Duomo Of Alasko Research Paper

In the early Renaissance era Florence and Siena were rivals in many aspects. The Battle of Montaperti was fought between the two in September of 1260. After their triumph over Florence, Siena used the monetary winnings for the building of the Palazzo Pubblico to serve the city in governmental, spiritual and social needs; it was comparable to the basilicas in ancient Rome in this aspect. The Palazzo Pubblico (fig. 1) was also made to compete with Florence’s already constructed Palazzo della Signoria1 (fig. 2). The city also focused the new funds on the elaboration of the cathedral interior (fig. 3). In 1308, Duccio di Buoninsegna was hired for this reason. Duccio completed the requested polyptych, or multipaneled, altarpiece three years

The authors aims were to educate the reader upon the history of the Dome and to show how it was built, why it was an amazing feat, and why Filippo was an ingenious architecture. King achieved his aims very well. Through out the book, he expressed the importance of Filippo and everything that he did. King tells about how Filippo built and designed the Dome. He supported the claim that Filippo was before his time, and that no one could duplicate his work; “A proud Florentine, Michelangelo claimed that he could equal it, Filippo’s dome but never surprises it. In fact, he did not even equal it…” (Page 163)

Sitting right in the middle of Italy, in the small town of Assisi, sits one of the most grand and beautiful churches to ever have been built. Breaking ground in 1228, architect Maestro Jacopo Tedesco was set to design and build a masterpiece that would represent the life of Saint Francis but also house the remains of the one of the most important figures within Catholicism. Brother Elias, being one of Saint Francis’s trusted followers was put in charge of overseeing the construction by the Pope. He also helped with the overall look and design of the church mainly emphasizing on the lower basilica. The church was built on two levels. First being the lower basilica. This would act as a crypt or tomb that would house the remains of Saint Francis.

To the average person, Michelangelo 's Sistine Ceiling is renowned for its grandeur, its dense scenes, but especially its iconic Creation of Adam. After all, Vasari described Michelangelo’s Adam as a “figure whose beauty, pose, and contours are of such a quality that he seems newly created by his Supreme and First Creator rather than by the brush and design of a mere mortal” (Varghese 191-192). And while this is true, while the attention-drawing Creation of Adam is immortally beautiful and the Sistine Ceiling has unforgettable grandeur and density, an extremely fascinating section of the Ceiling lies adjacent to the Creation of Adam, and thus is

Florence is home to many wonderful painters and artists during the renaissance. The one who did the ceiling of the cathedral that is shown is Giorgio Vasari. he was a renaissance painter, architect, and author. This artifact shows how extravagant they had gotten with their art, using perspective, shading and the influences of humanism to paint. This shows the true art of this time period.

The structure, approved and paid for by the city council, was a feat of amazing architecture on the part of Fillippo Brunelleschi. This was the largest dome created in that time and it was Brunelleschi’s ingenious design that won the commission against Ghiberti and other artists. The Church’s possession of grand cathedrals like this one served to demonstrate to the people the greatness of the faith and the power of God. There was a religious aspect to the construction of the immense cathedrals and basilicas; the people were paying homage to their god and constructing churches they felt were worthy for him. However, it was also somewhat political, as the grandeur of the churches was displayed to all the people in the city. No one could question the Catholic church’s might and colossal influence after viewing a cathedral such as the

In the fifteenth-century, the evolution of patronage begin, since power, and money influenced the creation of great artworks. One hand it flourished the Italian architectural collections other hand, notable designers as Brunelleschi, and Donatello designed and experimented with their creations. For example, Brunelleschi creation for the Medici family, which known as the Dome of Florence Cathedral (Fig 12-12). As it has been mentioned in the book he was the founder of the dome and it was one of the Gothic inspired and cost effective creation from that time period. Artist Donatello also made a contribution in the art world in a fascinating way since his work was inspired by as it has been mentioned in the book by the classical forms which

The detail effectively illustrates and emphasizes the storytelling components of the decoration, the sculpture, and the ornateness of the interior space, something not possible for a less detail oriented medium. The detail of the architecture shows the superiority of the building compared to other structures in Rome, and the value placed on honoring Saint Paul. The storytelling artwork and portraiture which leads to the grand portrait of Jesus Christ is also a component of the interior space which the medium allowed to shine through, further informing the viewer on the purpose of the structure. The detail in the artwork expresses its importance in the church’s service to a society of extremely low literacy rates to teach religious stories and values. The selection of etching as a medium is essential to conveying these aspects of the architecture’s role and how the viewer perceives the function of the

Peter’s Basilica are architecturally different, yet they both unite those people who put their faith in the Catholic Church and into the hands of God by using these structures as propaganda. St. Peter’s Basilica is an excellent representation of Baroque and Renaissance style art and architecture due to the time period that construction began for this magnificent building. Gaudi’s La Sagrada Familia is unique even for other basilicas and cathedrals built in the Gothic style. He brings together new ways of architecture and construction that make La Sagrada Familia such an interesting and outstanding structure years before its completion. However, despite the differences in appearance between St. Peter’s Basilica and La Sagrada Familia, they both share similarities that tell the story of Catholicism and bring visitors from different backgrounds and religions to one meeting

Brunelleschi’s Dome is a great specimen of architecture created by the architect Brunelleschi. This building has a great bit of detail contributed to it which signifies its importance to the Renaissance. This building covers the Florence Cathedral and was the biggest dome in the world at that time.

My research on Brunelleschi’s design of the dome taught me a great deal about science. For a long time there was a problem in Florence being that the monumental dome had no perceptible shape. This motivated Brunelleschi to find a solution and re-invent architecture. Through his construction of the cathedral, Brunelleschi introduced new methods for building, as well as a new take on adequate building materials. However, as new and inventive as Brunelleschi’s work is, it was made possible through the previous work and discoveries of others. For instance, the type of stone used in part of the construction resulted from the excavation of macigno sandstone; a stone that had been mined by the work of others long before Brunelleschi. Additionally,

The Duomo in Florence, otherwise known as the Cattedrale de Santa Maria del Flore, is one of Italy’s most celebrated works of art. “The Cathedral of Santa Maria del Fiore was the major church in Florence in the Renaissance period, but it was a building which was largely built in the fourteenth century (thus pre-dating the Renaissance).  The origins go back to the Middle Ages, when Italian cities competed to build larger and greater cathedrals.” (Italian renaissance). “It was dedicated to Santa Maria del Fiore, the Virgin of the Flower, in 1412, a clear allusion to the lily, the symbol of the city of Florence.” (museum of Florence).

Finding a solution to build an artistic roof that would fully cover the interior, and keep the outdoor elements from entering, instead of having a massive whole in their cathedrals was the motivation that led to Brunelleschi’s invention of the dome that is used on a few cathedrals in Florence.

In this essay two special and beautiful buildings will be mentioned. The buildings are the Basilica of Saint-Sernin and the Basilica of Saint-Denis. Both of these Basilicas have their own history and not many people know what the difference is between a basilica and a regular church. A Basilica is basically a church building that has been accorded special privileges by the pope.

First, we visit St. Peter’s Basilica and Adjoining Piazza in Rome. The beautiful structure still used today, initially was brought to fruition by Donato Bramante as a temple shaped like a Greek cross. Quickly Pope Paul V rejected the design, deeming the Greek cross to be pagan-like. He commissioned Carlo Maderno to make some changes to the floor plan, adjusting the look into a Latin cross. The florid baroque styles are seen entering the Apse and Alter, which “symbolized the power and richness of the church” (392). The sculptures throughout, specifically in the Apse, are dramatic and real, shunning classical styles.