Dylan And Mos Def's Music Analysis

Every true story ends in death… and this is a true story. Gale sayers is a very good football player, but not very many people know about his backup Brian Piccolo. Brian is a very shy and outgoing man, he will not stop even when he wants to. Gale sayers is a shy man, he does not talk very much, unless it is to brian. The story Brian's Song is about a white and black football player as friends, going through the thick and thin, the ups and downs, and when you just need each other.

Bob Dylan's song, "The Hurricane" is a story communicated through song. It is a tribute

McBride begins the essay by telling the readers of his nightmare. He once feared that his daughter would arrive home one day with a stereotyped rapper husband with “ mouthful of gold teeth, a do-rag on his head… and a thug attitude” (McBride 1). He came to realize that he in fact, hip-hop, a genre that he once didn’t believe was music, had become one of the most known genres in the world. The speaker first heard his first rap song at a college party in Harlem in 1980. The jazz lover he was, cringed at the rap music he claimed to be so poorly thought out and written. For the next 26 years of his life, he went out of his way to avoid hip-hop music all together, as if It was never there in the first place.

Long before the 90s, race and ethnicity have been a controversial issue all over the world, particularly in the United States. In sociology, the concepts of race and ethnicity is connected to the concept of minority and majority groups, with the social structures of stratification, power, and of course inequality. Race is a term that describes the physical differences that are considered socially critical to cultures and groups, while ethnicity is a term that describes the shared culture, like beliefs, language, practices, and ancestry. Agitation for equality has been seen in the music world, particularly among the blacks in the United States, the majority of black musical artistes have written songs relating to how black lives matter. This paper will analyze an old rap lyrics of the 90s titled as “Erase Racism” in relation to race and ethnicity.

While it is widely rumored that many of Bob Dylan’s songs were written while he was under the influence of various drugs, I’m not so sure that those rumors are accurate. Following a 1991 interview conducted by Paul Zollo with Bob Dylan, Zollo stated that “There’s an unmistakable elegance in Dylan’s words, an almost biblical beauty” and that “Dylan’s answers give you a lot to think about while not necessarily revealing much about the man”. (Zollo 2) The same can be said with regard to many of the lyrics of Dylan’s songs. The lyrics to “Mr. Tambourine Man”, for example, are wildly descriptive and sometimes confusing and can leave a listener (or a reader) open to many different interpretations, some more complex than others, with no real meaning ever being clearly stated.

At only 22, he was crowned the voice of a generation. His audiences became mesmerized with his expressive lyrics and soulful harmonica. He changed the way the world looks at songwriting and protest, and inspired countless future musicians from the moment he stepped up on the stage in his railroad hat, denim jacket, and harmonica brace. However, it is clear that there is so much more behind Bob Dylan than just a rough voice and a collection of poetic songs. As one man said about Dylan’s early days in Greenwich Village, “There’s a quality of determination and of will that some people have that when they’re doing something, they’re really doing it and you

Arguably one of the most powerful of Dylan’s social issue charged song is The Death of Emmet Till, a young black man who was unrightfully killed by the Ku Klux Klan. By 1963, Dylan and his on and off lover Joan Baez were both very well known in the civil rights movement. Baez and Dylan would sing together at rallies including the famous March on Washington. Dylan was on stage with Martin Luther King Jr. when his gave his infamous I Have a Dream speech. Though Dylan sang of American injustices, he was never incredibly interested in politics and he was ultimately frustrated by people defining him solely as a protest singer. Dylan’s frustrations with the unsought political branding are expressed in It Ain’t Me Babe, which “appears to be a song about rejected love, [it] was actually his rejection of the role his reputation and fans had thrown on him” (Carlson).

Kish explains the direct influence the musical genre of bounce served during Hurricane Katrina disaster relief, but before she even mentioned bounce, she thoroughly explained how music served as a form of disaster relief in previous years. Kish's ability to connect the past to the presents allows the reader to get a better visual and understanding of what is going on during the time period. Kish smoothly transitions into analyzing the influence of mainstream hip-hop in during the time of relief in New

Adversity sometimes gives rise to greatness. The day-in, day-out struggle of scratching an existence out of the hood can instill in one an aspiration to conquer the highest peaks. America's most poverty-stricken slums and crime-ridden inner cities have birthed some of the greatest visionary talent the music industry has ever seen. Those who struggle to make it out seldom succeed, but the ones with the will to do so possess a certain spark that drives them to unimaginable heights.

