Essay on Earlier Works of Titian

Tiziano Vecellio, better known as Titian, was the greatest Venetian artist of the sixteenth century, ultimately achieving global fame. He is famous above all for his incredible use of color and an amazing portraitist; his painterly method was highly influential well into the seventeenth century. Titian also was an important artist of the Italian Renaissance who painted works for Pope Paul III, King Philip II of Spain and Holy Roman Emperor Charles V. Titian developed as an artist in Venice as an apprentice in his teens. He was mentored by Sebastiano Zuccato, Giovanni Bellini, and Giorgione before adventuring out on his own. They were influential for his tonal style to painting and for his landscape smartness, which was impressive and reminiscent.

Italy can be looked at as the home of the renaissance and consequently the immergence of great art. Artists such as Michelangelo, Botticelli, Da Vinci, and Raphael are some of the greats and are looked at for standards. But what about the artists whose lives are mysteries, and their works that were influenced by the greats? These artists hold just as much importance in the history of art as do the artist’s whose names can be recalled off the top of an average person’s head. During the sixteenth century things began to change in the art world, and that change was the Baroque. This new style of art brought a revolution to how subject matter was painted, it brought upon “… a radical reconsideration of art and its purposes…” (249) and how artists of all ranks could learn to paint the up and coming style of Baroque.

Titian was a painter who painted famous paintings of religious beliefs such as “Sacred and Profane Love” and “Venus of Urbino” which were lost in fire but are safe on the internet. Titian trained under two other seminal Venetian artists, Giovanni Bellini (active by 1459, died 1516) and

Michelangelo Merisi da Caravaggio better known as simply Caravaggio was an Italian Baroque master painter born in Italy around 1571. After he apprenticed with a painter in Milan, he moved to Rome, where he lived for most of his life. His work influenced painters around Europe. He’s most known for his gruesome subjects and use of Tenebrism, which was a technique that used heavy shadow to

At the time the Titian’s of Urbino, was debuted in 1953, the artist Titian was a renowned Italian artist he created paintings of controversy yet they were not a big deal to many people. Titian who based his painting off of Giorgione’s painting “Sleeping Venus”. In “Sleeping Venus”, Giorgione painting featured a young nude woman asleep in nature. The painting represented the balance between what beauty and harmony was showing the young lady sleeping with a goddess like stature. Titian, who basically copy Giorgione idea revamped the idea of the “Sleeping Venus. This time we see a young woman in her bedroom, while she is nude reclining on a couch, Titian painted his form of Venus not be sleep but relaxing and gazing at the viewers in the

Tiziano Vecellio, also documented, as Titian was an Italian painter. He was born sometime around 1470-1480, his exact date of birth is unclear and he died of a fever during the plague around 1576. Titian was one of the furthermost adaptable Italian painters during the High Renaissance. Titian was equally proficient with portraits, landscape backgrounds and mythological and religious subjects. Consequently, Titian was one of the furthermost important members of the sixteenth century Venetian school and he is still an overwhelming influence on the art world. Often times, Titian is described as the first artist to have an international career. Titian’s painting career was prosperous from the start but over the course of this prolonged life, his style changed drastically and he retained a permanent interest in color, which is well defined in his painting Venus of Urbino.

As he describes his reasoning for delineating art history in three volumes, he states that for “painting and sculpture of former times, they must have developed on such similar lines that the that the history of one could stand for the history of the other with only a change in their names” (85). As he draws comparisons and explains why this assertion makes sense, he dismisses early Greek classical art as low quality and undeveloped. In doing so, he continues to equate it with the first period of Renaissance art, but lacks the warmth and context he gives artists like Giotto. While early Greek sculptures are simply described as “hard and lifeless,” Vasari notes that first period Renaissance art contains “glimmerings of excellence” (85, 89). Possibly due to a type of cultural shame, he needs to reinforce how much praise this art deserves in its innovation and struggle against outdated

