Dude Soup Analysis Essay

Representation refers to the construction of media languages which are used to portray a particular type of filmic world to an audience (slide). This essay shall outline different treatments of filmmaking used to establish certain societal groups from the critically acclaim superhero film The Dark Knight (2008) directed by Christopher Nolan. This sequel film follows Batman, with help from Lieutenant James Gordon, and new district attorney Harvey Dent eradicating crime from Gotham city until a crazy mastermind criminal, the Joker appears in Gotham, creating chaos. The first paragraph introduces the stereotypical representation of masculinity in superhero film through the aspects of mise-en-scene and acting of the male protagonist. Storyline and mise-en-scene help establish the representation of pretty, leading- female characters that semi-disrupts the damsel in distress stereotype. Before lastly describing the representation of menacing villains through cinematography decisions, sound and an actor’s performance.

In the anonymously written article “Soup,” the writer illustrates how Albert Yeganeh, the owner and chef of a soup restaurant, dedicates his life to soup and runs his successful business in an unusual strict way. Through the writer’s observational representation of the restaurant and procedures of the restaurant mentioned in the article, the vision of Albert Yeganeh being a successful soup perfectionist with a strong and stern personality is shown clearly.

The fourth interpersonal communication that was used throughout the movie is listening. There is a contrast between simply tuning in and hearing what others are stating. “Listening is making sense of others spoken messages.” (Adler & Rodman, 2015) In any case, listening isn't generally

The portrayal of superheroes in films has changed in terms of their character, appearance, style and strength. Superheroes has been a popular theme in hollywood films since its inception. They are what peoples imagination can only think of. A perfect human being who saves the world .The first time superhero appeared on T.V was “The Adventures of Captain Marvel” in 1941. Superheroes was on the rise within popular comic books in 1930′s to the 1940’s as well in which they were considered the ‘Golden Age of Comic Books’ . Comic books became widespread and popular which translated into making films about them.

The presence of media is prevalent in our technology savvy lives. Yet with inequality shown in media, we are constantly bombarded with sexist concepts. This issue was specifically exemplified in the movie “The Avengers” where a bunch of superheroes get together to collectively defeat an enemy.

In a society dominated by male superheroes, it is not that often that a female character is able to step forward and defend the world. There have been quite a few female superheroes throughout the ages of popular culture, including the Canadian Marvel super-heroine, Aurora ("Marvel"), and DC Comic's character, Black Canary (Kanigher, and Infantino). Yet for every one female superhero that is encountered, there are at least a dozen more male superheroes to stand around—and often in front of—her. Even more frustratingly, the female superheroes are often merely there to be the gendered counterpart to the much more powerful, dominant male superheroes. There have been few women who have stood out as being independent, admirable sources of

Throughout the world women are depicted to be oversexualized among forms of media such as video games and comic books. The idea of oversexualization towards female characters is that they have been often drawn and animated in hypersexual ways. Even going as far as viewing them as a sex object, their revealing body images are eye candy through the eyes of men. Hence women found in comic books and video games are frequently emphasized by their excessive physical appearances, objectification, portrayal, and character role.

It only takes a second to attach a strong feeling or idea to a character in a movie, advertisement, or video game. Many characterization used are based on the assumed stereotypes, and are usually one-dimensional characters. Typically, these characterizations usually come from inherited family values, education, and the media. While stereotypes existed long before mass media, the media machine certainly helped to accelerate the cultural growth of all kinds of stereotypes. It is beyond this paper to answer why magazines employ these gender stereotypes, instead this research is designed to analyze

In the long legacy of DC comics there are two female archetypes who couldn 't be more different: one is a paragon of virtue and one is a psychopath. One has an abusive relationship with an insane criminal that defines her identity; the other encourages women and girls to fight for their independence. One has decades of historical canon and an inception full of purpose; the other was meant to be a one-off and a short amusement in a kids ' cartoon, but exploded into a phenomenon. Despite their many differences, they are both beloved the world over. They hold constant interest for fans over the years and, for many women, both mark milestones of feminism. To understand this phenomenon more we will take a closer look at the characters of

Since the beginning of cinema, there has been an ongoing issue in regards to the representation of women, or in fact, the lack of representation that is authentic to real women. Women have often been reduced to token roles and sexualised for the benefit of the male gaze, thus this turbulent relationship between women and cinema was born. To this day we still have a long way to go, however, the representation of women has evolved significantly due to factors such as; the wave of feminism, changing of ideologies, and subverting hegemonic norms. In the majority of mainstream Hollywood films, we are introduced to the media-induced idea of the 'perfect woman '; beautiful, white, and thin. This is for the benefit of a presumed male audience; and despite there being a handful of rogue female heroines who subvert this idea, this idealized portrayal of women is the overwhelming consensus in most Hollywood films and forms of media we consume. Comic books have also frequently been criticized for this, as they have been guilty of consistently sexualising the female form and catering specifically to a male audience. However in recent years an influx of new heroin 's and the evolving of old characters has helped tackle this issue. The representation of women in comic books has seen steady progress, and most of the original superheroines were created during the 40s and 50s. This is a reflection of the time period they were made, and offers an insight into the ideologies of the time.

All media, including children’s media, is telling of society’s attitudes at the time. The attitudes towards gender that manifest through female villains in children’s cartoons are what will be examined in this analysis. In text A, the trope of the female villain (Sedusa) as a lying ‘seductress’ is explored. Text B shows how the female villain Femme Fatale is portrayed as confrontational, aggressive and ‘man-hating’. Text C concerns the teenage villain Camille Leon, who is depicted as a spoiled, shallow and materialistic ‘Valley Girl’ stereotype. All of these villains are represented as having unfavourable attributes that have been unfairly ascribed to women, or attributes that are considered ‘undesirable’ in a woman– dishonest, deceitful, fake,

When two people engage in a discussion, voices remain calm. Each person hears the other person out. A dialogue of communication takes place.

I have decided to introduce the issue of the male gaze in media. Male gaze being where everything is done for the pleasure of male viewers (Mulvey, 1975) . This means that often women are sexually objectified in the media. This issue is important because it affects how women view themselves. They are being looked at while the men are doing the looking. Women view themselves as objects because that is how they are portrayed in the media. Another reason why this issue is important is because it creates unrealistic goals for little girls. Little girls should be empowered but they are not. A third reason why this issue is important is because the male gaze is everywhere. This is a serious problem because it happens in films, tv shows, halftime Super Bowl commercials, regular tv commercials, and basically anything that is media related. All these reasons just cause women to view themselves in a negative way. They know they cannot reach these unrealistic goals. The two changes that need to be made in order to fix this issue is to allow more women in the filming industry and for males to stop depicting everything for male viewers when female viewers exist too. Women should be encouraged to direct movies or tv shows. This is why Wonder Woman became so popular. The director was a female and did not give the male gaze. Women and little girls were refreshed to not see another superhero movie through the male gaze. Women should be encouraged to conquer male dominated

Although superhero movies have become some of the most popular and successful movie instalments of the 21st century most of these movies have been about men and focused on their trials and triumphs while also creating and perpetrating negative stereotypes of women. The female superhero movie falls into one of three categories: the victim, the tomboy and the bombshell. In the first category the victim constantly finds herself at the centre of trouble and requires the main man in the movie to swoop in and save her, she is a passive and weak character. The bombshell tends to be highly sexualised, wearing tight clothes and

A perfect microcosm of how gender is treated in the genre was the way Batman and The Joker in graphic novels were reshaped by changing demands of masculinity. In the 1980’s two graphic