Many people find identity in their culture, art and literature. Both in Maya Angelou’s “Africa” and Mos Def’s “Hip-Hop” both have themes of identity and exploitation. Both show that the black experience in the Americas and mostly all over the world is based on being the one’s who are exploited. Both poems have to do with one’s identity or autonomy being stolen from them. They do differ when it comes to the genre and the context but they do share the themes of identity and exploitation. Angelou in her poem uses the examples of the slave trade and using a women to convey two different means of exploitation. Her poem can even connect towards today, where Africa is still being exploited for its natural resources. Def’s song has to do with mainly a commentary of hip-hop as a genre and a culture. This song jam packs a myriad of subject matters such as history, progression, warnings, friendship, perfection, and identity. Def in a song that should seem like a celebration for hip-hop, instead criticizes it for it’s exploitive nature. In both poems you could get to hear the voice of the exploited.

He speaks with such emphasis when delivering these raps, leaving no doubt as to the purpose or meaning of his lyrics. Throughout both verses, Mos Def pulls no punches while speaking about pertinent issues in modern urban society. Things such as drug use, police behavior, and government spending are critiqued with an almost confrontational vocal tone, as if his experiences and opinions have formed and anger about the current direction our society is headed in. Mos Def’s rapping about socioeconomic problems are very controversial, because some people have not been exposed to the things that he raps about and thus may not understand (Perry). However, he raps them so confidently and with such stress that no one can deny how strongly he feels about the subject matter. Similar to the beat of “Mathematics”, Mos Def’s lyrics also bring about a sense of conflict. His flow is certainly not structured perfectly- as the pace speeds up and his words become more serious and pronounced as the song progresses. This was done intentionally to give the piece its harsh tone and send a clear challenge to its listeners- to stop sending society in the wrong

Not very many songs compare to Bob Dylan's timeless "Like A Rolling Stone". He explores areas that most conventional lyricists and composers do not touch. Bob tells us many of life's lessons in a mere six minutes and nine seconds. The divine Bob describes life before and after the fall from fame and fortune by telling the stories of multiple persons, speaking to them in conversation. The theme of this song is loss, whether is it loss of social status, money, or trust for humanity.

In my opinion, Kendrick Lamar, an award-winning rapper and songwriter, has one of the best abilities to describe his distressed and abused lifestyle in Compton, California. He is not your original cliché artist who does not speak about anything meaningful. Kendrick, also known as K. Dot, is one of the most well known and most respected rappers in this era. Not only does he speak about his gloomy past, but he also speaks about his fortunate future. His ability to give detailed representations of his struggles and his story telling allows me to, metaphorically, enter the mind of Kendrick Lamar.

Jamaican DJ's (DJ Kool Herc has been credited as the first) mixed sounds from several turntables, devices that would become a rap trademark. Although mixing from large sounds systems began to be employed at New York house parties in the 1970s, it didn't really emerge as a recorded sound until the Sugarhill Gang's "Rapper's Delight" in 1979. While many critics and listeners shrugged the song aside as a fluke novelty hit, the early rap sound--usually composed of slangy, boastful spoken rhymes over basic bass and percussion grooves--continued to spread in the early '80s, due in large part to the efforts of the Sugarhill label itself. Grandmaster Flash's hard-hitting 1982 single, "The Message," really stands as rap's watershed mark, with a massive impact belied by its relatively modest peak on the pop charts. No longer could rap be ignored as a frivolous microgenre; here was straight up social commentary, reporting from the front lines of the ghetto with more immediacy than almost any newspaper or television broadcast.

“The Beatles shift towards more introspective songwriting in the 60’s would never have happened without him” [V.Bogdanov, 2002]. Artists such as John Lennon, Paul McCartney, Neil Young, Bruce Springsteen, David Bowie, Patti Smith, Joni Mitchell and Tom Waits all acknowledge the profound impact Dylan had on the industry and themselves as artists. “Bob Dylan, I'll never be Bob Dylan. He's the master. If I'd like to be anyone, it's him. And he's a great writer, true to his music and done what he feels is the right thing to do for years and years and years. He's great. He's the one I look to”. [Neil Young, 2005]. Dylan encapsulated a generations hunger for change, challenged the social and political status quo but interestingly seemingly rejected this status after receiving the ‘Tom Paine Award’ from the National Emergency and Civil Liberties Committee he drunkenly questioned the role of the committee and claimed to see something of himself and everyone in JFK’s alleged assassin Lee Harvey Oswald [Andrew Loog Olham, 2005]. In 1965 The Byrds cover of his song Mr. Tambourine Man helped to propel not only The Byrds to super stardom but established the folk rock genre. [V.Bogdanov, 2002]. His verbal sophistication drew comparison to the romantic poets and much literary criticism artists still strive to attain today. His launch of Theme Time Radio Hour for XM Satellite Radio helped him to establish