Echo And Namparisus : The Story Of Echo And Narcissus

Oedipus Rex, an ancient Greek tragedy authored by the playwright Sophocles, includes many types of psychological phenomena. Most prominently, the myth is the source of the well-known term Oedipal complex, coined by psychologist Sigmund Freud in the late 1800s. In psychology, “complex” refers to a developmental stage. In this case the stage involves the desire of males, usually ages three to five, to sexually or romantically posses their mother, and the consequential resentment of their fathers. In the play, a prince named Oedipus tries to escape a prophecy that says he will kill his father and marry his mother, and coincidentally saves the Thebes from a monster known as the Sphinx. Having unknowingly killed his true father Laius during his

Uncommon within the preponderance of Olympian gods, with the exclusion of the rather tenacious Zeus. His romantic escapades were frequent and never too long since his last. However, no action goes without consequence. This can be perceived in its prime within the myth of Echo and Narcissus. In this instance, Zeus uses the help of a nymph named Echo, “To keep Hera occupied with gossip while Zeus crept away on one his romantic escapades” (Head 27). It is shown that Zeus fully aware of the rash and unforeseeable acts of Hera, left Echo vulnerable and susceptible. Suspectedly, when Hera unearths the truth she is prevaded with outrage; unable to vent her ferocity with Zeus she condemns Echo to a life without a voice. Able only to repeat the sounds she had previously heard. Consequently, it is evident that there are numerous cases of infidelity each holding its own

Meanwhile, there was the mighty Zeus, the king of the gods, who was married to the goddess Hera. Hera is the goddess of War and Honesty, but she had an awful temper and often took it out on her husband, Zeus. Hera only loved Zeus because he was the king of gods and she wanted some of that power for herself, so she never let him leave her side, and although he was her husband, she talked badly about him, and constantly blamed and insulted him. Aphrodite witnessed this many times and started to feel empathy for Zeus, she knew Zeus was kind and didn’t deserve to be treated like that. At this, anger burned inside of Aphrodite for Hera and what she did to hurt Zeus, and as this anger burned she felt a passion. Aphrodite casually began to develop feelings for Zeus. She always told herself she shouldn’t, that Zeus was married and she needed to stay away, but she couldn’t help how she felt for Zeus.

Especially after Io’s entrance and the recount of her story, Hera seems more like a jealous wife than the noble queen she is presented as in Hesiod’s work. Her attitude towards Io is blamed on Zeus, who has not only provoked Hera’s actions but is her husband and thus responsible for Hera, as it was customary in ancient Greece.

The story of Theseus and Hippolytus is another myth that shows the role of women in Greco-Roman society. In this story Hippolytus rejects Aphrodite to follow Artemis. In revenge, Aphrodite makes Hippolytus' mother Phaedra fall in love with him. Phaedra, unable to control her sexual desire, makes her move on Hippolytus. After he rejects her, she hangs her self and leaves a note saying that Hippolytus raped her. When his father Theseus returns he kills him. This story shows that the Roman-Greco society thought women were filled with lies and the cause of many bad things. This is different than women's roles in today society because today it is usually thought that more men lie to avoid

Another criteria for Narcissistic Personality Disorder that Oedipus fulfills “Is often envious of others or believes that others are envious of him or her.”(DSM-5 669) For example, Oedipus tells Creon that,

Narcissism is defined as the love of ones self. Sigmund Freud was the first to use the word to characterize certain character traits. He got the word from the Greek mythological legend Narcissus who saw his reflection in water and fell in love with himself. Freud suggests that all of us have a bit of self love, but when self love goes extreme it can be a problem and is considered a pathological problem. Nora from “The Doll House,” only exuded narcissistic behavior because she was treated like a doll. She was spoiled and only thought that that was how she was supposed to behave in order to get what she wanted or to please the men in her

Algernon acts sort of narcissistic by living the “dream life”. I would say he is narcissistic because he spends all of his money on his extravagant lifestyle and by buying the best clothes; this causes him to go into debt and the bill collectors are always after him. He decides to make a fake friend named Bunbury to escape from the tax collectors and the city.