The Italian master was born in 1477 in Pieve di Cadore, Italy and died August 27, 1576, in Venice, Italy. According to the Encyclopedia of World Biography (EWB) he was either born in 1477 or in 1488 (both dates are given). Reportedly Titian (Tiziano Vecellio was his full name) began studying painting at the age of 9; he and his brother initially were learning in the workshop of mosaic artist Sebastiano Zuccati, but soon Titian had the opportunity study painting with Giovanni Ballini (EWB). Soon thereafter Titian collaborated with Ballini's brother Giorgione; the two worked on frescoes for the German Merchants' Exchange. It is said that the work of Titian and Giorgione was so similar that it was hard to tell them apart.

For any wealthy person living in the Italian Renaissance who wishes to commission a work of sculpture, there can be no other choice to consider other than Michelangelo Buonarotti (1475-1564). The Florentine is truly the embodiment of the term “Renaissance Man” insofar that he distinguished himself as a painter, architect, poet, and engineer, but his greatest distinction, as he thought of himself, is as a sculptor.

Notwithstanding anyone specific expertise or knowledge of painting technique, each of us can quantify beauty as it relates to art in our own minds. We can see the growth of art and how it provokes emotion, understanding, and experimentation over time. Over the course of time, it appears that art, artist, and the lovers of the various periods of art seem to move beyond a name or basic aesthetics of style and venture into a deeper more comparative analysis of the work and its position in our culture.

Renaissance painter Titian lived and painted for nearly a century. This Venetian painter had a very interesting life, stylistic period, and achievements. Titian's painting style had a three phases. The first was marked by a strong influence of his art teachers, Giovanni and Giorgione, as seen in his painting "Sacred and Profane Love." During the second phase (1518-1550), he had a full development of dramatic Renaissance painting. Titian achieved a greater color goal than really any other painter known at the time. He also showed more joy in his paintings. During the final phase, there was an emotion bloom in his painting. He started to show a lot more emotion in his paintings than

Specific characteristics that are commonly associated with this painter’s style is that he tends to use luminous colors, mannerism, dynamic tension. His technique focuses on oil on canvas, perspective (atmospheric and linear), and chiaroscuro. As seen in this artwork, this would gravitate towards classical allegory because of the presence of Bacchus. His use of luminous colors from the artwork can be seen such as the blues, reds, pinks, and greens. There is atmospheric perspective seen on the horizon on the right side of Ariadne and there’s a sense of depth being illustrated on the background. There is also a sense of dynamic tension seen between bacchus on the right

Giorgione made art with elements of mood, mystery, large figurative compositions and nude women. He also often made paintings with a religious bias. Titian, on the other hand, was one of the most versatile of Italian painters. He made portraits, landscape paintings, religious paintings and incorporated nude women like Giorgione did. Titian and Giorgione both founded a distinctive Venetian school of Italian Renaissance painting and were extremely influential Italian painters; So, it is logical that Girolamo di Romano was inspired by them.

His organization of art into a series of lives has portrayed each figure as contributing to this crescendo towards absolute excellence. Therefore, although there are flaws in documentation, written in a very biased voice, and great exaggeration in the account of Botticelli’s life in Giorgio Vasari’s Lives of an artist, Vasari effectively uses the documentation of Botticelli’s life to play a role in the overall programme of the text.

Titian style can be recognizable through his works for his unique without focus of the outlines and depending more towards highlights of colors. This was the outcome from the influence from living between Mannerism and Baroque era. During the beginning of Titian career, he was an apprentice with a few famous painters before him. Some include Gentile and Giovanni Bellini in Venice, eventually partnered with Giorgione for the majority for the first few years. Until, their partnership cut short when Giorgione died in 1511.One of Titians surviving fresco, Fondaco dei Tedechi, only work that was recorded to be collaborated with Giorgione. After the death of his partner, Titian continues to paint masterworks until 1576 from a fever. Very few drawings were from Titian, however he dominated control of color in oil paintings. The biggest influences in Titian pieces are driven to neither religious nor mythological.