Dubois's Symbols In The Souls Of White Folk

Dubois, W.E.B. The Souls of Black Folk. UMDrive. The University of Memphis. N.d. Web. 22 Feb. 2014.

W.E.B. Dubois The great African American intellectual W.E.B. Dubois was born in the post-Civil War era. Being born at this time encouraged him to fight for equal rights for blacks. At this time, blacks were still suppressed very greatly. Dubois, having had lived in an all black community, experienced racism first-hand in the North (Donalson, 558).

3.) According to DuBois, “the problem of the twentieth century is the problem of the color line.” Using several representative examples, consider how American writers (of any color) since the Civil War have addressed this problem.

The Souls of Black Folk by W.E.B Dubois is a influential work in African American literature and is an American classic. In this book Dubois proposes that "the problem of the Twentieth Century is the problem of the color-line." His concepts of life behind the veil of race and the resulting "double-consciousness, this sense of always looking at one's self through the eyes of others," have become touchstones for thinking about race in America. In addition to these lasting concepts, Souls offers an evaluation of the progress of the races and the possibilities for future progress as the nation entered the twentieth century.

The next aspect of double consciousness consists of the rejection of African Americans by white Americans and institutions. Blacks are forced to live in America, but at the same time, are not considered “true” Americans and are separated by the veil that DuBois talks about. DuBois first feels this rejection when a little girl at his school rejected his card for no reason other than his skin color. He asks, “Why did God make me an outcast and a stranger in mine own house?” (Dubois 896). He describes opportunities for blacks as “relentlessly narrow, tall, and unscalable to sons of night” (896) giving the impression that a

Race relations have always been a very controversial topic in this country and still are. In the mid-1900s there were many writers who felt very strongly about how African Americans and white people interacted together. In this paper three individual excerpts by three different authors will be discussed. All three of these authors have different viewpoints because of how they see the world based on their individual life experiences.

Richard Wright and Alain Locke’s critique on Zora Neale Hurston’s novel Their Eyes Were Watching God reveal the common notion held by many of the time, and still today, that there is a right and wrong way for a black person to talk and to act. Wright’s point of view of clearly racially charged and coming from a place of ignorance and intolerance. While, Locke’s point is simply due to a lack of an ability to think out of the box and observe deeper meaning, perhaps due to internalized oppression and a fearful desire to talk and act just like a white man in order to be taken seriously. Wright’s argument that the novel has no central theme and is parallel to minstrel shows, and Locke’s belief that Hurston uses relatable language to avoid diving into mature writing, are inherently wrong and fueled by the very issues Hurston was trying to combat: racism and sexism.

DuBois’ double-consciousness is quite simply the twoness of American Negroes. It is this sense of “always looking at one’s self through the

One of the primary differences between DuBois and Washington was in the ways they believed equality would be achieved. DuBois believed that political change was the first step in achieving equality. If the black populous worked on economy only then they would perpetuate the stereotypes that white people place upon them. By accepting racist and prejudicial viewpoints, the African American communities were affirming their inferiority to the white majority. Only through political equality, for example the right to vote, could men enact any real or meaningful social and

William Edward Burkhardt DuBois, whom we all know as W.E.B. DuBois; was a novelist, public speaker, poet, editor, author, leader, teacher, scholar, and romantic. He graduated from high school at the age of 16, and was selected as the valedictorian, being that he was the only black in his graduating class of 12. He was orphaned shortly after his graduation and was forced to fund his own college education. He was a pioneer in black political thoughts and known by many as a main figure in the history of African-American politics. W.E.B. DuBois attended Fisk University, where he was awarded a scholarship after he graduated high school. Fisk University was located in Nashville, Tennessee. While attending this University, this is where he saw

This passage from Dubois sets up the experience in Citizen, explaining the sensation of being judged and viewed by yourself and by society around you. To Dubois, the life of the ‘negro’ is lived in duality between being black (or negro, as Dubois says) and being American. The key implication from this described duality is the separation in identity between being ‘negro’ and being ‘American’. The same

The Crisis was a magazine that W.E.B DuBois created in 1910 and it was also the official magazine of the NAACP. DuBois was not only the founder of this magazine, but he was also the editor. The targeted audience of this magazine was the African American community. At this point in time a magazine that was ran by Black people and for Black people was unheard of. The purpose of this magazine was to shine light on who and what the Black community was, to create an outlet where Black scholars could share their work, and it was a source where Black people could get useful information (the information was tailored to the Black community’s needs) from trusted sources. The magazine became very influential, at its peak the magazine had 100,000 readers

Through his work, “Of Our Spiritual Strivings,” W.E.B. Dubois takes the reader on a journey through the typical black man’s eyes. He creates a new meaning of the African American man as he shares personal experiences and stories of the past alike. He plays upon the heart strings of every reader, no matter the race, with his literary knowledge of words, use of pathos, and stories of his past experience to pull in emotional ties to his work. The application of dualism allows the reader, who is most commonly white men, to choose a side to sympathize with, for Dubois gives the sense of double consciousness as the African and the American throughout his entire work.

WEB Du Bois provides a counter argument to the belief in the American dream, however. He argues that “when sticks and stones and beasts form the sole environment of a people, their attitude is largely one of determined opposition to and conquest of individuals” (541). Du Bois is arguing that men become oppressed because of an innate attitude that men possess, that in fact it is not their qualifications that determine whether or not they are successful, rather it is based on the preconceived

The narrator experiences all the power that white structure holds when he goes into the Liberty Paints factory. It is said that the most popular paint color, Optic White, is manufactured at Liberty Paints and that their paint is well known for painting national monuments. Optic White is made to be “so white you can paint a chunka coal and you’d have to crack it open with a sledge hammer to prove it wasn’t white clear through” (217). Similarly like the white blindfold, the Optic White symbolizes the white power structure. The paint is able to cover any flaws just like the white men as they try to condone the black men and prevent them from progressing. The narrator learns from Kimbro that the white paint is made by dropping ten drops of black graduate.