Echo used her voice to keep Juno from realizing that her husband was cheating on her with the other nymphs. Angry, Juno forbids Echo from ever being able to speaking first; Echo could only reply. One day Echo sees Narcissus and when he calls out asking who is there Echo replies summoning him. Once Narcissus saw Echo about to throw herself upon him, he claimed that he would rather die than be with her. Echo then huddled into a cave where she died and decayed, leaving only her voice. Narcissus turned away every maiden that came to him and one day he looked at his reflection in the water and fell in love with himself. Narcissus refused to eat or sleep and eventually died. The outcomes seem just to me in some ways and unjust in other ways. Echo

Hera Juno is a jealous and angry goddess while dealing with Zeus and his many mistresses. Even though Zeus and Hera are both married, Zeus falls in love with many other women. Her jealousy guides her to "punishing the many women Zeus falls in love [with]... [no matter] how innocent [the women are]" (Hamilton, Mythology,27). Hera's jealousy guides her to disempower women because of her husband , who is culpable, lies with them. Hera does not attempt to fix her marriage at all. Her anger gets the best of her even if the women "yielded only because he coerced or tricked them" (Hamilton,27). She does not care if Zeus,himself, tricks the women; She only sees it as their fault. Hera simply lets Zeus get away with whatever he wants.

Nick is a World War I veteran who, as many veterans, suffers from emotional trauma that his experiences from the war left him with. Multiple scenes throughout the story, Big Two Hearted River, relates to Nick, the main character’s, journey toward recovery. Nick describes his surroundings in way that parallels to his own experiences and current voyage in respect to his revival.. He takes a calming adventure saturated with calming natural paths over hills, through woodland, and along a river to find peace with himself and to return to his prewar state of mind.

When Hera found out about Zeus’ dirty deeds, she convinced Semele to ask Zeus for proof of his true nature. Zeus agreed and presented himself to her in his true form, Zeus’ true glory however burned Semele alive. (ML 301) This myth is a prime example of Zeus’ human tendencies of acting like a common man as he gives in to his more primitive needs and cheats on Hera with Semele.

One day while tending Poseidon’s hippocampi, the cyclops were approached by Aphrodite. She instructed them to give Poseidon the nectar and then tell him to seek her immediately, and they did, for they could not resist the soft voice and beauty of Aphrodite. Once given the nectar and instructions, Poseidon created a tsunami and rode it to Mount Olympus. Once Poseidon arrived he was immediately met by the vengeful goddess. Aphrodite whispered in Poseidon’s ear, “Take Eelos’ beauty and make it mine, for if you do, I will be yours.” The nectar coursing through him, making him very suggestive, Poseidon went away immediately and did as told. He dipped his trident in the blood of the slain serpent Python, then in the sea. Poseidon found Eelos and took him by wrist and led him down to the sea, where he stabbed Eelos with the laced trident. Eelos shrieked in agony as his beauty was being taken from him and he was becoming a sea serpent. The instant the deed was done, Poseidon broke free from Aphrodite’s charm and realized what he had done. He fled to Zeus, the watchful god, and told him of the treason

The myth of Narcissus, written by Ovid, is the tale of a hero whose self love gradually brought him to his death. Although Eve’s memorization of herself at the pool did not ultimately take her life, there are many similarities which tie Eve’s scene at the pool and the myth of Narcissus together. Mr. Collett writes, “This situation by the pool echoes Ovid's tale of Narcissus and attributes to Eve a native vanity that issues in the Fall, sometimes finding additional sinister implications in periodic resemblances between the creation of Eve and the birth of Sin.” (Collett 88). Throughout his article, Collett notes on similarities found not only between Narcissus and Eve, but also between the birth of Eve and the birth of Sin. One similarity can be found in the myth of Narcissus. Echo, a local nymph, crosses paths with Narcissus, and at first glance, notices his beauty and falls in

The construct of narcissism finds its origins in ancient Greece and Ovid’s Metamorphoses, with the proud and vain figure of Narcissus, cursed by the goddess, Nemesis, to fall in love with his own reflection. However, conceptualizations of pathological narcissism did not became a part of psychological theory until the late nineteenth century with Freud’s eminent essay: On Narcissism (Ronningstam, 2005). As Freud theorized on narcissism and, ironically, experimented with cocaine, the formal diagnosis of addiction was precipitously incorporated into the medical literature in response to increasing uncontrolled narcotic use and growing public health concern (Markel, 2012). Perhaps predictably, theorizing on the possible association between narcissism and addiction, particularly in the psychoanalytic tradition, has been addressed by theorists since. The term narcissistic personality disorder (NPD) was first introduced by Heinz Kohut in 1968, and saw inclusion in formal diagnostic literature in 1980 as a part of the significant revisions to personality disorders in the third edition of the Diagnostic and Statistical Manual of Mental Disorders (DSM; American Psychiatric Association, 1980).