Essay about East vs. West in "On the Road" by Jack Kerouac

Both The Road by Cormac McCarthy and The Empties by Jess Row are apocalyptic stories that describe the state of human civilization after the annihilation of civil society. Whereas in The Road civil society is destroyed and remains defunct after the apocalypse, The Empties tells of a people who are able to bounce back and reestablish their society. Many people today live their lives aimlessly, squandering their time day by day, partaking in life’s pleasures, and living for their own selfish reasons. McCarthy and Row bring attention to the selfishness and self-absorption that plagues today’s teens by showing two different possible scenarios following an apocalyptic event, resulting from a fundamental difference

In the novel, The Road, Cormac McCarthy illustrates the expressions, settings and the actions by various literary devices and the protagonist’s struggle to survive in the civilization full of darkness and inhumanity. The theme between a father and a son is appearing, giving both the characters the role of protagonist. Survival, hope, humanity, the power of the good and bad, the power of religion can be seen throughout the novel in different writing techniques. He symbolizes the end of the civilization or what the world had turned out to be as “The Cannibals”. The novel presents the readers with events that exemplify the events that make unexpected catastrophe so dangerous and violent. The novel reduces all human and natural life to the

Then Sal meets Dean; a wild, roguish character, and is so enchanted by him that he believes he can shape his own identity through being ‘like’ Dean. Hence, Sal takes to the road, planning to follow in Dean’s footsteps.

(E) The motif of the entire novel revolves around fire. Fire is used as a literal object as well as a

Robert Frosts “The Road Not Taken” is more symbolic of a choice one must make in their life in attempt to foresee the outcome before reaching the end, than it is about choosing the right path in the woods.

In the Robert Frost poem ‘’The Road Not Taken’’ there is a pervasive and in many ways intrinsic sense of journey throughout. In such, the poem explores an aspect associated with human decision, or indecision, relative to the oxymoron, that choices with the least the difference should bear the most indifference, but realistically, carry the most difficulty. This is conveyed through the use of several pivotal techniques. Where the first such instance is the use of an extended metaphor, where the poem as a whole becomes a literary embodiment of something more, the journey of life. The second technique used is the writing style of first person. Where in using this, the reader can depict a clear train of thought from the walker and understand

In Langston Hughes, "On the Road" the Sargeant is a homeless Black man that is desperate for food and shelter. In his desperation, Sargeant goes to the church to refuge, but there is no one at the Church to help him get refuge. Although Sargent is living in a time where the depression is in existence amongst all people, Black and White, he finds no one to help him. Sargent goes to the Church because the Church helps people. However, because Sargeant is Black and the Church is populated by a White congregation, he is rejected. In the story " One the Road", one of the people: A big black unemployed Negro holding onto our church... "The idea"! This represents that Sargent wants the benefits of the white

Sal changes because she eventually accepts her mom's death. Sal went on a road trip with gram and gramps to see her mom on her birthday but on they’re way there grams got bit by a snake and she had to go to the hospital because she had a stroke. Sal still wanted to go see her mom but gramps had to stay there with grams. Gramps knew that Sal wanted to see her mom so he gave her his keys to his car and Sal started driving but like two hours later after driving the cop pulled her over and she had to get in the cop car with the cop. The cop took Sal to her mom's grave. Then the cop takes her home and Sal comes to her senses and realized that she is jealous of three things after she says what she is jealous of she says “I miss my mom.” this quote shows that she accepts her mom's

Why do you think McCarthy has chosen not to give his characters names? How do the generic labels of “the man” and “the boy” affect the way you /readers relate to them?

It is remarkable how differentiated works of literature can be so similar and yet so different, just by the way the authors choose to use select certain literary devices. Two different novels, Brave New World, by Aldous Huxley, and The Road, by Cormac McCarthy, display these characteristics because of the ways the authors institute such mechanisms. Brave New World describes a futuristic era where humans are genetically manufactured for a certain job predestined to them before they are artificially created, and where common human emotions, desires, wants, and needs have all been modified to support a deemed utopian society where everyone lives and works together in harmony. The Road describes a post-apocalyptic

Archetypal criticism follows a basic rule of categorizing or relating any work of literature into a set framework. It works from a subjective basis, it is used to determine and grasp the ideas of universal truths messages through literary work. The universal truths and messages are determined by identifying patterns like character types, storylines, settings, symbols. The Road by Cormac McCarthy is a novel that accurately exemplifies the principles of archetypal criticism. This narrative account associates the characters of a young minor and his father to encapsulate the ideas of archetypal criticism. McCarthy presents the novel by setting the scene of a death-defying journey through a post-apocalyptic wasteland of America. The young lad

It was a 1951 TIME cover story, which dubbed the Beats a ‘Silent Generation, ’ that led to Allen Ginsberg’s retort in his poem ‘America,’ in which he vocalises a frustration at this loss of self- importance. The fifties Beat Generation, notably through Jack Kerouac’s On the Road and Allen Ginsberg’s Howl as will here be discussed, fought to revitalise individuality and revolutionise their censored society which seemed to produce everything for the masses at the expense of the individual’s creative and intellectual potential. Indeed, as John Clellon Holmes once noted: “TIME magazine called them the Silent Generation, but this may have been because TIME was not

Cormac McCarthy’s The Road is his post-apocalyptic magnus opus which combines a riveting plot along with an unconventional prose style. Released in 2006, the novel has won awards such as the Pulitzer Prize and the National Book Critics Circle Award (Wilson). Oprah Winfrey also selected the book for her book club ("Cormac McCarthy”). The author, Cormac McCarthy, was born in 1933 in Rhode Island and is said to have wrote the novel because of his son and their relationship. The Road centers around a boy and his father while they try to survive after an unknown disaster occurs. While some people may argue that the unusual style takes away from the novel, it adds to the tone and meaning of the work.

Imagine yourself living in a barren, desolate, cold, dreary world, with a constant fear of the future. The Road, written by Cormac McCarthy and published in 2006, is a vivid and heartwarming novel that takes us through the journey of a father and a son as they travel South in a post-apocalyptic environment facing persistent challenges and struggles. McCarthy proves that love unleashes immense strength to overcome obstacles, even in times of desperation.

I had just gotten over a serious illness that I won't bother to talk about, except that it had something to do with a miserably weary split-up and my feeling that everything was dead" (Kerouac 1). Thus begins Sal's life on the road and his search for a more meaningful, authentic life. He has failed to find authenticity in mainstream society but hopes to find it on society's fringes. In the novel, Sal's search for authenticity begins and ends with his association with Dean Moriarty. His highly charged friendship with Dean Moriarty continues throughout the novel but finally ends with a denouement in Mexico City. In his frenetic search for authenticity, Sal encounters a continuous progression of marginalized people that include not only Dean's friends and sexual partners but also hobos, migratory farm workers and black jazz musicians. Sal feels that all these people have authenticity because they all value the immediate over the traditional expectations of mainstream society. Kerouac defines the intense moment or "It" as the culmination of the immediate. "It" is well illustrated when Sal and Dean, together with a group of their Beat friends, go to a wild party at the house of Rollo Greb on Long Island, and Dean enthuses about Rollo saying, "if you go like him all the time you'll finally get it." "Get what?" "It! It! I'll tell you - now no time, we have no time now" (127). Later in