Early Romanticism In Washington Irving's The Legend Of Sleepy Hollow

Unlike “The Tell-Tale Heart”, ‘The Legend of Sleepy Hollow’ plot is built around the main theme of superstition. Ichabod tends to be horrified and terrified with the Headless horseman stories. ‘Irving depicts a strong, controversial understanding between the supernatural superstitions the townspeople believed and the natural Sleepy Hollow setting ‘(Hoffman, 425). Despite the story describing in details the natural setting such as trees and birds of the area, there is also a vibrant understanding of privileging supernatural ideas. For instance, Irving believes that it is simply Brom Bones in disguise when finally, the headless horseman appeared.

Washington Irving’s, the author of the story “The Legend of Sleepy Hollow”, uses imagery throughout the story to interpret the setting and mood of the story. At the beginning of the story, Erving uses suspenseful imagery to describe the location of the valley that he lives in as one of the quietest places on earth . He ackno in the story “Not far from this village, perhaps about two miles down the road, there is a little valley or lap of land among the hills, which is one of the quietest places in the world.” The main character Ichabod Crane is a school teacher, Erving the author uses imagery in such a way to give the readers the full effect of what his classroom looks like. “His schoolhouse was a low building of one large room, rudely constructed of logs; the windows partly glazed, and partly patched with leaves of old copybooks,” he says this in such a way that the reader can imagine the school room as if they were there and it adds suspense to the rest of the story. Washington Irving set the mood of thrilling suspense and the spooky setting of a quiet town by using imagery throughout his story of “The Legend of Sleepy Hollow”.

The Legend of Sleepy Hollow, written by Washington Irving, fits nicely into the Romanticism period due to its eloquent descriptions and detail to the nature around the village, the attention and focus on the main character and the addition of ghost stories and superstitions. These pieces come together to build a story of conflict and adventure. To further describe how all of the pieces fit together, we must first begin with the author. Washington Irving, born in 1783, was a well-traveled and well-educated young man. He dabbled in the areas of law, family business and even a diplomat for Spain but found the most success in his writing. Irving was considered the first author to write American Short Stories (Irving Biography). The two he is most well-known for is Rip Van Winkle and The Legend of Sleepy Hollow. The Legend of Sleepy Hollow was written in 1819, contains elements from light romanticism and humor (Dincer 219). The piece is about a young man by the name of Ichabod Crane whom tries to win the heart of a young lady by the name of Katrina Van Tassel. This story takes place in a small rural

“The Legend of Sleepy Hollow” is short story of speculative fiction written by Washington Irving, published in 1820. It follows the journey of Ichabod Crane and Brom Bones in their attempt to win over Katrina Van Tassel. Many adaptions have been made of Irving’s original story with one of the most known being “Sleepy Hollow” a 1999 American horror film directed by Tim Burton. The movie follows a different but similar plot to the original story with the murders of the headless horseman being the main focus of the movie. In both versions it can be clearly seen how the setting has a huge impact on all aspects of the book and film particularly the themes, values and characterisation.

In the story, Brom Bones, although he is not the main character of the story, represents more of the American Romantic hero than Ichabod Crane. Brom Bones demonstrates this role as a hero since he is physically fit and innocent in mind since he is not formally educated. The American Romantics valued people that did not have a formal education and were pure in mind. Conversely, Ichabod Crane demonstrates many values that were not cherished by the American Romantics. Ichabod Crane was a teacher and had a higher education that the American Romantics appreciated. He also did not have a higher purpose that he believed in, and was not innocent. This lack of innocence can be seen with the maxim Ichabod believed in, “spare the rod and spoil the child” (Irving, “The Legend of Sleepy Hollow”). This quote focuses on his teaching style, where he was not a gentle person to children, but rather a harsh teacher. Moreover, he would go to live in the homes of the students “who happened to have pretty sisters, or good housewives for mothers” (Irving, “The Legend of Sleepy Hollow”). Ichabod does not have the innocence or mentality that help to define an American Romantic hero, which is especially seen in how he does not appreciate nature as much as the American Romantics would. Rather than turning away from civilization and moving towards a deep inspiration and appreciation of nature, Ichabod embraces society. In this story, Ichabod appreciates Sleepy Hollow and wishes to stay there, thinking positively of the houses and luxuries that some of the people have. This is best demonstrated when Irving states, “When he entered the house, the conquest of his heart was complete” (Irving, “The Legend of Sleepy Hollow”). The quote explains how Ichabod appreciates the house that he is in and does not want to leave such a place. Nature,

The short story I have chosen to read by Washington Irving is 'The Legend of Sleepy Hollow.'; This story takes place in a little village on the Hudson River which by some is called Greensburgh, but which is more generally known as Tarry Town. The main character in the story, Ichabod Crane, who 'tarried'; in Sleepy Hollow came about for the purpose of instructing the children of the vicinity. The main point of the story began with the arrival of a Negro with an invitation to Ichabod to attend a party at the Van Tassel's mansion. After receiving the good news, Ichabod fixed up his best and only suit and borrowed a horse from Hans Van Ripper, in order to impress Mynheer Van Tassel's daughter, Katrina. He did so

