West with their new knowledge. The captivity narrative can serve as a tale of westward expansion because, as Kolodny continues to explain, the captivity narrative represents “the mythopoetic prototype of the white man’s fantasied intimacy with the red...[where] Americans came to displace the Indian with the figure of the Indianized white man as the proper hero of the American wilderness” (330). The Indianized white man holds special knowledge of the wilderness and can straddle both civilization and the wilderness. Though captivity narratives may be somewhat different in their content from the classic Western tale popular while Crane wrote, they share an important figure: the rough frontier hero who understands and controls the land. Jack Potter in depicts the same kind of desire for westward migration as he comes to represent both Eastern and Western culture.

In James Joyce’s short story "Araby," the main character is a young boy who confuses obsession with love. This boy thinks he is in love with a young girl, but all of his thoughts, ideas, and actions show that he is merely obsessed. Throughout this short story, there are many examples that show the boy’s obsession for the girl. There is also evidence that shows the boy does not really understand love or all of the feelings that go along with it.

If one story in Dubliners can be singled out for its overly disturbing qualities, then "Counterparts" would be it. In this story the reader witnesses the misery that people in Dublin pass on to each other and through generations. Joyce introduces us to a character that at first is mildly amusing. Farrington is a working-class man that, like so many others, has to put up with verbal abuse from his boss. At first it is comical to watch him outline his speech he will give to his friends about how he wittily insulted his boss. However, we soon learn that he is a very angry man with rage dangerously building up with no acceptable outlet.

how much would I. As much as a conception of a two-month venture to be

In Dubliners, women are victims indeed. They are victims of home, of the recognized virtues by society, of classes of life, of religious doctrines, and of women themselves. In this essay, we are going to analyze the portrayal of women in Dubliners in terms of the aforementioned aspects, namely home, the recognized virtues by society, classes of life, religious doctrines and women themselves.

From the very beginning of the novel, “A Portrait of the Artist as a young man” by James Joyce we meet Stephen Dedalus. From there, we perceive the world exactly as Stephen perceives it. Through sounds, smells, and sensations we learn everything that Stephen is learning and many times in incredibly specific detail. Stephen's overly sensitive reactions and consistent use of imagery is proof to us that Stephen is "different" and views the world from an artist’s perspective. This uses of imagery and motifs by James Joyce is used to describe how Stephen is able to interpret the world around him. Furthermore, Joyce reveals this through the name of the main character.