One dark and lonely night, after a dance at the Van Tassel estate, Ichabod attempted to travel home. On his old horse, Gunpowder, he slowly made his way through the dark woods that crossed his path. Unfortunately, appearing from the dark shadows came a headless figure, which frightened Ichabod. In an attempt to escape, he ran to the covered bridge where the horseman was supposed to disappear into a burst of fire. Unfortunately, the figure flung its pumpkin head at Ichabod, knocking him off his horse and knocking him unconscious state that the next day, all that remained was a smashed pumpkin. Ichabod had disappeared. The story leaves you guessing what really happened. Did Ichabod run away, or did the Haunted Horseman kill him? Or was it Brom Bones, who married Katrina shortly after his opponent?s disappearance, and laughed every time there was mention of the pumpkin.

In Washington Irving’s short story “The Legend of Sleepy Hollow,” the conflict between Enlightenment and Romantic ideals is narrativized. Irving’s story is an exploration of the conflict between these two schools of thought. Irving uses his setting, his characters, and his “moral” (or lack thereof) to critique the Enlightenment. At first reading, “Sleepy Hollow” may seem no more than a dreamy folk tale. But when read in the context of the emerging resistance to Enlightenment thinking, it reveals itself to be a striking denunciation of the ideals of the Enlightenment.

To begin with, Washington Irving uses imagery to clearly illustrate the story’s development, immersing the reader into what is happening and causing them to feel suspense as they walk through various events together with Ichabod. For example, as Ichabod returns home from the party, Irving portrays his horrifying surroundings, describing Ichabod as a solitary figure in the “dead hush of

He saw a “gigantic [figure ready to pounce upon Ichabod]” (34). Ichabod runs the other way with his horse and then is “horror-struck on perceiving [the fact that] the [figure] was headless” (34). Just as Ichabod thought we was finally safe at the Church, the Horseman comes out, and throws a pumpkin at him. Till this day, Ichabod went missing. His body was not

The historical context urges the Irving’s great tale into the world of American mythology. Another example of the impact of mythological setting lies near the beginning of the plot arch. Rip goes up into the Kaatskill Mountains to hunt; a place that Irving depicts as remote in the following excerpt from the story: “Rip had unconsciously scrambled to one of the highest parts of the Kaatskill Mountains…and the still solitude had echoed.” The isolation that Rip had while in the mountains, where he would later sleep for twenty years, impacts the reader. It shows the reader the reason why nobody ever found him, as well as evoking a deeper emotion and concern for Rip as he slept out there all alone. Emotions find themselves imbedded in this mythology once again.

In preparation for the party at the Van Tassel mansion, Ichabod takes extra time to get ready, wears his best clothes, and even borrows a horse in order to attempt a noble and valiant façade. But, Ichabod’s foolish and strange appearance can never be disguised. Not only was the broken-down horse a pathetic sight to be seen, but Ichabod’s clumsily large stature overtook it in the most ridiculous of ways. “He rode with short stirrups, which brought his knees nearly up to the pommel of the saddle; his sharp elbows stuck out like grasshoppers’…and, as his horse jogged on, the motion of his arms was not unlike the flapping of a pair of wings” (Irving 5). There is nothing glorious or particularly attractive about Ichabod’s physical presence, which is the initial indication of his incompetence to fulfill the role of hero. His physical appearance exudes weakness and vulnerability, and it should not come as a surprise that his personality matches his anti-heroic appearance.

[Ichabod] passes long winter evening with the Old Dutch wives... and listen to their marvellous tales of ghosts...

“The dominant spirit, however, that haunts this enchanted region, and seems to be commander-in-chief of all the powers of the air, is the apparition of a figure on horseback without a head.” Although the movie Sleepy Hollow is based upon the book The Legend of Sleepy Hollow, there are also distinctions which allow each to tell their own tale. Washington Irving’s short story inspired Tim Burton’s film but did not limit it. The foundations of the two are much the same but their story lines unfold diversely. Some of the similarities include the setting, characters, and plot points. Two of the many contradicting ideas are the character of Ichabod Crane and the conclusions. The similarities and differences of both accounts can be stated plainly

First, Irving implements American values through very captivating characters. The characters can be compared to the everyday life of the citizens of early America. An example of this is Rip’s marriage to his wife Dame Van Winkle. In the story, Irving described Dame Van Winkle as being sharp-tongued and relentlessly nagging, “morning, noon, and night, her tongue was incessantly going and everything he said or did was sure to produce a torrent of household eloquence” (65). Dame is in direct conflict with how Rip wants to live his life and her constant nagging is a result of Rip going against the current social norms of working and not being lazy. Rip’s laziness causes his farm and his children to suffer, and “his fences were